USA Today's Scores

  • Movies
  • TV
For 4,671 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Amos & Andrew
Score distribution:
4671 movie reviews
  1. A well-crafted, albeit entirely bleak exploration of paranoia and fear.
  2. It’s a gorgeous and stunning thing to look at, with awesome sights of underwater fauna, and the new movie is an emotionally charged outing that again dips into themes of colonization while adding environmental issues and relatable family drama.
  3. Lean, mean and mordant black comedy.
  4. The romance, which commences rather gradually, is tender, but not graphic. Humor is interspersed throughout, but there also is sadness, handled seriously. Actually, it is as much a family saga as it is a romantic comedy.
  5. Isn't always perfect. But it fills an empty spot in the hearts of girls of all ages who have been pining all summer for a movie like this.
  6. Some could find the story verging on self-indulgence, and indeed there are patches that teeter perilously close. But we care about the two main characters, and we root for them to reconnect as father and daughter.
  7. Paul Giamatti brings just the right blend of irascible charm and caustic intelligence to the role of Barney.
  8. Blowing this small-screen cyber horror tale out to the big screen makes for fresh and fearsome fun.
  9. Humphrey Bogart went out with one of the best swan songs a major star ever had in this anti-boxing screed, from a novel by On the Waterfront scripter Budd Schulberg. [12 Jul 2004]
    • USA Today
  10. Though not as far-reaching as the book from which it was adapted, Everything Is Illuminated is a movie with wit, warmth and unabashed emotion.
  11. Claustrophobic, compelling and suspenseful.
  12. It's an intriguing match of material and filmmaker. Dahl's distinctive, edgy storytelling seems to fit well with Anderson's idiosyncratic worldview and visuals.
  13. Potty humor to spare. [26 July 1996, p. D4]
    • USA Today
  14. Though the film will undoubtedly please the young viewers who flock to it, ultimately many of the book's readers may wish for a more magical incarnation.
  15. August Strindberg's psychological drama of erotic class conflict gets a bracing, claustrophobic workout from director Mike Figgis.
  16. It has lighthearted moments, but is also suspenseful at the right times.
  17. But reserve dampens the passion in Lust, Caution, his beautifully mounted but rather unmoving film. It feels surprisingly cold, despite this erotic thriller's ultra-explicit sex scenes.
  18. Though unlikely to have the lasting quality of "The Graduate," it feels a bit like that seminal film for today's generation.
  19. While it unabashedly leans into its chick-flick nature, returning director Sharon Maguire — who helmed 2001’s franchise-starter "Bridget Jones’s Diary" — manages to craft the strongest and funniest film of the series.
  20. Don't underestimate the appeal of a heart-tugger that's this well mounted.
  21. Drag Me to Hell is unlike any scary thriller in a while: frightening, frenzied and fun.
  22. The movie is a unicorn of sorts, a pure and perfect action flick with post-apocalyptic hot rods, gorgeous demolition-derby carnage and demented confidence.
  23. (Craven) and his Scream dream team have done a frightfully good job of killing off and wrapping up the popular horror series.
  24. Director David Frankel’s comedy is honest and clear-eyed as it digs into a media world where story clicks increasingly matter more than quality.
  25. And that's Fed Up's ultimate, if not fatal, weakness: The movie seems to acquit consumers of any culpability in our health crisis.
  26. Yearning for an old-fashioned movie with a well-told, uplifting message? Music of the Heart is playing your song.
  27. What resonates more is his more subtle exploration of how people deal differently with trauma and the power of connection. That message — and a captivating McAvoy — will stick with you long past the thrills of a cool twist.
  28. With its focus on integrity, creativity and identity, Beyond the Lights is a rare intelligent romantic drama.
  29. Contrived or not, this suspect premise is made acceptable by four perfect leads, as well as by other nicely modulated performances further down the cast. Boyle is as good as he's ever been, Lloyd perhaps the best he's been, and if Keaton is the star, he wisely blends in, as Jack Nicholson has always been willing to do. Which may be why, like Nicholson, Keaton just keeps getting better. [07 Apr 1989, p.1D]
    • USA Today
  30. While Ant-Man's technically “the star,” this is most definitely the Wasp’s movie to own, and the smirking, enjoyably no-nonsense role fits Lilly well.

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