Variety's Scores

For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17807 movie reviews
  1. Helmer Cheang and action director Li Chung Chi offer an impressive array of rock-’em-sock-’em setpieces — including a battle royale at a cruise ship terminal, and grand finale in a Hong Kong high-rise — and the performances, especially those by Wu, Koo and Zhang, are thoroughly attuned to the movie’s overall tone of fever-pitched martial-arts noir melodrama.
  2. There are some raw, stirring interludes here...but the film’s sheer mass of similar material rather reduces their impact.
  3. A film that mines reserves of tenderness in young female angst and cluelessness with loving empathy.
  4. It’s fine — and true enough to Marvel — to make a “Spider-Man” movie about a young adult, but Spider-Man: Homecoming has an aggressively eager and prosaic YA flavor.
  5. The last act of Tiny Tim: King for a Day is about Tiny’s descent, which the film portrays with a haunted majesty worthy of a Larry Karaszewski/Scott Alexander biopic.
  6. An unconventional, ultimately rather sweet buddy pic that’s an audiovisual treat.
    • 73 Metascore
    • 80 Critic Score
    The performances are all on the money, but two are outstanding. Newcomer Witherspoon manages to strike exactly the right note as the tomboy on the verge of womanhood while Waterston works on several levels at once.
  7. By forcing Puss to contemplate his priorities, the sequel more than justifies its own existence, while paving the way for how his path meets the big green guy’s.
  8. Building his dry comedy out of a basic confusion of names, an Army recruitment slip and one man's curiosity, Jacobs creates a droll, meandering and defiantly uncommercial film.
  9. The pace never flags, but some of its entertaining devices work against Ferguson’s insightfulness.
  10. Venturing into fresh creative terrain without relinquishing his familiar themes and stylistic flourishes, Hong Kong auteur Wong Kar Wai exceeds expectations with The Grandmaster, fashioning a 1930s action saga into a refined piece of commercial filmmaking.
  11. Some general viewers may feel let down by the relatively scant action.
  12. A 10-course treat for the eyes and ears.
  13. Transcends mere torture porn -- though there's plenty for the squeamish to squirm over here -- in its deftly controlled mix of empathy, grotesquerie and sardonic humor.
  14. Golden Slumbers is an elegantly assembled and deeply moving remembrance of Cambodian cinema
  15. Chen’s delicate, nuanced portrait of the heartbreaks afflicting a dedicated schoolteacher and dutiful wife is suffused with love and humor, and directed with striking maturity and restraint.
  16. Out of My Mind is a worthy and unique coming-of-age tale. Despite the speedbumps encountered, the filmmakers drive home the poignant message that a person’s disability shouldn’t impede their growth and independence.
  17. The Bibi Files is an important documentary, because it takes in the big picture of how Benjamin Netanyahu became so entrenched that he remade Israel in his own image, in much the same way that Trump has done in the U.S. and will now try to do even more.
    • 73 Metascore
    • 60 Critic Score
    Though Garbo is sexy and hot in a less subtle way this time, and though the plot goes about as far as it can in situation warmth, the story presents nothing sensational.
  18. Highlighted by the star's vastly entertaining performance, this funny, broad but ultimately serious-minded drama about an old-timer driven to put things right in his deteriorating neighborhood looks to be a big audience-pleaser.
  19. Ask yourself: Just how curious are you to understand the source of Shia LaBeouf’s insecurities and rage? If this is a subject of high importance to you, then you’re in luck, because Honey Boy offers a sincere window into the actor’s soul: a vulnerable, honest (or at least honest-seeming) act of therapy through screenwriting
  20. In The Killer, David Fincher is hooked on his own obsession with technique, his mystique of filmmaking-as-virtuoso-procedure. It’s not that he’s anything less than great at it, but he may think there’s more shading, more revelation in how he has staged The Killer than there actually is.
  21. There’s a barreling momentum to the filmmaking that feels true to the cut and thrust of restaurant life, regardless of the script’s digressions.
  22. Although she died in 1985 at the age of 74, the human rights activist, lawyer, poet, professor and first Black woman to be ordained an Episcopal priest owns this journey.
  23. [A] powerful, well-crafted documentary.
  24. There are moments when the movie tugs at your heart, but the subject matter, because it’s so epic, deserves an even more probing and definitive treatment.
  25. This riotously endearing comedy is substantially funnier, sharper, and more peculiar than that premise is bound to make it sound.
  26. Here, as in his 1992 breakthrough feature, “In the Soup,” Rockwell conveys his characters’ peculiar suppositions and perceptions using a variety of cinematic approaches, many recalling the untrammeled exuberance of early cinema.
    • 73 Metascore
    • 80 Critic Score
    A sparkling and effervescing piece of farce-comedy.
  27. The push-pull kinetics keeping these increasingly raddled lovers together and apart eventually turn from manic to strenuous, not least because viewers are likely to be less invested than the film is in their final formation.

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