Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. While the movie doesn’t work, it isn’t idiosyncratic enough even to hold attention as a misfired oddity.
  2. You may enter a film like this one believing you had some grasp of how gravity works, or the human threshold for pain, or what constitutes a good movie, but the experience is so exhilaratingly mind-altering, so radically untethered from terra firma, you basically have to readjust your basic understanding of everything you know to be true and just go with the flow.
  3. After watching Jay Myself, you yourself may begin to see the world in a whole new way, as if you’d woken up to all the images that might have been invisible before, but only because you passed them by.
  4. As bad as Dead Water might seem while you’re watching it, it’s even worse when you replay it in your mind after the fact, and pay stricter attention to holes in the plot and gaps in the logic.
  5. Lesage’s filmmaking, with its unhurried editing and eerily echoing music cues, is in expert sympathy with his hovering, out-of-time protagonists.
  6. Van Orman, Emmy-nominated creator of the quirky, cult-inspiring kids’ cartoon series “The Marvelous Misadventures of Flapjack,” brings just the right level of dippy zeal to the project, committing to extended, farcical routines that, at their most immaculately choreographed and paced, channel the pure, physical hilarity of vintage Chaplin or Sellers.
  7. American audiences typically adore “white savior movies,” but this one pushes the stereotype to such an extreme ... it’s impossible to ignore how badly the film marginalizes the courageous Ethiopian refugees about whom it purports to care so deeply.
  8. The most endearing quality of Nicholas Stoller and Matthew Robinson’s script — not counting the fact they didn’t try to whitewash their Latina heroine — is the way it permits Dora to remain indefatigably upbeat no matter what the situation, whether navigating treacherous Incan temples or facing an auditorium of jeering teenage peers.
  9. Steamier and sleeker than a Hallmark Channel movie, but with just as many idealized scenarios, it’s “so bad, it’s good” escapism at its finest.
  10. As interesting as all this is, and as challenging and perilous it must have been to capture these images, Jirga’s elliptical approach to plot and selective use of subtitles does the finished product no favors.
  11. Simple in concept and shattering in execution, blending hard-headed reportage with unguarded personal testimony, it’s you-are-there cinema of the most literal order.
  12. With any luck, Relive will get a reboot down the road, in which someone takes better advantage of the basic idea.
  13. Lavant’s performance as a wordless, deranged, bloodthirsty cult leader is the one note of genuine eccentricity and menace in a film that’s mostly devoted to slapstick comedy and decapitation.
  14. In the end, only a fraction of McLeod’s ambitions sticks a landing. But Astronaut stays afloat with sweetness, thanks to a measured performance from Dreyfuss.
  15. The movie itself isn’t bad, though I wish it were better.
  16. Of viciously pointed relevance anywhere populism is on the rise, “Barbarians” is a fiercely intelligent, engaging and challenging wake-up call, a film that leaves you smarter at the end than when you went in, but also sadder and significantly more terrified.
  17. Privacy issues aside (and I’m second to none in my concern about them), the movie, in its ham-fisted fashion, is trying to come up with some way to regulate what it despises.
  18. Trace Adkins looms large in a dark and brooding sagebrush saga with a healthy dose of Spaghetti Western fatalism.
  19. Chances are, if you work in Hollywood, This Changes Everything won’t teach you anything you don’t already know. But that doesn’t mean it’s not helpful to hear it articulately communicated by some of the most respected women in the business.
  20. Angels Are Made of Light serves as a lament for a prosperous past that can’t be reclaimed, a volatile present that affords few prospects for joy or success, and a future that’s terrifyingly uncertain.
  21. If “Two Lovers” was a lively New Wave lark, exploding with color and energy, then A Faithful Man is its sober, cerebral opposite, gray and stylistically restrained, an efficient short story of a film that feels more like an intellectual exercise than an emotional experience.
  22. Luz
    Comparisons do not come easy with Luz, an arresting first feature for German writer-director Tilman Singer that is equal measures demonic-possession thriller, experiment in formalist rigor, and flummoxing narrative puzzle-box.
  23. This small, tough film provides no easy solutions.
  24. Director Raymond De Felitta steps back up to the plate with Bottom of the 9th, another dramatically solid and emotionally satisfying drama that pivots on a long-shot attempt to fulfill long-delayed dreams.
  25. This magical-realist fairy tale, about a young woman feeling so isolated and insignificant after a tragic loss that she’s literally invisible to everyone except one other struggling soul, is certainly imaginative and intelligent in its ideas. However, the savvy smarts within don’t quite sustain the running time and, much like its protagonist, the film becomes transparent in its motives and sentimentality.
  26. To the extent that audiences are willing to go along with an overwrought documentary that strives to imitate what far more professionally executed podcasts have innovated in recent years ..., Berman’s stunt could turn into one of the year’s buzzier nonfiction releases.
  27. While the production package is merely workman-like, the commitment, honesty and heart of the main interviewees makes the material compelling.
  28. Vigorously directed by prolific veteran Herman Yau (“Shock Wave”) and well served by an all-star cast headed by Andy Lau and Louis Koo, this Hong Kong action-thriller isn’t deep but is certainly not dull.
  29. Mozaffari has an incredible eye for the details that bring a situation or place to life, working with inexperienced actors to create electrifying characters and a sense of edgy unpredictability.
  30. A documentary that recaps Hamilton’s life in compelling fashion without adding anything of special novelty or depth (though much of the surfing footage is spectacular), it can feel like you’re seeing a perfectly fine devotional sports biography that doesn’t elevate the saga it’s telling to the next level.

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