Variety's Scores

For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17825 movie reviews
  1. It is, frankly, a lot to absorb — and would risk crumbling under the weight of Lee’s ambition were it not for the second gut punch to the region that BP’s horrifying blunder delivered.
  2. Boasting a brawny aesthetic and the kind of loopy logic where it’s fun to fill in the gaps, the high-concept thriller gives a different take on the arc of history bending towards justice.
  3. Many will accuse Perry of navel-gazing here, but that’s partly the point: Golden Exits means to frustrate, even to abrade, in its coolly articulate portrait of cosseted people who want for nothing and vaguely desire everything.
  4. The picture combines the built-in drama, tension and suspense of documentaries such as "Spellbound" with exciting, beautifully lensed variations performed by the virtuosos of the future.
  5. It’s at once cheesy and charming, synthetic and spectacular, cozily derivative and rambunctiously inventive, a processed piece of junk-culture joy that, by the end, may bring a tear to your eye.
    • 72 Metascore
    • 80 Critic Score
    The subject has been done before, but Refn avoids the cliches, both in the story itself and its telling.
  6. It’s a passionate comic book in which the combat has meaning.
  7. Gimme Danger has an ironic tone for a Stooges portrait: dutiful and engrossing, but not electric or crazy.
  8. As a magnificently unlovable art-house object, El Conde is perhaps best approached as a challenge: Run the gauntlet if you dare, and if, at the other end, you emerge dazed and disturbed rather than straightforwardly entertained, perhaps those are just the splinters you get when you try to stake a vampire.
  9. Arco looks at once fantastical and recognizable, removed just enough from what we know in our present, but grounded on familiar, childlike amazement.
  10. With equal measures of prickly wit, gleeful pride and bemused gratitude, Charles Nelson Reilly looks back at his life, and invites his audience to share the view, in this thoroughly engaging filmization of his one-man stage show.
    • 72 Metascore
    • 80 Critic Score
    The Wolf Man is a compactly-knit tale of its kind, with good direction and performances by an above par assemblage of players, but dubious entertainment.
    • 72 Metascore
    • 80 Critic Score
    Fantastic Voyage is just that. The lavish production, boasting some brilliant special effects and superior creative efforts, is an entertaining, enlightening excursion through inner space - the body of a man.
  11. The result is a genuinely funny and ultimately heart-pounding production, with an execution that feels like a heist itself.
  12. A virtual primer on the unique mixture of self-deprecating dark humor and personal tragedy that has been the Czech cinema's stock-in-trade since their celebrated 1960s New Wave.
    • 72 Metascore
    • 70 Critic Score
    Gross, silly, caustic, tasteless and obnoxious are all adjectives that alternately apply to Monty Python's The Meaning of Life though probably the most appropriate description would simply be funny.
  13. None of this would work at all if it weren’t pinned to the unselfconscious gaze of Fuki (delightful newcomer Yui Suzuki), 11 years old and already an original.
  14. Bears all the earmarks of a magnum opus for Martin Scorsese: Fascinating and fresh material about his beloved New York City, an epic reach, an equally epic gestation period, a dynamic criminal element, combustible socio-political-religious elements, outstanding actors and sophisticated allusions to cinema history that inform and enrich the experience.
  15. An unbeatably colorful life story.
  16. Mounted as an art film and is likely to divide both critics and the helmer's fans.
  17. Quaid's effortlessly compelling and engagingly earnest performance keeps pic grounded in down-to-earth reality.
  18. Easy on the eye and effortlessly entertaining across almost 2½ hours.
  19. Consistently engrossing as an unusual character study and as a trip to the mysterious border-crossing between rarified brilliance and madness, this serious-minded but lively film is distinguished by an exceptional performance by Russell Crowe.
  20. John Maclean’s impeccably crafted writing-directing debut at times has a distinctly Coen-esque flavor in its mix of sly intelligence, bleak humor and unsettling violence, exuding fierce confidence even when these qualities don’t always cohere in the smoothest or most emotionally impactful fashion.
  21. You could almost watch Barry even if you’d never heard of Barack Obama: The movie is simply interested in what it looks like when a guy who’s got this much going for him has a piece missing.
    • 72 Metascore
    • 70 Critic Score
    James Cagney is simply great as the captain of the ship. William Powell tackles the role of ship’s doctor with an easy assurance that makes it stand out and Jack Lemmon is a big hit as Ensign Pulver.
    • 72 Metascore
    • 60 Critic Score
    As a 16mm cinema verite of four rock musicians in a studio jamming a bit, trying to get their music together, clowning and rapping a little, and finally doing a brief concert, Let It Be is a relatively innocuous, unimaginative piece of film.
  22. The film demonstrates its director’s characteristic nose for strong material and knack for gripping, straightforward storytelling.
  23. Pablo Larrain's breathtaking visual command makes for enthralling viewing in Post Mortem, a rigorous, formally controlled yet emotionally gripping drama set during Chile's bloody 1973 military coup.
  24. It comes as little surprise that Howard, a nimble and proficient storyteller in non-fiction and fiction like, hasn’t a natural documentarian’s drive for information: This diverting, brightly assembled boomer nostalgia trip won’t open the eyes of any existing Fab Four fans, however much it pleases their ears.

Top Trailers