Variety's Scores

For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17825 movie reviews
  1. Like virtually every stand-alone MCU movie to come before, “Shang-Chi” does a fine job of presenting its hero as a relatable everyman during the first half before spiraling off into bombastic, brain-numbing supernatural mayhem for the final act.
  2. Luca, set in Italy in the ’50s, is modest to a fault, and at times it feels generic enough to be an animated feature from almost any studio. But it’s a visually beguiling small-town nostalgia trip, as well as a perfectly pleasant fish-out-of-water fable — literally, since it’s about a boy sea monster who longs to go ashore.
  3. As an alien-attack thriller, Prey is competent and well-paced, though with little in the way of surprise. But the journey of Naru lends it a semblance of emotional coherence that most of the “Predator” films have lacked.
  4. Simply fuzzy filmmaking of the worst sort.
    • 71 Metascore
    • 60 Critic Score
    Melvin Van Peebles produced this film, edited it, wrote the screenplay, composed the music and played the leading role. He comes out ahead in all but one category: there are some serious problems with his screenplay.
    • 71 Metascore
    • 60 Critic Score
    US suburbia boredom is treated in an original manner in this cross between a sci-fi opus, a thriller, a suspense pic and a parable on certain aspects of American middle-class life.
  5. Not so much harrowing as achingly reflective.
  6. A penetrating and ultimately heartbreaking inventory of hard lessons learned on and off the court.
    • 71 Metascore
    • 70 Critic Score
    Superb casting and nifty work by every member of the company rates plenty of breveting.
  7. Trueba has drawn a funny little valentine, shot through by a bright, sharp arrow of feeling.
  8. Cutting to the emotional core of what social media says about us, the result is as much a time capsule of our relationship to (and reliance upon) modern technology as it is a cutting-edge digital thriller.
  9. Viewers who like their conclusions tidy may rebel, but those who relish outstanding performances in the service of an intriguing idea will be entertained.
  10. Holes will no doubt speak clearly and appealingly to its intended early teen audience.
  11. May or not be Robert Altman's best film in years, but it is certainly his most pleasurable.
  12. A bittersweet story of man, beast and a very real relationship that makes helmer Lisa Leeman's documentary the thinking person's "Dumbo" -- and, coincidentally, one of the better kids' movies.
  13. A tightly constructed "dramatic thriller" in which the tension comes as much from what the characters are thinking as from what they end up doing, Jerichow again confirms writer-helmer Christian Petzold ("Yella," "The State I Am In") as a world-class talent who remains underappreciated beyond Germany.
  14. Rudy is one of those beating-the-odds tales that no one does better than Hollywood. A film that hits all the right emotional buttons, it's an intelligent , sentimental drama that lifts an audience to its feet cheering. In the current filmgoing climate, this is an easy winning touchdown that should score big returns.
  15. Spiked with wonderfully funny sequences and some brilliantly original notions, The Big Lebowski, a pseudo-mystery thriller with a keen eye and ear for societal mores and modern figures of speech, nonetheless adds up to considerably less than the sum of its often scintillating parts.
  16. Ghost throws its most powerful punch in its second half, reporting on contempo events as a direct repeat of the ghastly Leopold era.
  17. Catch the Fair One is activist filmmaking at its most compelling. Before you run away from the notion, consider this: It doesn’t feel like this tough, relentlessly dark thriller is trying to push some kind of political point, even if so many of its creative choices succeed in doing exactly that.
  18. Playing a Big Tobacco lobbyist, Aaron Eckhart puts his golden news-anchor good looks and smooth conviction to better use than in any pic since his breakthrough film, "In the Company of Men."
  19. Go with it, and Heretic can be an entertaining ride. It may not change your mind about religion, but you’ll never think of blueberry pie the same way again.
  20. One of the year’s most delightful moviegoing surprises, a quality family film that rewards young people’s imaginations and reminds us of a time when the term “Disney movie” meant something: namely, wholesome entertainment that inspired confidence in parents and reinforced solid American values.
  21. An energetic and imaginative tale of siblings at a criminal crossroads and a street movie that is imaginatively, even poetically, shot, the pic nonetheless remains rooted in the turmoil of an immigrant British demimonde.
    • 71 Metascore
    • 40 Critic Score
    Monkey Shines is a befuddled story about a man constrained from the neck down told by a director confused from the neck up.
    • Variety
  22. While not every tonal downshift here is entirely fluid, this remains a smart, risky one-off, unconcerned with those (and there will be many) who can’t acquire its taste.
  23. Presented and narrated with warmth and welcome moments of humor by thesp Jeremy Irons, often seen wearing a hat that looks salvaged from a recycling bin, the picture delivers a judicious mix of human interest and useful statistics that will make it accessible to middle-class audiences.
  24. Though perfs and dialogue remain somewhat theatrical, the combined acting prowess of the trio ensures the emotions are heartfelt.
    • 71 Metascore
    • 80 Critic Score
    An immensely ambitious and audacious love story spanning 30 years and two continents.
  25. Ema
    What’s novel about Ema is that Pablo Larraín has made a movie that, in its form, is every bit as warped and jagged and jarring and difficult to cuddle up to as its heroine.

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