Uncut's Scores

  • Music
For 11,991 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11991 music reviews
    • 86 Metascore
    • 70 Critic Score
    An abrasive but soulful post-punk. [Jul 22017, p.23]
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    • 80 Metascore
    • 70 Critic Score
    Her sophisto-pop range expands with each album, although the winning warmth of her live performances is largely absent here. [Jul 2017, p.35]
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    • 74 Metascore
    • 80 Critic Score
    Bash & Pop's strong second album. [Aug 2017, p.25]
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    • 70 Metascore
    • 80 Critic Score
    He signs off with a collection of mostly familiar songs, including three others by Webb, Bob Dylan's "Don't Think Twice It's All Right," Fred Neil's "Everybody's Talkin'" and a sublime version of the Dickey Lee heartbreaker "She Thinks I Still Care." [Aug 2017, p.15]
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    • 80 Metascore
    • 80 Critic Score
    I'm Not Your Man is a much rowdier navigation of female relationships and sexuality that moves between dark dreampop and post-Belly/Breeders rock, armed with flashing hooks. [Aug 2017, p.30]
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    • 77 Metascore
    • 80 Critic Score
    There are stormy rockers and stately, fevered ballads. "Music For Love," meanwhile, condenses Sweet's philosophies into one joyous singalong. [Aug 2017, p.38]
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    • 74 Metascore
    • 70 Critic Score
    It's moodily compelling, rather than electrifying. [Jul 2017, p.39]
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    • 71 Metascore
    • 50 Critic Score
    Although there are no gaffes here, neither is there much to mark it out from their first. [Jul 2017, p.36]
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    • 75 Metascore
    • 80 Critic Score
    [His] best collection in more than a decade. ... These songs present an entirely unromaticised, often harrowing portrait of the outlaw genre. [Jul 2017, p.28]
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    • 82 Metascore
    • 90 Critic Score
    The Nashville Sound sees Isbell swaggering confidently along the rockier edge of his range--as usual--he's at his best on the reflective ballads. [Jul 2017, p.32]
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    • 84 Metascore
    • 80 Critic Score
    This follow-up is even better [than 2015's Music In Exile], their skittery rhythms making fuller use of R&B grooves, brass and funky licks. [Jul 2017, p.39]
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    • 82 Metascore
    • 80 Critic Score
    Henriksen's flute-like playing has a uniquely spittled, raspy quality that lends it a rare vulnerability. [Jul 2017, p.30]
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    • 72 Metascore
    • 70 Critic Score
    These nine tracks find the foursome reworking a suite of folk and roots songs with their trademark chilly decorum, joined by a brace of Nonesuch labelmates. [Jul 2017, p.32]
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    • 72 Metascore
    • 70 Critic Score
    Everything is buried under a blanket of surface noise, as if these are decaying tapes that have been salvaged form an old building and the highlights math this narrative. [Jun 2017, p.26]
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    • 71 Metascore
    • 70 Critic Score
    Producer Kwesi Sey has upped the dramatic ante throughout. [Jul 2017, p.25]
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    • 71 Metascore
    • 70 Critic Score
    A stylistic leap forward. [Jul 2017, p.35]
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    • 65 Metascore
    • 80 Critic Score
    Goldie strikes a neat balance between exploratory drum programming ad sleek soul. [Jul 2017, p.30]
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    • 72 Metascore
    • 80 Critic Score
    This off-piste project has turned into a far more substantial, fully realised undertaking. [Jul 2017, p.24]
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    • 72 Metascore
    • 80 Critic Score
    We'll be lucky if the year yields another headphone album as sumptuous as this one. [Jul 2017, p.30]
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    • 73 Metascore
    • 80 Critic Score
    The band's core strengths--Loz Colbert's hyperactive drumming, Steve Queralt's incisive basslines, Mark Gardener and Andy Bel's grasp of melody--are all intact. They continue to wear their influences with endearing frankness. [Jul 2017, p.36]
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    • 90 Metascore
    • 80 Critic Score
    There are no retrospective documentaries or scholarly essays to help unpack one of U2's most conceptually rich works. This cautious, conservative repackage may not diminish the greatness of the original album, but it does sell it short. [Jul 2017, p.46]
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    • 69 Metascore
    • 80 Critic Score
    Platinum Tips + Ice-Cream sees the duo attack old songs with results both gloriously haphazard and straight-up glorious. [Jul 2017, p.39]
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    • 80 Metascore
    • 90 Critic Score
    This wired counterpart [to 2016's lush Singing Saw]pays tribute to a New York tat now exists only in the songwriter's head, or his record collection. [Jul 2017, p.35]
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    • 74 Metascore
    • 80 Critic Score
    As catchy as it is smart. [Jul 2017, p.28]
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    • 73 Metascore
    • 60 Critic Score
    It's all very pleasant, but somewhat weightless. [Jul 2017, p.26]
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    • 71 Metascore
    • 70 Critic Score
    His final album--and first since 1979--not only demonstrates the durability of the musical format he pioneered but also proves his indefatigability as an entertainer. [Jul 2017, p.25]
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    • 70 Metascore
    • 60 Critic Score
    A light summer picnic, not a full meal. [Jul 2017, p.36]
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    • 84 Metascore
    • 80 Critic Score
    Throughout, tracks like "Love Matters" and "Salt Cleans" keep the oddness in check with some irritatingly catchy pop hooks. [Jul 2017, p.30]
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    • 75 Metascore
    • 60 Critic Score
    Arguably, they are a little one-paced and some looseness would not have gone amiss--but the candid, striking honest lyrics about sex and love bear the strain. [Jul 2017, p.26]
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    • 81 Metascore
    • 80 Critic Score
    Ambiguity and intensity is there from the start. [Jul 2017, p.38]
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