Variety's Scores

For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17807 movie reviews
    • 54 Metascore
    • 80 Critic Score
    Psycho II is an impressive, 23-years-after followup to Alfred Hitchcock's 1960 suspense classic. Director Richard Franklin deftly keeps the suspense and tension on high while dolling out dozens of shock-of-recognitions shots drawn from the audience’s familiarity with Psycho.
  1. Billed as a “documentary musical,” this potential crowd-pleaser gets considerable comic mileage out of the friction between two very different brands of cultural eccentricity — but it succeeds as more than a diverting novelty, packed as it is with pointed observations on diplomacy and censorship in a country that’s still a mystery to many.
    • 74 Metascore
    • 80 Critic Score
    There’s real terror in the story, and the Gothic setting of the swamp where the girl is held captive; the maudlin pitfalls of the plot are avoided through deft use of humor, and the plucky character of the young captive.
    • 86 Metascore
    • 80 Critic Score
    The film is full of singing, as the characters break into familiar songs at family gatherings or in the local pub. This isn’t a film based on nostalgia, though; its very special qualities stem from the beautiful simplicity of direction, writing and playing, and the accuracy of the incidents depicted.
    • 78 Metascore
    • 80 Critic Score
    David Mamet's first trip behind the camera as a director is entertaining good fun, an American film noir with Hitchcockian touches and a few dead bodies along the way. The action unfolds at a steady pace.
    • 86 Metascore
    • 80 Critic Score
    Stranger than Paradise is a bracingly original avant-garde black comedy. Begun as a short which was presented under the same title at some earlier festivals, film has been expanded in outstanding fashion by young New York writer-director Jim Jarmusch.
  2. The gripping period drama offers a fresh, intelligent cinematic approach to a difficult topic.
  3. Survival is depicted as a double-edged sword in Destination Unknown, an accomplished and heartrending documentary.
    • 80 Metascore
    • 80 Critic Score
    Lorenzo's Oil is as grueling a medical case study as any audience would ever want to sit through. A true-life story brought to the screen intelligently and with passionate motivation by George Miller, pic details in a very precise way how a couple raced time to save the life of their young son after he contracted a rare, always fatal disease.
  4. The great strength of The New Radical is that it’s not on its subjects’ side (or totally against them either). It’s the rare documentary that lets you decide.
  5. At once exhausting and astonishing, this no-holds-barred adaptation of British junkie-turned-pugilist Billy Moore’s Thai prison memoir is a big, bleeding feat of extreme cinema, given elevating human dimension by rising star Joe Cole’s ferociously physical lead performance.
    • 84 Metascore
    • 80 Critic Score
    Mamet’s direction gives much of the film a bracing, refreshing tone as he works to express the shattering tensions of Gold’s work.
  6. Heinz, demonstrating considerable assurance in his feature directorial bow, makes good use of the chemistry between the two musicians.
  7. Hamm’s bleary but still debonair presence, Gilroy’s cynically witty dialogue, and the not-quite-confusingly-large array of colorful characters underline how Beirut aims to be less a statement about Middle Eastern strife than a good yarn propelled by the unpredictable currents of international politics.
  8. Artfully subverting the spirit of such soulful, diaphanous romances as “Love Letter” and “Hana and Alice” from earlier in his own career, Iwai exposes the desperation and deceit involved in the search for love.
  9. The movie’s not only appropriate for teen audiences, but also constructive in the way it invites viewers to consider and discuss issues of intolerance and hypocrisy, even as it encourages those who don’t fit the straight, marriage-oriented paradigm to embrace their own identities.
  10. Written and directed by sibling filmmakers Ian and Eshom Nelms with equal measures of respect and skepticism for pulp conventions, the movie comes across as neither pastiche nor parody, but rather as a seriously down-and-dirty crime story with a savage sense of humor.
  11. We’re in schlock corridor here and Soderbergh runs with it, cellphone in hand; under the buzzing suspense mechanics, however, a cautionary note on the perils of disbelieving women is just audible.
    • 67 Metascore
    • 80 Critic Score
    Audiences will respond to the very strong performances of the two leads, especially Walken in one of his best roles.
    • 78 Metascore
    • 80 Critic Score
    Lemmon is superior as a man facing up to issues he never wanted to confront personally. Edgy and belligerent most of the time, Spacek is more constrained but she's fully believable.
    • 62 Metascore
    • 80 Critic Score
    The Bounty is an intelligent, firstrate, revisionist telling of the famous tale of Fletcher Christian's mutiny against Captain Bligh. Particularly distinguished by a sensational, and startlingly human, performance by Anthony Hopkins as Bligh, heretofore one of history's most one-dimensional villains.
  12. Nobody's Fool is a gentle, flavorsome story of a loose-knit, dysfunctional family whose members essentially include every glimpsed citizen of a small New York town. Fronted by a splendid performance from Paul Newman as a spirited man who has made nothing of his life, Robert Benton's character-driven film is sprinkled with small pleasures; the dramatic developments here don't take place in the noisy, calamitous manner that is customary these days.
  13. Permission is a small story made with big performances from leads Stevens and Hall, and while it hasn’t gotten the promotional push for audiences to pay attention, people lucky enough to stumble across it will fall for everyone involved, and commit to keeping tabs on Crano’s career.
    • 67 Metascore
    • 80 Critic Score
    From the start, the film bowls you over with excitement and for those who can latch on, it’s a nonstop ride.
  14. DiCaprio and Pitt fill out their roles with such rawhide movie-star conviction that we’re happy to settle back and watch Tarantino unfurl this tale in any direction he wants.
    • 44 Metascore
    • 80 Critic Score
    Coline Serreau's comedy about three hardened bachelors saddled with a newborn baby, produced on a modest budget and without bankable talent, is warm, hilarious and well-made. Serreau's direction is bright and confident, avoiding the saccharine pitfalls of the material.
  15. The film plays on a number of clever riffs on the Cinderella tale, all in the darkest of veins, from the sadism of Mia’s step-siblings to Salvatore’s drug empire built on shoes made from soluble cocaine.
  16. Claire Denis comes up with her emotionally richest pic to date in Nenette and Boni, a multilayered look at unformed teen emotions and the mysterious, almost invisible ties that bind siblings.
  17. Jed Rothstein’s wildly entertaining documentary The China Hustle blows the lid off another multibillion-dollar heist built on complex financial instruments and a whole lot of smoke and mirrors.
  18. If this hour-long collage might fairly be summed up as little more than an inspired goof, of primary interest to cineastes, it’s nonetheless one whose giddy fun will hold up for such an audience through repeat viewings.

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