Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. Falling is unpretentious and perfectly accessible to mainstream audiences. Mortensen’s patience, his way with actors and his trust in our intelligence are not unlike late-career Eastwood, which isn’t a bad place to be so early in one’s directing career.
  2. This is a well-cast, artfully handled effort that exercises sufficient restraint to really earn its requisite laughter and tears.
  3. Assassins is a terrific true-crime story, but it’s also a documentary thriller about the new world disorder.
  4. Densely packed yet lively and entertaining documentary, whose accessibility is heightened by some narrative play-acting.
  5. More even than Declan Quinn’s sumptuously old-school cinematography and the throwback styling and stock footage exteriors that deliberately mimic the Technicolor romances of old, it’s the fresh-faced naiveté of the storytelling that feels so anachronistic.
  6. In Lost Girls, Liz Garbus takes the serial-killer thriller and turns it on its head, insisting that we see the victims as larger than the crimes that destroyed them.
  7. The film’s truly ridiculous plot choices — the phony twists that make you leave the theater feeling like you’ve inhaled a tank of carbon monoxide — are its own invention, bolted onto a likable, if formulaic, charmer.
  8. A deliberately paced and stealthily involving saunter through familiar territory.
  9. Deceptively delicate and quietly tough.
  10. The problem is that so many of its virtues feel compromised.
  11. While Incitement is a compelling watch, with archival footage neatly woven in, and offers a salutary warning about how easily democracies are endangered, this psychological profile of a political assassin nevertheless falls into a kind of moral trap.
  12. Chung transforms the specificity of his upbringing into something warm, tender and universal.
  13. This isn’t an easy role, but Lively aces it.
  14. It’s an irreverent take on a form where earlier iterations were obliged to take themselves seriously. And somehow that liberates what felt like a slick but ironic riff on a tired genre to do something sincere.
  15. This fleet-footed, kaleidoscopic showcase is all about finding your voice so that the world can start to appreciate what it doesn’t know about those it hears from far too seldom.
  16. The human dimension that gives the film brief jolts of energy never takes root. Instead, audiences are left grappling with a stuffy maze, albeit one presented with handsome production values and a filmmaker’s striking visual touch.
  17. Movies almost never deal with the intricacies of marriage: finances, schooling, finding the right work-life balance. By contrast, The Nest burrows into the minutiae, and the rewards of going along with the O’Haras are worth it, at least for those willing to risk the frustration of a movie that plays by its own rules and doesn’t necessarily believe in happy endings.
  18. Blast Beat cares far more about testing the limits of the family’s togetherness, and while the resolution doesn’t have the sweetness of a pop song, Arango is happy to settle for heavy metal discordance.
  19. This adventurous seriocomedy has enough surprising elements and off-kilter humor to keep one intrigued, even if the payoff is debatable.
  20. Beast Beast’s plot twist is a swing at gravitas that disrupts the balance of Madden’s naturalistic character study. This is the way teen life is, Madden says, until suddenly the film accelerates from reality to sensationalism, and trades humanity for pulp.
  21. Though Feinberg is a singular figure in modern American history (few else could, or would, do his job), Worth hammers his story into a standard biopic template — Grinch Finds Heart — as though one man discovering empathy is truly priceless.
  22. Uncle Frank recalls plenty of prior coming-out (and coming-of-age) sagas, but revisits their familiar terrain with a confident and skilled mix of humor and character-dynamic shorthand.
  23. What felt so revolutionary in 2012 is no less visionary today, but packs a disappointing sense of familiarity this time around, like tearing open your Christmas presents to find … a huge stack of hand-me-down clothing. Or else, like watching a magic trick performed a second time from a different angle.
  24. The story worked brilliantly before. In Downhill, it works…well enough. The new movie is a teasing trifle with something real on its mind.
  25. Though this tale of a new widow’s apparent haunting gets progressively lost in a narrative maze that’s complicated without being particularly rewarding, director David Bruckner suffuses the action with enough dread and unpleasant goosings to make this an above-average genre exercise.
  26. Rather than presenting another puzzle with important pieces missing, with this project, Decker provides more material than we know what to do with, and the resulting prism feels intellectually rewarding, no matter the angle from which we choose to approach it.
  27. Haphazard as “Woman” can seem, it all somehow pulls together at last with a satisfying smack.
  28. Better late than never, this film is Blank’s shot, and by staying so true to her voice, her aim hits home.
  29. On the Record presents a searing, at times shocking exposé of alleged criminal acts. Yet here, as in those earlier chronicles, what’s extraordinary is the disturbingly intimate communion the film creates between the audience and the survivors. Not just the facts but the meaning of these alleged crimes comes scarily alive in the emotional details of their telling.
  30. The doc gives Mercado’s story back to Mercado. Better, it shows that Mercado is still the same spiritualistic, highfalutin’ fashion-plate as a retiree eating breakfast at home as he was on TV. The film’s biggest revelation is that Mercado’s mystical, magnificent, big-hearted shtick was no fraud — he was always the real deal.

Top Trailers