Uncut's Scores
- Music
For 11,994 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
|---|---|---|
| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,013 out of 11994
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Mixed: 2,907 out of 11994
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Negative: 74 out of 11994
11994
music
reviews
- By Date
- By Critic Score
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- Critic Score
The Inheritors is a fiercely original feast of experimental sound. [Jul 2013, p.76]- Uncut
Posted Jul 25, 2013 -
- Critic Score
The interplay between the two string players is as elegant as ever, but their new partners dramatically expand the range of flavours on offer. [May 2023, p.36]- Uncut
Posted Mar 27, 2023 -
- Critic Score
This is the sound of celebration of life, and of music escaping confinement and coming to be freed. [Dec 2020, p.20]- Uncut
Posted Nov 17, 2020 -
- Critic Score
It's a delicate balance, but the obvious sincerity of Campbell's performance overcomes any qualms about what could be an exploitative concept. [Sep 2011, p.90]- Uncut
Posted Aug 26, 2011 -
- Critic Score
This is Cretan folk music played with a rock'n'roll intensity that is truly immersive. [Nov 2016, p.36]- Uncut
Posted Oct 7, 2016 -
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Posted Oct 18, 2011 -
- Critic Score
With each track developing at an imperceptible pace, this is subtle but irresistibly compelling. [Nov 2013, p.69]- Uncut
Posted Oct 10, 2013 -
- Critic Score
The trio are faithful to their ancient source material, while adding spacious arrangements, harmony choruses and subtle embellishments that amplify the songs' emotional punch. [Feb 2020, p.25]- Uncut
Posted Jan 23, 2020 -
- Critic Score
Far from a series of intimidatingly empty spaces, Endless Rooms is more like RBCF’s shared mind palace, a place rich with experiences and emotion in which they’re stretching their creative legs, throwing open door after door and rushing eagerly through, to play. [Jun 2022, p.22]- Uncut
- Posted May 4, 2022
- Read full review
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- Critic Score
While Hutchings' trademark, frantically circling sax figures are prominent, it's the album's sombre moments that prove the most powerful. [Apr 2020, p.35]- Uncut
Posted Mar 10, 2020 -
- Critic Score
Tempers the sounds of traditional mountain music with a heady sense of experimentalism. [May 2021, p.28]- Uncut
Posted Apr 19, 2021 -
- Critic Score
It the bits between the notes that rescue this from the status of pointless fidelity and make it so compelling. [Sep 2013, p.90]- Uncut
Posted Jan 8, 2014 -
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It's the intoxicating instrumentals, "Boudica" and "In Motion Slow," that remind you of her capricious talent. [Feb 2012, p.91]- Uncut
Posted Jan 23, 2012 -
- Critic Score
James Graham's ragged brogue remains deeply affecting, humanizing this unsettling music. [Mar 2012, p.101]- Uncut
Posted Feb 3, 2012 -
- Critic Score
A remarkable accomplishment. [Jun 2016, p.79]- Uncut
Posted Apr 27, 2016 -
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Posted Aug 25, 2021 -
- Critic Score
POTR are up to the challenge, delivering concise, dynamic performances a la Petty's Heartbreakers. [Aug 2019, p.35]- Uncut
Posted Jun 14, 2019 -
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Posted Apr 20, 2012 -
- Critic Score
Pelican don't look like metal kids - however, their ruminative riffology and ability to raise apocalyptic visions mark them out as practitioners of a new, reflective metallurgy alongside the likes of Sun0)))'s Stephen O' Malley. [Jan 2010, p. 123]- Uncut
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- Critic Score
[Kozelek's] blend of technical excellence and emotional authority gives the album its strength. [Jul 2013, p.74]- Uncut
Posted May 24, 2013 -
- Critic Score
A wealth of new material for diehard fans. [Aug 2017, p.46]- Uncut
Posted Jul 31, 2017 -
- Critic Score
Subtle electronics and the creation of desolate, 3-D spaces is the icing on a seductively ruined cake. [Aug 2013, p.76]- Uncut
Posted Jul 11, 2013 -
- Critic Score
The Civil Wars proves more than capable of producing its own dark drama. [Sep 2013, p.79]- Uncut
Posted Jul 31, 2013 -
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Posted Dec 3, 2020 -
- Critic Score
Feeding The Machine operates in a bold and unorthodox way. [Apr 2022, p.34]- Uncut
Posted Feb 23, 2022 -
- Critic Score
Thom Yorke's Suspiria might not be to everyone's taste--but it feel enough, for now. [Dec 2018, p.20]- Uncut
Posted Oct 25, 2018 -
- Critic Score
Feels depends on a balancing act between brilliance and whimsy, and some may need convincing that a purposely childlike band... is not twee. [Nov 2005, p.110]- Uncut
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- Critic Score
Lo-fi and understated, the twin vocals of Dylan Sharp and Carrie Keith are also strong throughout. [Nov 2015, p.76]- Uncut
Posted Oct 29, 2015 -
- Critic Score
This 23-track release is even better than its Britpop-heavy 1995 predecessor. [Apr 2026, p.37]- Uncut
Posted Mar 6, 2026