For 17,825 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,159 out of 17825
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Mixed: 7,029 out of 17825
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Negative: 1,637 out of 17825
17825
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Debruge
It’s an old-fashioned literary fable, spiked with shots of grimacing men with sunburned faces blasting one another with shotguns that wouldn’t be out of place in a Sergio Leone movie.- Variety
- Posted Apr 15, 2022
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Reviewed by
Peter Debruge
Though its weak bounty-hunter plot makes almost no sense, After Blue satisfies that thirsty spot in our psyche too few films succeed in tickling, where dreams are born, hormones churn and logic simply doesn’t apply.- Variety
- Posted Jun 3, 2022
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Reviewed by
Guy Lodge
Whether wholly performed or partially authentic, The Tsugua Diaries wittily evokes the volatile mood swings of lockdown — how concentrated time with the same people can yield either irritation or intensified closeness from day to day, particularly in a sticky-hot summer haze.- Variety
- Posted Oct 19, 2021
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Reviewed by
Guy Lodge
All Yogi’s actors work in subtle, effective deference to his natural command of atmosphere and place: This is a film where Hawaiian rainfall has as prominent and evocative a voice as any human presence, and where the growth of a tree marks time as clearly as the deepening crevices in a character’s face.- Variety
- Posted Dec 9, 2021
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Reviewed by
Jessica Kiang
Partly, the balance between gritty, true-life fidelity and pacy, exciting storytelling is achieved because in Rye, to whom Eric Kress’ warm, compassionate camera clings so doggedly, we have such a sympathetic, human protagonist.- Variety
- Posted Oct 14, 2021
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Reviewed by
Owen Gleiberman
Mayor Pete shows us the trial by fire of it all, and also the jubilant grind.- Variety
- Posted Nov 13, 2021
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Mark Keizer
Ultimately, Moll’s film is a cautionary tale for the lonely among us, a reminder that one step away from idealizing romance lies the risk of becoming a fool for love, which just might get you killed.- Variety
- Posted Oct 28, 2021
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Reviewed by
Guy Lodge
Rather than taking a detached anthropological tour of the community, Bolognesi lets the Yanomami present themselves in their own words and on their own terms, thus enlivening everything from their mealtimes to their mythology.- Variety
- Posted Nov 4, 2021
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Dennis Harvey
A graceful, touching sampler of dilemmas few viewers are likely to have experienced, even as they become ever-more-common reality for the less fortunate in many nations.- Variety
- Posted Nov 12, 2021
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Todd McCarthy
Resourceful filmmakers Bud Friedgen and Michael J. Sheridan have come up with a bang-up third anthology of Golden Era musical highlights that capably holds its own with its predecessors.- Variety
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- Critic Score
Nightmare Alley is a harsh, brutal story [based on the novel by William Lindsay Gresham] told with the sharp clarity of an etching.- Variety
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Reviewed by
Joe Leydon
As timely as last night’s episode of “ESPN Sports Center,” and as riveting as a well-crafted tick-tock suspenser, National Champions adroitly avoids most of the pitfalls common to conventional “message movies” by raising and debating issues in the context of a solid and involving drama that can be enjoyed even by people who couldn’t tell an offside kick from a cheerleader’s cartwheel.- Variety
- Posted Dec 9, 2021
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Made on a modest budget and filmed entirely on location in Arizona, Lilies reveals Sidney Poitier as an actor with a sharp sense of humor.- Variety
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Reviewed by
Nick Schager
Handsomely mounted and deftly dramatized, it’s an agonized study of suffering and treachery, and no less valuable — or powerful — for being regrettably familiar.- Variety
- Posted Dec 3, 2021
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Reviewed by
Owen Gleiberman
It’s a welcome reminder that less, in the movies, can sometimes be more.- Variety
- Posted Feb 9, 2022
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Reviewed by
Michael Nordine
Skyler Davenport’s lead turn in director Randall Okita’s no-nonsense thriller (which debuted at the Tribeca Film Festival last summer) will be worth remembering well after the January doldrums have passed.- Variety
- Posted Jan 9, 2022
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Reviewed by
Owen Gleiberman
X is a wily and entertaining slow-motion ride of terror that earns its shocks, along with its singular quease factor, which relates to the fact that the demons here are ancient specimens of humanity who actually have a touch of…humanity.- Variety
- Posted Mar 14, 2022
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- Critic Score
Legend, adventure and poetry fuse to make this engrossing, if overlong, film material.- Variety
- Posted Jan 11, 2022
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Reviewed by
Dennis Harvey
The director shoots and cuts almost every scene so that the most innocuous action seems charged with the expectation that something awful is about to erupt, cranking viewer tension to an unpleasant degree.- Variety
- Posted Jan 26, 2022
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Reviewed by
Jay Weissberg
Given ongoing developments, it’s no surprise the film concludes abruptly, and knowing that there’s been no power change in the country so far adds an inherent level of bleakness, yet Paluyan captures the hopes of a population that spans across gender and generations, and there will always be something uplifting about watching people fight peacefully for freedom.- Variety
- Posted Jan 12, 2022
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Reviewed by
Peter Debruge
A Love Song should resonate with those who seek truth more than incident from their movies.- Variety
- Posted Jan 22, 2022
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Richard Kuipers
Donji’s screenplay finds an ideal balance of gentle humor and life-affirming drama.- Variety
- Posted Feb 8, 2022
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Reviewed by
Jay Weissberg
Through an ingenious blend of image and music, Memory Box opens channels that allow our own experience to empathetically blend with those of the characters in a mix of imagination and reality.- Variety
- Posted Jan 21, 2022
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Reviewed by
Owen Gleiberman
Fire of Love, which has been directed by Sara Dosa with a discursive, let’s-try-it-on lyricism, is like one of Werner Herzog’s documentaries about fearless outliers, only this one is touched with romance.- Variety
- Posted Jan 22, 2022
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Reviewed by
Peter Debruge
Fresh comes across as a carefree bit of bloody fun. But there’s considerably more going on beneath the surface, and the allegory is open-ended enough to hit a range of viewers on different levels.- Variety
- Posted Jan 22, 2022
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Reviewed by
Guy Lodge
Unfolding over a faintly indulgent but never dull two hours, this is a rare children’s entertainment that isn’t afraid to perplex kids as much as it enchants them, down to a coda that prompts a certain level of junior existential contemplation (not to mention a mournful tear or two).- Variety
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Reviewed by
Peter Debruge
Dual is in fact a fairly astute comedy. The laughs come not from jokes so much as sharp jabs of truth — wince-inducing insights into the subjects most movies won’t touch, like our fear of death, intimacy and being forgotten.- Variety
- Posted Jan 24, 2022
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Lisa Kennedy
Riveting ... Kennedy not only builds a case against Boeing but offers an object lesson in the tragic consequences of corporate greed and hubris.- Variety
- Posted Jan 29, 2022
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Amy Nicholson
McCormack is fantastic in a role so subtle it could appear flatlined and phony if people aren’t playing attention.- Variety
- Posted Jan 24, 2022
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Tomris Laffly
Not all of Diallo’s thematic queries land, and at times, she weakens her ideas by over-explaining them. Nevertheless, her fearless interrogation resonates like a penetrating scream you can’t unhear.- Variety
- Posted Jan 26, 2022
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Reviewed by