Uncut's Scores
- Music
For 11,996 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
|---|---|---|
| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,015 out of 11996
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Mixed: 2,907 out of 11996
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Negative: 74 out of 11996
11996
music
reviews
- By Date
- By Critic Score
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- Critic Score
Working In Tennessee resonates with much of the cool, complicated clarity of his very best work. [Nov 2011, p.85]- Uncut
Posted Oct 18, 2011 -
- Critic Score
2 deals in lugubrious late-night lyricism and equals Kurt Vile and Cass McCombs for warmly melodic meanderings that beguile rather than baffle. [Dec 2012, p.69]- Uncut
Posted Oct 26, 2012 -
- Critic Score
While the duo's tempo remains measured and its atmosphere is typically grand, thanks to a 40-piece orchestra, Iris puts more emphasis on modular synths. [Feb 2017, p.38]- Uncut
Posted Jan 12, 2017 -
- Critic Score
If is deeply lovely music, born of a tenderly weighted sensibility. [Dec 2011, p.88]- Uncut
Posted Nov 23, 2011 -
- Critic Score
The Brothers prove they can still poleaxe a dancefloor with a well-aimed barrage of strobe-ing electro-house.- Uncut
- Read full review
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- Critic Score
Once Upon A Time In The West may lack the cultural resonance Archer so desperately craves, but it’s widescreen appeal makes most guitar bands sound like they’re on Super 8.- Uncut
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- Critic Score
The Place We Ran From is bloody and dense and dark, and not in the least like a pastiche. [Aug 2010, p.85]- Uncut
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- Critic Score
The swinging, jazz-country arangements are perfect, too, hitching the polished, romantic sophistication of the songs to a down-home, rootsy bonhomie that draws comparison with Dylan's reinterpretations of the Sinatra songbook on 2015's Shadows In the Night. [Apr 2016, p.78]- Uncut
Posted Feb 23, 2016 -
- Critic Score
"South Coast" and "Albatross", especially, are the sound of a band growing no less peculiar and wonderous for their familiarity. [Mar 2025, p.41]- Uncut
Posted Mar 14, 2025 -
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- Critic Score
The gauzy, indistinct vocals of Neil Halsted and Rachel Goswell continue to weave their shoey magic. [Jun 2017, p.27]- Uncut
Posted Apr 27, 2017 -
- Critic Score
They stand out because they combine some very familiar elements with more style and grace than their peers. [Feb 2011, p.94]- Uncut
Posted Feb 8, 2011 -
- Critic Score
The heavier contemporary numbers hint at a fire still burning. [Sep 2015, p.93]- Uncut
Posted Jul 31, 2015 -
- Critic Score
Despite stuffing their saddle bags full of choice musical cuts old and new, The Middle East somehow contrive to sound like nobody but their own sweet selves. [Jul 2011, p.86]- Uncut
Posted Jul 15, 2011 -
- Critic Score
Pratt has one of those voices, like Josephine Foster, that remain stubbornly, elusively ageless. [Feb 2013, p.78]- Uncut
Posted Jul 17, 2013 -
- Critic Score
It's a blazing set for a 70-year-old, but Winter gains traction from his fretboard duets/duels with Eric Clapton, Billy Gibbons, Joe Bonamassa, Joe Perry, Brian Setzer et al. [Oct 2014, p.80]- Uncut
Posted Sep 5, 2014 -
- Critic Score
What elevates Rogue Wave above the pale massed ranks of the wispy and fey, though, are melodies with real muscle, and a muscial ambition that flirts with the experimental, but remains joyously within reach of the FM dial. [Dec 2005, p.112]- Uncut
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- Critic Score
The 2 Bears' faith in the unifying qualities of a good rave-up has a tendency to spill over into hokey sentiment at times, but such criticism feels like pure humbug in the face of the album's unexpectedly trippy and heartwarming final third. [Oct 2014, p.65]- Uncut
Posted Oct 7, 2014 -
- Critic Score
Taking its musical cues from Dennis Wilson and Echo And The Bunnymen, the band remain human underneath the strum and bang and always make sure that, in among the fire and thunder, there are songs, and emotion and, as ever, extraordinary lyrics. [Oct 2010, p.93]- Uncut
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- Critic Score
Interplanetary Class Classics smears Saoudi's nihilistic euphoria across throbbing new-wave and singalong Glitter Band boogie. [Apr 2017, p.35]- Uncut
Posted Mar 14, 2017 -
- Critic Score
Tragedy and Geometry is exquisite and detailed to an almost obsessive-compulsive degree. [Jan 2012, p.89]- Uncut
Posted Jan 18, 2012 -
- Critic Score
In the end, it comes down to little moments of bliss, and those seven or eight words. "I don't know how I made it" Scott sings, as Taylor Goldsmith essays an angelic harmony. "but I made it". As a funeral march, it's a humdinger. [Apr 2025, p.22]- Uncut
- Posted Apr 3, 2025
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Posted May 31, 2019 -
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Posted Apr 25, 2013 -
- Critic Score
The 51-year-old family man's struggles with depression and anxiety bring unrelenting urgency to the album. [Jan 2023, p.15]- Uncut
Posted Nov 15, 2022 -
- Critic Score
Gangster Star is a light, trippy confection, reinventing R&B with rippling electronics and slippery, Prince-like funk. [Aug 2017, p.31]- Uncut
Posted Jul 5, 2017 -
- Critic Score
It's a fearless rejection of current pop trends, fashioning a benchmark of intensity and originality that the rest of this year's albums will struggle to match. [Fed 2010, p.94]- Uncut
Posted Feb 8, 2011 -
- Critic Score
There is surprising range here. [Aug 2017, p.52]- Uncut
Posted Jul 7, 2017 -
- Critic Score
Dig deeper into This Is The Computers, recorded at the San Diego home of former Rocket From The Crypt man John Reis, and it's clear they have a pop heart. [Jul 2011, p.86]- Uncut
Posted Jul 15, 2011 -
- Critic Score
Elitism for the People documents Pere Ubu creating their own private musical apocalypse and then forging in to start the world anew. Not a world to be drowned in, but one to treasure. [Sep 2015, p.88]- Uncut
Posted Aug 17, 2015