Pan's Labyrinth artfully fuses a war film with a family melodrama and a fairy tale. The result is visually stunning and emotionally shattering.

If not for Sienna Miller's engaging portrayal of Edie Sedgwick, Factory Girl would have little to offer.

Notes on a Scandal may be disturbing, but it is a potent and captivating account of misconduct and betrayal.

An exhilarating sci-fi action thriller with a powerful social and political message.

Deliberately paced, epic and ambitious, The Good Shepherd feels related in tone, mood and style to "The Godfather."

Though the premise is clever -- everything comes to life at night in New York City's Natural History Museum -- this movie doesn't make the best comic use of the concept.

Its use of trite "Win one for the Gipper" dialogue, overbearing soaring music and conventional plot devices makes it far too formulaic to truly move us.

Peter O'Toole's tour-de-force performance makes Venus a movie not to be missed.

The Curse of the Golden Flower is the year's most operatic and visually lavish film.

It takes a filmmaker possessed of a rare, almost alchemic, blend of maturity, wisdom and artistic finesse to create such an intimate, moving and spare war film as Clint Eastwood has done in Letters From Iwo Jima.

The Painted Veil is a welcome addition to the slate of holiday movies, particularly for those drawn to intriguing tales of multi-dimensional characters in exotic settings.

As written, directed and, of course, acted by Sylvester Stallone, this film provides more insight into the character and his psyche than previous films, which were much more about the punches thrown.

Jennifer Hudson is the heart and soul of Dreamgirls. When she's on the screen, the movie shines. When she's not, the whole endeavor suffers.

Soderbergh's homage to film noir and wartime thrillers, is technically stunning but narratively and thematically hollow.

Breaking and Entering starts out powerfully, then falls apart by the time it reaches its too-neat conclusion.

Kids should enjoy the comic performances of the animals, and adults will appreciate the film's gentle poignancy, powerful enough to induce a lump in the throat.

It's a pleasant enough fantastical adventure, but it does feel naggingly derivative.

If The Pursuit of Happyness didn't star Will Smith and his adorable son Jaden, it might be just another tearjerker rags-to-riches story. But their chemistry raises the level of the film, making it heartfelt and compelling.

If you're willing to embrace a bit of corniness for the sake of some incisive humor, a few poignant moments and enjoyable scenarios, make time for The Holiday.

Blood Diamond is a gem in a season with lots of worthy movies.

The movie is so impressionistic, it obfuscates any sense of history. We expect at least a hint at the causes of the Mayan Empire's demise, but instead we get Mesoamerican Rambo.

Not only a stirring history lesson and an action-packed war film, Glory is also a ferocious statement about enduring discrimination that resounds today.

A thoroughly compelling political thriller, at once intellectually challenging and profoundly emotional.

Overflows with pretensions and absurdity.

Déjà Vu cannot escape the weight of its murky science, action-film formula and preposterous ending.

The movie is spotty. The short films, essentially comic sketches, were more consistently funny. The movie lags on occasion, but it also has quite a few laughs.

The History Boys is an erudite, sharply written film with consummate performances, but its origins on the stage are all too obvious.

The film is about a half hour too long. The third act drags and an extended high-stakes poker game doesn't always keep our attention. But this is a superior Bond.