Variety's Scores

For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17825 movie reviews
  1. The images here are often dizzying and dazzling.
  2. The affectionate cine-memoir is rendered all the more effective on account of young discovery Jude Hill and its portrayal of a close-knit family (Ciarán Hinds and Judi Dench and stay-put grandparents) crowded under one roof.
  3. A story like this can’t help seeming far-fetched at times but the emotional stakes are so high and the plot so pacy and intricately woven that most viewers will gladly suspend disbelief and enjoy a ride packed with hair-raising close calls and narrow escapes.
  4. House of Gucci is an icepick docudrama that has a great deal of fun with its grand roster of ambitious scoundrels, but it’s never less than a straight-faced and nimbly accomplished movie.
  5. An abrupt change of pace from Wild Reeds, director Andre Techine's Cannes-competing Thieves (Les Voleurs) elevates a seemingly routine police drama into a Rashomon-style exploration of family and amorous ties. Handsomely and meticulously made, the film nonetheless appeals mostly to a rarefied audience.
  6. As Birds of Paradise reveals its (admittedly predictable) secrets one by one, it does so with style and a merited sense of confidence so assertively that even the biggest skeptics of the genre might pause before dismissing it as just another slight YA entry.
    • 79 Metascore
    • 80 Critic Score
    Paul Mazursky's excellent screenplay presents Jill Clayburgh in a most demanding role where she is torn between conflicting forces following the surprise confession of weak-willed husband Michael Murphy that he has fallen in love with another woman.
    • 84 Metascore
    • 80 Critic Score
    A very fine film about real people on the fringes of both crime and law enforcement.
  7. Without trivializing the matters at hand, The Seer and the Unseen tempers complex national interests with droll human ones.
  8. The movie does a compelling job laying out how vulnerable this relationship was, given their faith, given Ali’s ascendency in the nation and the Nation.
  9. This slick mix of special effects and practical ingenuity puts Affleck in a fun position, and the slightly grizzled star’s still got the clench-jawed charisma to pull it off. [Work in Progress SXSW 2023]
  10. Hníková’s absorbing, intelligent, subtly provocative film resolutely avoids passing judgment on the wisdom of raising a boy in the bubble of his parents’ undivided attention; just see if you can do the same.
  11. There’s no obvious release or relief here, however: Ducharme’s is an untidy reckoning, as solemn and reticent as the film surrounding her.
  12. Mesen’s delicate yet earthy, thoughtful yet sensual movie never tips its hand as to whether Clara’s abilities are real or imaginary — indeed it makes the line between fact and fantasy seem as nonsensical as it might to a horse — and it pays off in one of those obscurely uplifting endings.
  13. There’s a barreling momentum to the filmmaking that feels true to the cut and thrust of restaurant life, regardless of the script’s digressions.
  14. Don’t miss this strange, special little film.
  15. Yes, Sundown is a mystery, but it’s also a Rorschach test. No two people will see the film the same way.
  16. It’s deceptively simple yet deeply philosophical stuff, channeled by first-rate genre filmmaking.
  17. Ruthlessly entertaining ... Lane is a master archive digger, unearthing priceless artifacts, some damning, others endearing.
  18. “I Wanna Dance with Somebody” is the kind of lavishly impassioned all-stops-out biopic you either give into or you don’t — and if you do, you may find yourself getting so emotional, baby.
  19. Spinning a winning, delicate love story would be almost impossible if not for the performances of the leads. Ali and Harris have impeccable chemistry, making us feel the profundity and stakes of their romantic relationship.
  20. McDonagh’s characters are more complex than the initial caricatures make them out to be — perhaps, in the end, even pitiful — leaving audiences to decide how they feel about their ultimate fates.
  21. In this hard, unblinking film, even a moral victory feels like defeat.
  22. [A] neatly observed, rueful Israeli dramedy.
  23. Think of John Ford vistas by way of Kelly Reichardt’s lyricism, soulfully underscored by Bach, and you’ll be roughly in Mahdavian’s vicinity.
  24. Few directors could get away with giving audiences so little context or plot, but the Zürchers succeed in piquing our curiosity, which is all one really needs to sustain a film.
  25. Revenge is a dish served with considerable style and imagination in Saloum, a fast and furious crime-horror-thriller that twists and turns its way around the mangroves, islets and inlets of Senegal’s Sine-Saloum coastal region.
    • 64 Metascore
    • 80 Critic Score
    Cross of Iron more than anything else affirms director Sam Peckinpah's prowess as an action filmmaker of graphic mayhem.
    • 72 Metascore
    • 80 Critic Score
    It faced the problem of a director-switch in mid-stream. But with a bunch of weighty stars, terrific special effects and several socko situations, producer Carl Foreman and director J. Lee Thompson sired a winner.
  26. The film is a powerful reminder never to underestimate the historical evils that have been, and could again be, unleashed.

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