Variety's Scores

For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17825 movie reviews
  1. With vibrantly expressive aesthetics that match the energy of its defiant and distressed heroine, this impressive coming-of-age indie . . . heralds the arrival of both a distinctive new filmmaking voice and a leading lady with charisma to burn.
  2. Yet for all the enjoyable flourishes, and there are many, Ephron keeps pausing to remind us, through various contrivances, that this is a movie, making it hard for anyone to really get lost in the story.
  3. For all the peril that darkens its fringes, there’s an indomitable youthful exuberance that thrums through Catalina Arroyave Restrepo’s debut feature “Days of the Whale.”
    • 72 Metascore
    • 80 Critic Score
    Elia Kazan gives a penetrating, thorough and profoundly affecting account of the hardships endured and surmounted at the turn of the century by a young Greek lad in attempting to fulfill his cherished dream - getting to America from the old country.
  4. This gorgeously crafted romp through the backlots and Malibu enclaves of Hollywood’s Golden Age tosses off plenty of eccentric comedy and musical razzle-dazzle before taking on richer, more ruminative dimensions, ultimately landing on the funny-sad question of whether life is but a dream factory.
  5. The film’s sheer unblinking stamina is as impressive as its pristine formal composure, though it has to be said that at nearly three hours — somewhat surprising, considering the novel’s brevity — its blunt-instrument force doesn’t yield much fresh perspective on oft-dramatized atrocities.
  6. 4
    Its bawdy comedy, bravura sound design and uncanny atmosphere will turn on auds with a taste for deeply oddball fare and baffle others.
  7. The imagery of destruction and assault is powerful on its own terms; it’s in building the story of the participants’ motives and actions that Four Hours at the Capitol falters, making what could have been a definitive document into a deeply flawed one.
  8. Barrino’s soul-felt R&B sensibility lends itself to the role, and the patience it took to reach this point mirrors Celie’s long path to finding herself. Barrino may have embodied the character on Broadway 15 years earlier, but the moment is now right, and everyone else in the terrific ensemble seems to have fallen into place around that choice.
  9. This kooky-monster escapade is never less than arresting, and sometimes even a riot.
  10. Mistaken for Strangers, a documentary about indie group the National, comes off like an exercise in self-deprecation. As much a diary film as a rockumentary, it almost compulsively veers away from its ostensible subject.
    • 72 Metascore
    • 70 Critic Score
    John Hughes has come up with an effective nightmare-as-comedy in Planes, Trains & Automobiles. Disaster-prone duo of Steve Martin and John Candy repeatedly recall a contemporary Laurel & Hardy as they agonizingly try to make their way from New York to Chicago by various modes of transport.
    • 72 Metascore
    • 80 Critic Score
    Young Kieran Culkin holds his own against a stellar ensemble in Igby Goes Down, a family comedy so dark it turns "The Royal Tennebaums" into latter-day Bradys.
  11. With Adlon there to spot them, Glazer and Buteau trust-fall into their respective parts, potentially unlikable qualities and all. At times, the pair get so filthy, you may not believe your ears. But strength, as the saying goes, comes from the mouth of babes.
  12. Develops into an endearingly scrappy and romantic romp that serves up some nice soul-searching moments alongside a steady stream of laughs.
  13. Far from the austere death march it might threaten to be on paper, this is a thrumming, heartsore, sometimes viciously funny character study, sensitive both to the singularities of Chubbuck’s psychological collapse and the indignities weathered by any woman in a 1970s newsroom.
  14. Narrative complexity and momentum make this a true cinematic equivalent of an absorbing page-turner.
    • 72 Metascore
    • 70 Critic Score
    As high tech, rock hard and souped up as an action film can be.
  15. Viewers, too, may feel at once cast adrift in the film’s amorphous quests, and languidly seduced by its disorder.
    • 72 Metascore
    • 50 Critic Score
    Distilled from a six-episode Israeli TV series, pic mostly fails to transcend its ramshackle structure or penetrate the inner-lives of its subjects.
  16. The movie’s not only appropriate for teen audiences, but also constructive in the way it invites viewers to consider and discuss issues of intolerance and hypocrisy, even as it encourages those who don’t fit the straight, marriage-oriented paradigm to embrace their own identities.
  17. Markedly grander in scale, although never at the expense of its richly human (and half-human) characters, “Into Darkness” may not boldly go where no “Trek” adventure has gone before, but getting there is such a well-crafted, immensely pleasurable ride that it would be positively Vulcan to nitpick.
  18. The fun momentum of Dope’s breakneck plotting and snappy dialogue easily overcome any momentary attack of earnestness.
  19. The last third of “Queer” may prove to be a challenge for audiences — much more so than the film’s explicit eroticism. Yet Luca Guadagino is telling a version of the same compelling story that he told in “Call Me by Your Name”: that of a queer love that, instead of delivering the salvation it promises, withers under the gaze of the real world.
  20. Helmers Mike Lerner and Maxim Pozdorovkin... don’t quite get to the issues behind the trio’s infamous performance at the historic Christ the Savior Cathedral in Moscow last year, but the young women’s vulnerability and defiance make for stirring viewing.
  21. A uniquely thought-provoking chronicle of an event that, in the absence of any real preventive action taken by oil companies or the U.S. government, calls out for further cinematic and journalistic attention.
  22. It’s not necessarily artful, but it’s also never less than compelling. If anything, Soechtig has only refined her skills at packaging a slick, audience-friendly documentary with a subject that feels even more urgent.
  23. The eighth entry in Disney’s eco-minded Disneynature series, Monkey Kingdom may well be its cheekiest, funniest and most purely entertaining.
  24. As terrific as Stone is, though, it’s Jesse Plemons who gives the film’s most extraordinary performance.
  25. Top-class fighting and fabulous production design overcome the stale plot.

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