Uncut's Scores

  • Music
For 11,994 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11994 music reviews
    • 82 Metascore
    • 80 Critic Score
    Tuba can feel somewhat unwieldy, but in Cross's hands it's anything but. his style a blend of New Orleans brass-band music and a grime and soundsystem culture that's somewhat closer to home. [Apr 2019, p.26]
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    • 83 Metascore
    • 80 Critic Score
    These sketches give a sense of how Reed’s songs would be finessed. The less familiar tunes reverse the telescope, throwing the focus on the way Reed bullworked his writing muscles, toying with novelty and genre. ... What these early sketches show is that by combining novelty and song craft with the soul of a poet, Reed could reach higher. [Sep 2022, p.42]
    • 77 Metascore
    • 80 Critic Score
    The most initially striking thing about Gift Of Screws is that, despite its brevity, it’s actually quite varied.
    • 76 Metascore
    • 80 Critic Score
    Screws Get Loose is crammed with infectious pop and arch lyrics that recall The Runaways or Shampoo. [Mar 2012, p.101]
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    • 60 Metascore
    • 80 Critic Score
    This new project--fronting a five-piece band made up of mystery members who apparently contacted him on spec--has reined in his more wayward tendencies with positive results. [Dec 2010, p.105]
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    • 81 Metascore
    • 80 Critic Score
    This one is more bluesy and soulful, a kind of semi-protest record that takes stock of post-Bush USA. [Mar 2009, p.88]
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    • 79 Metascore
    • 80 Critic Score
    Heaton and Abbott's fifth breaks taboos about infant deaths on the quietly moving “Still” and nobly restores self-belief on the uplifting “When The World Would Actually Listen”. They remain impervious to musical snobbery, too. [Oct 2022, p.31]
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    • 73 Metascore
    • 80 Critic Score
    This set borrows from those same Nebraska recording sessions [of 2017's Tomorrow Forever] with nary a weakling to show. Pounding rock'n'roll colludes with lethal hooks, while jangly guitars and soulful harmonies mesh with ethereal melodies. [Jul 2018, p.34]
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    • 78 Metascore
    • 80 Critic Score
    It helps that Wilkinson sings sweetly, too, distancing and layering his vocals for that dewy, lost-in-the-woods effect. [Aug 2009, p.87]
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    • 74 Metascore
    • 80 Critic Score
    It helps that The Child Of Lov, while not big-studio slick, is so imaginatively realised. [Jun 2013, p.70]
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    • 81 Metascore
    • 80 Critic Score
    Waiting For You echoes something of The Bug's brooding, echo-drenched pressure, but where London Zoo felt dense, the likes of "Meltdown" have a beautifully spectral, washed-out quality, Robinson's sweet, soulful vocals weaving through the night in search of salvation. [Jan 2010, p. 118]
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    • 86 Metascore
    • 80 Critic Score
    Top stuff. [Mar 2024, p.25]
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    • 63 Metascore
    • 80 Critic Score
    All round, it's a remarkable electronic musicanship. [Apr 2010, p.124]
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    • 80 Metascore
    • 80 Critic Score
    He pulls a few originals out of the bag. But it is the sideways eviscerations of "Ol' Man River" and "Over The Rainbow" that resonate the longest. [Sep 2017, p.35]
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    • 83 Metascore
    • 80 Critic Score
    Skying, The Horrors' third, again brilliantly confounds expectations. [Aug 2011, p.76]
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    • 84 Metascore
    • 80 Critic Score
    Ireland shows the breadth as well as the depth of the scene. [Dec 2025, p.37]
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    • 78 Metascore
    • 80 Critic Score
    A beautifully composed record that feels alive with texture. [Review of the Year 2025, p.23]
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    • 64 Metascore
    • 80 Critic Score
    While the programmed beats are generic, his fleet-fingered guitar work shimmers with the high-end wit that powers a batch of hooky, sharply drawn tunes. [Oct 2015, p.75]
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    • 63 Metascore
    • 80 Critic Score
    If last year's engrossing, infuriating Blueberry Boat revealed the Friedbergers as a uniquely strange and perversely ambitious proposition, Rehearsing My Choir, remarkably, trumps it, striking a chord of real feeling alongside the pell-mell fabulation. [Dec 2005, p.110]
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    • 64 Metascore
    • 80 Critic Score
    The angry bricolage of noises, voices, stabbing guitar and jittery programmed drums sounds like the world splitting apart, the first of a series of scarified dubscapes created by The Pop Group and their perfect collaborators. [Jan 2017, p.28]
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    • 86 Metascore
    • 80 Critic Score
    Aided by sympathetic vocalists, Wasylyk consolidates a multi-instrumentalist's multiple interests - from New Classical to lounge jazz to lo-fi-pop - into a coherent style. [Apr 2026, p.37]
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    • 84 Metascore
    • 80 Critic Score
    Ornery eloquence. [Aug 2023, p.34]
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    • 69 Metascore
    • 80 Critic Score
    Self awareness and self-loss are finally balanced, especially on Portaling. [Nov 2011, p.97]
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    • 72 Metascore
    • 80 Critic Score
    Minus the lovely, stoned air, Another Fine Day doesn't quite reach the heights of its predecessor, but there's plenty to admire. [Aug 2006, p.106]
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    • 70 Metascore
    • 80 Critic Score
    It's less gonzoid than previous efforts and more effective for that. [Mar 2007, p.79]
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    • 83 Metascore
    • 80 Critic Score
    Long Wave Home is full of innovative arrangements and quirky vocals, but it's equally stuffed with great songs. [May 2026, p.30]
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    • 84 Metascore
    • 80 Critic Score
    It's a culture manifest in Alpha Mike Foxtrot: encyclopaedic. loving, droll, emotionally candid, often adventurous, but never really as alienating or difficult as the legends might suggest. [Jan 2015, p.90]
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    • 82 Metascore
    • 80 Critic Score
    She has, it seems, reached an accommodation with herself, with her doubts and her strengths. The two worlds co-exist beautifully here, the soft Power and the raw.
    • 81 Metascore
    • 80 Critic Score
    Feels like the work of a man who's finally found his calling. [Apr 2017, p.28]
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    • 72 Metascore
    • 80 Critic Score
    He's rarely sounded so utterly engaged. [Oct 2010, p.99]
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