Variety's Scores

For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17807 movie reviews
    • 66 Metascore
    • 80 Critic Score
    The Dark Crystal, besides being a dazzling technological and artistic achievement by a band of talented artists and performers, presents a dark side of Muppet creators Jim Henson and Frank Oz that could teach a lesson in morality to youngsters at the same time it is entertaining their parents.
    • 79 Metascore
    • 80 Critic Score
    Jean-Jacques Annaud's Quest for Fire is an engaging prehistoric yarn that happily never degenerates into a club and lion skin spinoff of Star Wars and resolutely refuses to bludgeon the viewer with facile or gratuitous effects.
    • 70 Metascore
    • 80 Critic Score
    First American fictional feature from Swiss-French director Barbet Schroeder is spiked with unexpected doses of humor, much of it due to Mickey Rourke' quirky, unpredictable, most engaging performance as the boozy hero.
    • 38 Metascore
    • 80 Critic Score
    Together again, Jones finds once more he is at the mercy of Herbie, who time and again takes matters into his own hands for often slapstick and mirthful effect as they roar toward their destination.
    • 48 Metascore
    • 80 Critic Score
    For sheer inventiveness of situation and the charm that such an idea projects, The Love Bug rates as one of the better entries of the Disney organization.
    • 70 Metascore
    • 80 Critic Score
    As before, much of the dialog neatly walks the line between true wit and silly (and sometimes inside) jokes.
  1. If nothing here is exactly new, it’s the sheer, breathless precision and momentum of Calibre’s assembly that keeps it startling.
  2. In contrast to the very personal “Prodigal Sons,” Reed’s sophomore feature is straightforward reportage, telling a complex, multi-issue story with a large number of players, in admirably cogent terms.
  3. The Forest of Lost Souls is a nasty and impressive little thriller that goes about its business with ruthless cinematic efficiency.
    • 71 Metascore
    • 80 Critic Score
    The acting is uniformly impressively improbable. The intense innocent enthusiasm of Cesar Romero, Burgess Meredith and Frank Gorshin as the three criminals is balanced against the innocent calm of Adam West and Burt Ward, Batman and Robin respectively.
    • Variety
  4. Mila’s film honors Srbijanka’s legacy of activism and brings her spirit of honor and responsibility to a new generation and a wider audience.
  5. Working from a smartly constructed script by Andrew Zilch, director Trevor White (“Jamesy Boy”) does an impressive job of propelling the narrative along parallel tracks of arrestingly suspenseful thriller and knowing media satire.
  6. This exuberant Western is a crowd-pleaser that remains faithful to the genre while having a roaring good time sending up its conventions.
  7. It’s possible that the film’s passing pleasures are so rich that we don’t even notice how deep Okada has driven her storytelling dagger until she pulls it out in the end, and the tears come, adding, to the bitterness and sweetness of this moving and strange little fable, a hefty dose of salt.
  8. An affectionate and supremely entertaining celebration of the all-American nerd, Science Fair may look like a straightforward super-kid contest doc, à la “Spellbound” and “Mad Hot Ballroom,” but there’s a lot more going on behind the scenes of Cristina Costantini and Darren Foster’s thoroughly researched crowd-pleaser.
  9. This graceful, ruminative fragment of scrap-metal Americana marks a distinguished foray into feature filmmaking for renowned narrative photographer Dweck.
    • 70 Metascore
    • 80 Critic Score
    The Poseidon Adventure is a highly imaginative and lustily-produced meller that socks over the dramatic struggle of 10 passengers to save themselves after an ocean liner capsizes when struck by a mammoth tidal wave created by a submarine earthquake.
  10. The film’s confidence falters only when it transposes the hapless slapstick of the duo’s screen act to their everyday reality. If a couple of labored gags around hauling luggage don’t fully land, that rather proves how much more art went into Laurel and Hardy’s craft than they ever chose to let on.
    • 91 Metascore
    • 80 Critic Score
    This is an amusing piece of hokum, being a parody of American gangsterdom interwoven with whimsy and exaggeration that makes it more of a macabre farce. Alec Guinness sinks his personality almost to the level of anonymity.
  11. A highly charged, coolly assured directorial bow graced by riveting work from a trio of accomplished leads, Little Odessa immediately etches a firm place on the map for 25-year-old New York newcomer James Gray.
    • 96 Metascore
    • 80 Critic Score
    A picture every suburban mamma and poppa must see–after Junior and little Elsie Dinsmore are tucked away.
    • 56 Metascore
    • 80 Critic Score
    Mark Robson's Earthquake is an excellent dramatic exploitation extravaganza, combining brilliant special effects with a multi-character plot line which is surprisingly above average for this type film. Large cast is headed by Charlton Heston, who comes off better than usual because he is not Superman, instead just one of the gang.
  12. Featuring a pair of terrific performances by Viggo Mortensen as a goombah with a heart of gold and Mahershala Ali as multilingual composer-musician Don Shirley, the story may be unique, yet it goes pretty much exactly the way you might expect.
  13. The filmmaking doesn’t simply tell a story but makes us feel its impact.
    • 69 Metascore
    • 80 Critic Score
    A delightful, entertaining trifle of a film that shows both the possibilities and limitations of taking liberties with literature and history. Nicholas Meyer has deftly juxtaposed Victorian England and contemporary America in a clever story, irresistible due to the competence of its cast.
    • 70 Metascore
    • 80 Critic Score
    A superior haunted house thriller.
  14. Kidman has always been a chameleon, but in this case, she doesn’t merely change her color (or don a fake nose, à la “The Hours”); she disappears into an entirely new skin, rearranging her insides to fit the character’s tough hide.
  15. Lively, confessional, and entertaining.
    • 85 Metascore
    • 80 Critic Score
    The fun part is seeing it all play out, thanks to a standout cast and first-time director Steve Kloves’ skill in handling them.
    • 70 Metascore
    • 80 Critic Score
    Bound for Glory is outstanding biographical cinema, not only of the late Woody Guthrie but also of the 1930s Depression era which served to disillusion, inspire and radicalize him and millions of other Americans.

Top Trailers