Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. Chaplin’s performance is characterized by a lack of vanity and an almost magical combination of empathy and pathos.
  2. The filmmakers eavesdrop on intimate musical interludes at home and in the workplace, where it becomes immediately apparent that these forgotten maestros consider themselves representatives of families who have practiced their art for centuries, passing on their musical knowledge from generation to generation.
  3. Beyond its sheer, intense variety and ingenuity, Abreu’s animation remains so appealing throughout because it always feels handmade.
  4. Throughout the film, the beauty of the landscapes and the totally natural insertion of human, animal and insect movement within the frame lend The Creation of Meaning a particular grace.
  5. Partridge navigates risky material with assurance, delicacy and a deepening sense of intimacy that can turn, without warning, into complicity: The more at ease we feel in the characters’ company, the more disturbingly questionable the situation becomes.
  6. TransFatty Lives is an unusually playful and emotionally involving first-person chronicle of serious illness.
  7. Yes, this new project shares the same look, feel, and fancy corporate sheen as the rest of Marvel’s rapidly expanding Avengers portfolio, but it also boasts an underlying originality and freshness missing from the increasingly cookie-cutter comic-book realm of late.
  8. Ma
    While the entire project seems to be commenting on all the ways that social pressures try to trap or confine us, the cinematic medium has seldom felt as free as it does in Rowlson-Hall’s hands.
  9. The Rise of Skywalker is, to me, the most elegant, emotionally rounded, and gratifying “Star Wars” adventure since the glory days of “Star Wars” and “The Empire Strikes Back.” (I mean that, but given the last eight films, the bar isn’t that high
  10. Staka’s interested in subtleties and looks at the different coping mechanisms of immigrants, from Ruza’s overly efficient life to Ana’s carefree existence.
  11. The execution here is impressively adroit, with a clever script enlivened by two charmingly compatible lead performances from Rosa Salazar and Adam Pally.
  12. The filmmakers quietly expose conflicts and contradictions without the intrusion of voiceover, and with only occasional intertitles furnishing factual information.
  13. While there are no profound life lessons to be found in these subplots, Jennings and his cast manage to deliver a steady supply of laughs, while respecting one of Illumination’s core principles: It’s OK to be silly.
  14. It’s a teen movie that starts off funny ha-ha but turns into something more like a light-fingered psychological thriller. The drama is all in Nadine’s personality, in how far she’ll go to act out her distress.
  15. Where Bad Moms plunges into zesty new satirical terrain is in capturing the ruthless one-upmanship of the mommy-wars era, when all the progressive thinking of the last 40 years has only ratcheted up the perfectionistic demands on children and parents alike.
  16. Canadian writer-director Stephen Dunn’s first feature treads no new ground in basic outline. But the risk-taking confidence with which he weaves in sardonic magical-realist elements, not to mention his unpredictable yet assured approaches to style and tone, make this a most auspicious debut.
  17. The result is a welcome return to a form of stop-motion that takes pride in the technique’s inevitable imperfections (such as thumbprints in the modeling clay), while putting extra care into the underlying script, with its daffy humor and slightly-off characters.
  18. Page is simply superb in a complex role that perfectly plays to her gift for balancing deadpan comedy with surprisingly deep emotional reserves.
  19. Ross doesn’t run from the resulting sentimentality the way so many other directors do; nor does he undercut it with irony or sarcasm as has become the regrettable tendency in independent cinema.
  20. Greenaway has wrought an outrageously unconventional and deliriously profane biopic that could take decades to be duly appreciated.
  21. This well-acted, beautifully modulated exercise represents director Karyn Kusama’s strongest work in years, revealing an assurance of tone, craft and purpose that haven’t been in evidence since her Sundance prize-winning debut, “Girlfight.”
  22. The Witness functions as a project of not only confrontation but resurrection, as Bill’s sleuthing sheds new light on Kitty’s personality, romances and career, and thus finally re-emphasizes her as a flesh-and-blood person rather than just a famous victim.
  23. The truest and most tearduct-tugging relationship here is that between Conor and his lank-haired college-dropout brother, played with spaced-out warmth and wistful good humor by the ever-likeable Reynor.
  24. A biographical drama steeped equally in grace and horror, it builds to a brutal finale that will stir deep emotion and inevitable unease. But the film is perhaps even more accomplished as a theological provocation, one that grapples fearlessly with the intense spiritual convictions that drove Turner to do what he had previously considered unthinkable.
  25. [A] powerful, well-crafted documentary.
  26. Even at its conclusion, Holmer’s film refuses to provide easy answers regarding its meaning, instead using poised formal techniques to impart that which is not spoken — and, in the process, portends impressive things to come from its confident, capable director.
  27. Greene encourages our curiosity (and even a hint of caution) about documentary perspectives and techniques that other films prefer viewers to take as given.
  28. The virtual future may be now, but “Lo and Behold,” with its stimulating volley of insights and ideas, always feels persistently, defiantly human.
  29. While a more thorough archival survey of Choi and Shin’s work together (pre- and post-abduction) would have allowed for a deeper perspective, this real-life romantic thriller/escape saga still boasts enough fascinating details and angles to qualify as essential stranger-than-fiction viewing.
  30. This kooky-monster escapade is never less than arresting, and sometimes even a riot.

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