For 17,782 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,136 out of 17782
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Mixed: 7,010 out of 17782
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Negative: 1,636 out of 17782
17782
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Debruge
Falling is unpretentious and perfectly accessible to mainstream audiences. Mortensen’s patience, his way with actors and his trust in our intelligence are not unlike late-career Eastwood, which isn’t a bad place to be so early in one’s directing career.- Variety
- Posted Feb 1, 2020
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Reviewed by
Dennis Harvey
This is a well-cast, artfully handled effort that exercises sufficient restraint to really earn its requisite laughter and tears.- Variety
- Posted Feb 1, 2020
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Reviewed by
Owen Gleiberman
Assassins is a terrific true-crime story, but it’s also a documentary thriller about the new world disorder.- Variety
- Posted Feb 1, 2020
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Reviewed by
Dennis Harvey
Densely packed yet lively and entertaining documentary, whose accessibility is heightened by some narrative play-acting.- Variety
- Posted Feb 1, 2020
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Reviewed by
Jessica Kiang
More even than Declan Quinn’s sumptuously old-school cinematography and the throwback styling and stock footage exteriors that deliberately mimic the Technicolor romances of old, it’s the fresh-faced naiveté of the storytelling that feels so anachronistic.- Variety
- Posted Jan 31, 2020
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Reviewed by
Owen Gleiberman
In Lost Girls, Liz Garbus takes the serial-killer thriller and turns it on its head, insisting that we see the victims as larger than the crimes that destroyed them.- Variety
- Posted Jan 31, 2020
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Amy Nicholson
The film’s truly ridiculous plot choices — the phony twists that make you leave the theater feeling like you’ve inhaled a tank of carbon monoxide — are its own invention, bolted onto a likable, if formulaic, charmer.- Variety
- Posted Jan 31, 2020
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Reviewed by
Joe Leydon
A deliberately paced and stealthily involving saunter through familiar territory.- Variety
- Posted Jan 31, 2020
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- Variety
- Posted Jan 31, 2020
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Reviewed by
Andrew Barker
The problem is that so many of its virtues feel compromised.- Variety
- Posted Jan 30, 2020
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Alissa Simon
While Incitement is a compelling watch, with archival footage neatly woven in, and offers a salutary warning about how easily democracies are endangered, this psychological profile of a political assassin nevertheless falls into a kind of moral trap.- Variety
- Posted Jan 30, 2020
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Peter Debruge
Chung transforms the specificity of his upbringing into something warm, tender and universal.- Variety
- Posted Jan 29, 2020
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- Variety
- Posted Jan 29, 2020
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Reviewed by
Peter Debruge
It’s an irreverent take on a form where earlier iterations were obliged to take themselves seriously. And somehow that liberates what felt like a slick but ironic riff on a tired genre to do something sincere.- Variety
- Posted Jan 28, 2020
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Reviewed by
Peter Debruge
This fleet-footed, kaleidoscopic showcase is all about finding your voice so that the world can start to appreciate what it doesn’t know about those it hears from far too seldom.- Variety
- Posted Jan 28, 2020
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Reviewed by
Tomris Laffly
The human dimension that gives the film brief jolts of energy never takes root. Instead, audiences are left grappling with a stuffy maze, albeit one presented with handsome production values and a filmmaker’s striking visual touch.- Variety
- Posted Jan 28, 2020
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Reviewed by
Peter Debruge
Movies almost never deal with the intricacies of marriage: finances, schooling, finding the right work-life balance. By contrast, The Nest burrows into the minutiae, and the rewards of going along with the O’Haras are worth it, at least for those willing to risk the frustration of a movie that plays by its own rules and doesn’t necessarily believe in happy endings.- Variety
- Posted Jan 28, 2020
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Amy Nicholson
Blast Beat cares far more about testing the limits of the family’s togetherness, and while the resolution doesn’t have the sweetness of a pop song, Arango is happy to settle for heavy metal discordance.- Variety
- Posted Jan 28, 2020
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Reviewed by
Dennis Harvey
This adventurous seriocomedy has enough surprising elements and off-kilter humor to keep one intrigued, even if the payoff is debatable.- Variety
- Posted Jan 28, 2020
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Amy Nicholson
Beast Beast’s plot twist is a swing at gravitas that disrupts the balance of Madden’s naturalistic character study. This is the way teen life is, Madden says, until suddenly the film accelerates from reality to sensationalism, and trades humanity for pulp.- Variety
- Posted Jan 28, 2020
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Amy Nicholson
Though Feinberg is a singular figure in modern American history (few else could, or would, do his job), Worth hammers his story into a standard biopic template — Grinch Finds Heart — as though one man discovering empathy is truly priceless.- Variety
- Posted Jan 28, 2020
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Dennis Harvey
Uncle Frank recalls plenty of prior coming-out (and coming-of-age) sagas, but revisits their familiar terrain with a confident and skilled mix of humor and character-dynamic shorthand.- Variety
- Posted Jan 27, 2020
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Reviewed by
Peter Debruge
What felt so revolutionary in 2012 is no less visionary today, but packs a disappointing sense of familiarity this time around, like tearing open your Christmas presents to find … a huge stack of hand-me-down clothing. Or else, like watching a magic trick performed a second time from a different angle.- Variety
- Posted Jan 27, 2020
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Owen Gleiberman
The story worked brilliantly before. In Downhill, it works…well enough. The new movie is a teasing trifle with something real on its mind.- Variety
- Posted Jan 27, 2020
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Reviewed by
Dennis Harvey
Though this tale of a new widow’s apparent haunting gets progressively lost in a narrative maze that’s complicated without being particularly rewarding, director David Bruckner suffuses the action with enough dread and unpleasant goosings to make this an above-average genre exercise.- Variety
- Posted Jan 27, 2020
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Reviewed by
Peter Debruge
Rather than presenting another puzzle with important pieces missing, with this project, Decker provides more material than we know what to do with, and the resulting prism feels intellectually rewarding, no matter the angle from which we choose to approach it.- Variety
- Posted Jan 26, 2020
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Reviewed by
Dennis Harvey
Haphazard as “Woman” can seem, it all somehow pulls together at last with a satisfying smack.- Variety
- Posted Jan 26, 2020
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Reviewed by
Peter Debruge
Better late than never, this film is Blank’s shot, and by staying so true to her voice, her aim hits home.- Variety
- Posted Jan 26, 2020
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Owen Gleiberman
On the Record presents a searing, at times shocking exposé of alleged criminal acts. Yet here, as in those earlier chronicles, what’s extraordinary is the disturbingly intimate communion the film creates between the audience and the survivors. Not just the facts but the meaning of these alleged crimes comes scarily alive in the emotional details of their telling.- Variety
- Posted Jan 26, 2020
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Amy Nicholson
The doc gives Mercado’s story back to Mercado. Better, it shows that Mercado is still the same spiritualistic, highfalutin’ fashion-plate as a retiree eating breakfast at home as he was on TV. The film’s biggest revelation is that Mercado’s mystical, magnificent, big-hearted shtick was no fraud — he was always the real deal.- Variety
- Posted Jan 26, 2020
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Reviewed by