Uncut's Scores

  • Music
For 11,991 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11991 music reviews
    • 69 Metascore
    • 70 Critic Score
    The second half of this compilation, thoughtfully assembled by Gotye's Wally De Backer, features Perrey demonstrating the range of the Ondioline's sonority with 10-second clips of him mimicking a banjo, castanets, oboe and so on, restored from the original acetate. The first half collects 11 of Perrey's more conventional Ondioline compositions from the '50s and '60s. [Aug 2017, p.48]
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    • 100 Metascore
    • 90 Critic Score
    Purple Rain sounds incrementally more alive. [Sep 2017, p.51]
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    • 80 Metascore
    • 80 Critic Score
    The warm interaction between Brian and his bandmates on these recordings really does cast a much misunderstood period of The Beach Boys' career in a new light. [Sep 2017, p.44]
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    • 85 Metascore
    • 80 Critic Score
    As ever, you wish they'd stretch out and jam a bit more in the studio, but this might just be the most satisfying CRB set since 2012's Big Moon Ritual. [Sep 2017, p.37]
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    • 80 Metascore
    • 80 Critic Score
    He pulls a few originals out of the bag. But it is the sideways eviscerations of "Ol' Man River" and "Over The Rainbow" that resonate the longest. [Sep 2017, p.35]
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    • 66 Metascore
    • 80 Critic Score
    The music glistens and gleams. ... An intoxicating ride. [Sep 2017, p.34]
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    • 56 Metascore
    • 60 Critic Score
    It's not the kink in the tail of FTP's impeccably groomed pop that makes them so intriguing, but rather their unembarrassed, first-level readability, which is such that you begin to suspect fiendish subversion. [Sep 2017, p.28]
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    • 70 Metascore
    • 80 Critic Score
    Fans of Ariel Pink, Sinkane and mild hallucinogens would do well to seek out this eye-opening, vibes-heavy debut by shamanic newcomer Feynman. [Sep 2017, p.26]
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    • 80 Metascore
    • 80 Critic Score
    Snaith's take on minimal dance music is brighter and more immediate [than his Fabric mix in 2007]. [Sep 2017, p.24]
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    • 74 Metascore
    • 70 Critic Score
    There's little of the playful invention of 1997's astonishing Fantasma, but imaginative details abound, even at these slower tempos. [Sep 2017, p.24]
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    • 77 Metascore
    • 80 Critic Score
    Achieves a drifting, beautiful desolation that many of their peers lack. [Sep 2017, p.24]
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    • 68 Metascore
    • 50 Critic Score
    The result is a disjointed, jarring mix of washy atmospherics, bleary electronics and half-baked songs. [Sep 2017, p.23]
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    • 74 Metascore
    • 60 Critic Score
    Universal High usually depends more on mood than focus. A little more of the latter and it would be almost perfect. [Aug 2017, p.26]
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    • 56 Metascore
    • 70 Critic Score
    Take Me Home in particular sounds like a bonus disc to a full album reissue. But they reveal new angles to the Big Star story. [Aug 2017, p.52]
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    • 83 Metascore
    • 70 Critic Score
    Aching pop-soul bathed in nostalgic warmth of another era. ... Yet Atkins is also possessed of a singular, torchy voice that floods these songs with genuine fervour. [Aug 2017, p.25]
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    • 76 Metascore
    • 80 Critic Score
    These unfailingly lovely late-night reflections stalk the same territory as the third VU album, Richard Hawley, The Lilac Time, and ballad mode JAMC, moving from the stark intimacy of "Over You" to the narcotic drag of "Waking Up" and Bond theme grandeur of "If The World Is All We Have." [Aug 2017, p.30]
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    • 83 Metascore
    • 80 Critic Score
    Zauner adds peppier number like "Machinist" and "Road Head" without ever sounding like she's spread too thin. [Aug 2017, p.32]
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    • 61 Metascore
    • 70 Critic Score
    There are shades of Chvrches in the title track, with its soaring choruses and shimmering soundscapes, while "Bigger Than Love" is The xx with a massive soul injection. [Jul 2017, p.35]
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    • 72 Metascore
    • 70 Critic Score
    A largely enjoyable ramble through '90s and early '00s-era soul-jazz and brassy funk. [Aug 2017, p.32]
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    • 81 Metascore
    • 70 Critic Score
    They raise a lively ruckus, but never venture far from the sounds pioneered by groups like Steeleye Span and The Albion Band. [Aug 2017, p.35]
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    • 80 Metascore
    • 80 Critic Score
    There is surprising range here. [Aug 2017, p.52]
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    • 77 Metascore
    • 80 Critic Score
    A sweltering sun-baked quality. Lyrically, meanwhile, the concept--of discomfort with technology--comes a little more into focus here. [Aug 2017, p.31]
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    • 68 Metascore
    • 50 Critic Score
    It is difficult, however, to detect any Latin influence upon what is another collection of lilting, lulling Joni Mitchell Pastiches pitched largely between winsome and the twee. [Aug 2017, p.37]
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    • 70 Metascore
    • 40 Critic Score
    "Whiskey, Wine And Ham" is the only track that really pops, enlivened by a rare burst of classic Ryderese. Otherwise it's slim pickings from men a long way past their prime. [Aug 2017, p.25]
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    • 83 Metascore
    • 70 Critic Score
    It's a thrilling start but, after the breathless thrills of the first six songs, things tail off sharply. Still, it's hard to begrudge them. [Aug 2017, p.37]
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    • 84 Metascore
    • 80 Critic Score
    Kin Sonic is a far more expansively international affair. [Aug 2017, p.32]
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    • 69 Metascore
    • 60 Critic Score
    The sinewy electric guitar lines and occasionally stodgy songs at times stray into the realm of windy stadium-folk, as blandly generic as Smith's name. When it does cut to the heart of the matter, however, Headlong impresses. [Aug 2017, p.37]
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    • 77 Metascore
    • 80 Critic Score
    Gangster Star is a light, trippy confection, reinventing R&B with rippling electronics and slippery, Prince-like funk. [Aug 2017, p.31]
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    • 78 Metascore
    • 80 Critic Score
    Moonshine Freeze is an impressive conduit for their upward trajectory. [Aug 2017, p.36]
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    • 80 Metascore
    • 80 Critic Score
    Songs are steeped in creeping '90s guitar with ear-catching lyrics, plus a sense of vibrancy that comes from the fact Crutchfield really does have something to say. [Aug 2017, p.38
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