Variety's Scores

For 17,805 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17805 movie reviews
  1. When it comes to the film’s overall success, these wildly amusing situations take a back seat to the contributions of an excellent cast.
  2. This bucolic escape from big-city life is anchored by a solid script filled with characters who, despite reaching the end of the road, find ways to make peace with the world.
  3. Whose Streets? is not a movie intended for those seeking an explanatory recap, let alone “balanced” analysis, of the original case itself. What it does offer, however, is a pulse-taking of one community’s response — variably constructive, occasionally chaotic — to perceived institutionalized abuse by law enforcement.
  4. It has the sprawl and generosity of a good Dead show, yet there’s nothing indulgent about it — it’s an ardent piece of documentary classicism.
  5. Rather than milking the outre premise for broad comedy, everyone involved strives to keep the characters and situations grounded and warm.
  6. The connection they share isn’t the kind that would pass for conventionally romantic, and yet, theirs is a compelling love story all the same — one the filmmakers follow with open minds, focusing on the lead-up to and days immediately following their wedding.
  7. You walk out of Chasing Coral feeling that Richard Vevers is correct: The more that people see, and understand, the death of our coral, the more they’ll realize that climate change isn’t just about wrecking the planet, it’s about humanity destroying itself.
  8. Credible and creditable performances by a fine cast of promising newcomers and familiar veterans enhance the emotional impact of this low-key but compelling indie.
  9. By approaching Marshall as an idealistic young trial lawyer, the film stands on its own as a compelling courtroom drama, complete with surprising revelations — and while we hope things will go his way, this case could just as easily prove the one that motivated his future crusade.
  10. Adapting Fumiyo Kono’s 2007 manga of the same title, director Sunao Katabuchi captures the manifold experiences of a housewife during WWII with beguiling intimacy and appealing hand-drawn illustration.
  11. With far-right nationalist ideologies suddenly a matter of pressing interest to almost everyone, the timing is regrettably ideal for Keep Quiet. This fascinating documentary by co-directors Joseph Martin and Sam Blair finds a stranger-than-fiction hook for probing that disturbing global trend.
  12. Unfussy in form, open in expression and gentle in reach as its maker revisits such recurring preoccupations as loneliness, regret and the value of love in life and art.
  13. Unavoidably, this sequel is, for all its majestic beauty, somewhat less awe-inspiring than its revelatory predecessor. Once again boasting narration from Morgan Freeman, the doc has a gracefulness and understated profundity that’ll naturally appeal to those who loved the first film.
  14. Gomis’ latest is far from the miserablist issue drama that synopsis portends, instead weaving a sensual, sometimes hopeful, sometimes disturbing urban tapestry with threads of image, sound, poetry, and song.
  15. Liu’s storyline may be a slight and generic madcap gangster/hitman/thief movie, but the details of aesthetic design and character interaction flesh it out into something a little more wittily resonant, if not exactly deep. The pointed inventiveness of the carefully premeditated form doesn’t just compensate for the banality of the content, it becomes the content.
  16. Narrative and reality clash, tussle, and are eventually rendered indistinguishable in a witty, tortured puzzle picture — one in a growing subgenre of hybrid inquiries into the nature and limits of performance, which is not to say there’s anything quite like it out there.
  17. There’s an air of authenticity as well as a pleasingly laid-back yet substantive narrative engagement to this polished effort.
  18. Pearlstein’s very deft assembly manages to raise all these ideas and others for viewer consideration while underlining that there are few, if any, definitive responses to them.
  19. Director Ken Kwapis displays a deft touch, balancing realistic elements and outsize characterizations. Pic’s unflagging pace and the unexpectedly witty script by John Hopkins and Bruce Graham complement the simplicity of this comedy construct.
    • 61 Metascore
    • 80 Critic Score
    Mighty Joe Young is fun to laugh at and with, loaded with incredible corn, plenty of humor, and a robot gorilla who becomes a genuine hero.
  20. From one wild mood swing to the next, it keeps us interested with aplomb, with Mike Makowsky’s script never lingering too long on any one element, the better to keep the pace brisk, and unpredictable.
  21. A harrowing ride that morphs from discrete horror to probing character study and back again in a vivid yet admirably restrained 108 minutes.
  22. The Wound is rich in such small, observational details.
    • 61 Metascore
    • 80 Critic Score
    Rocky II follows much the same theme as its predecessor – that is fighter Rocky Balboa’s path to a stab at the heavyweight crown. In its boxing and training scenes Rocky II packs much of the punch the original did, complete with an exciting pugilistic finale that’s even better than its predecessor.
  23. Even Lazenby detractors can’t help but be charmed by the man himself, who may not have been much of an actor, but turns out to be a bloody good storyteller, and an awfully salty one at that — revealing sexual conquests that would make even Bond blush.
  24. The movie’s payoff is every bit as delicious as its build-up.
  25. This riotously endearing comedy is substantially funnier, sharper, and more peculiar than that premise is bound to make it sound.
  26. “Chasing Trane” is a seductive piece of middle-of-the-road documentary filmmaking; it gives you the basics, but beautifully.
  27. A portrait of the artist emerges that’s complex, somewhat mysterious, but ultimately quite winning.
  28. A Woman, a Part knows how to hold an audience, and it’s got a fresh, if commercially limited, subject: What happens when hipsters get old.

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