Though it could probably use an intermission, Grindhouse is three hours of mostly campy fun.

The Hoax lures you in with its captivating performances.

The TV Set skewers the television industry in a manner that occasionally feels familiar and at other times is humorously incisive.

As if this drivel weren't bad enough, the ending blatantly threatens a sequel

Been-there-seen-that wannabe laughfest.

A hard-core war film with raw violence, intense action, graphic sexuality and a twisting plot that offers a series of surprises.

Part of the problem lies in the casting imbalance: Ferrell is so much more adept at this comedy style than Heder.

Rarely does a first-time director make as auspicious a debut as Scott Frank has done with the haunting, engrossing and intelligent thriller The Lookout.

A visual treat with an engaging story that has an uplifting, but not maudlin, message.

Despite gripping chase sequences and a few awe-inspiring fiery explosions, gaping holes in the convoluted plot make Shooter heavier on style than substance.

The film feels as if it's trying to force a sense of wonder and awe upon its youthful audience, rather than simply letting an intriguing story unfold naturally.

Worth seeing, not only because it shows how an ordinary man can do something extraordinary, but because it allows audiences the opportunity to watch an extraordinary actor in a performance that could have been rote, but instead is nuanced and intelligent.

This is not a simple, uplifting tale. It's never clear whether Charlie will fully recover, and that sense of realism is the film's strength.

It takes more than an awkward title attempting to sound cool to overcome its mundane plot and silly dialogue.

The movie, full of wan gags and tedious situations, is directed blandly by Rock.

Premonition is both dreary and absurd, suffering from a lack of intrinsic logic and terrible pacing, a one-two punch that kills off any chance of entertainment value.

The action epic 300 is so overblown, overheated and over the top that on some level, it's fun to get caught up in the operatic dizziness of it.

This Korean-made film takes the well-worn creature-feature genre and spins it on its head thrillingly.

An engaging and moving film with a universal story about the bonds of family as told through two generations of a Bengali family.

From the embarrassingly over-the-top performance of Ray Liotta as a tough-guy biker to the pratfalls of William H. Macy as a bumbling computer geek, this movie stinks of exhaust and desperation.

This is the rare movie that blends long scenes of meticulous research with a sweeping story and sustains a feeling of riveting suspense. Zodiac grips you by the throat and doesn't let go.

The best thing about Black Snake Moan, a song title, is the blues soundtrack. The movie is an absurdly jarring collection of archetypal characters in miserable circumstances with a resolution that feels forced and tacked on.

In most cases, doggedly pursuing a dream is laudable. But if it does nothing else, The Astronaut Farmer demonstrates that not every dream is worth pursuing. At least not the belabored one of a narcissistic crackpot masquerading as an admirable dreamer.

Despite its awkward title, Starter for 10 is a winning coming-of-age tale told with grace and charm.

Less ambitious and more narrowly focused than the CIA saga "The Good Shepherd," Breach is a compelling, intelligent drama.

For a movie about the power of imagination, Bridge to Terabithia is not as clever as you would hope.

This appealing romantic comedy undertakes the conventions of the formula without an inordinate amount of clichés. Music also infuses the overall plot with a satire of the music industry, and the pop tunes and lyrics are catchy.

It's so derivative, unfunny and thuddingly bad that it's one of the more cringe-inducing movies of a genre chock-full of clunkers.