Uncut's Scores

  • Music
For 11,994 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11994 music reviews
    • 81 Metascore
    • 80 Critic Score
    The Inheritors is a fiercely original feast of experimental sound. [Jul 2013, p.76]
    • Uncut
    • 81 Metascore
    • 80 Critic Score
    The interplay between the two string players is as elegant as ever, but their new partners dramatically expand the range of flavours on offer. [May 2023, p.36]
    • Uncut
    • 84 Metascore
    • 80 Critic Score
    This is the sound of celebration of life, and of music escaping confinement and coming to be freed. [Dec 2020, p.20]
    • Uncut
    • 74 Metascore
    • 80 Critic Score
    It's a delicate balance, but the obvious sincerity of Campbell's performance overcomes any qualms about what could be an exploitative concept. [Sep 2011, p.90]
    • Uncut
    • 82 Metascore
    • 80 Critic Score
    This is Cretan folk music played with a rock'n'roll intensity that is truly immersive. [Nov 2016, p.36]
    • Uncut
    • 82 Metascore
    • 80 Critic Score
    An epic study of sand and celluloid. [Oct 2011, p.98]
    • Uncut
    • 80 Metascore
    • 80 Critic Score
    With each track developing at an imperceptible pace, this is subtle but irresistibly compelling. [Nov 2013, p.69]
    • Uncut
    • 78 Metascore
    • 80 Critic Score
    The trio are faithful to their ancient source material, while adding spacious arrangements, harmony choruses and subtle embellishments that amplify the songs' emotional punch. [Feb 2020, p.25]
    • Uncut
    • 78 Metascore
    • 80 Critic Score
    Far from a series of intimidatingly empty spaces, Endless Rooms is more like RBCF’s shared mind palace, a place rich with experiences and emotion in which they’re stretching their creative legs, throwing open door after door and rushing eagerly through, to play. [Jun 2022, p.22]
    • 84 Metascore
    • 80 Critic Score
    While Hutchings' trademark, frantically circling sax figures are prominent, it's the album's sombre moments that prove the most powerful. [Apr 2020, p.35]
    • Uncut
    • 82 Metascore
    • 80 Critic Score
    Tempers the sounds of traditional mountain music with a heady sense of experimentalism. [May 2021, p.28]
    • Uncut
    • 80 Metascore
    • 80 Critic Score
    It the bits between the notes that rescue this from the status of pointless fidelity and make it so compelling. [Sep 2013, p.90]
    • Uncut
    • 70 Metascore
    • 80 Critic Score
    U&I
    It's the intoxicating instrumentals, "Boudica" and "In Motion Slow," that remind you of her capricious talent. [Feb 2012, p.91]
    • Uncut
    • 76 Metascore
    • 80 Critic Score
    James Graham's ragged brogue remains deeply affecting, humanizing this unsettling music. [Mar 2012, p.101]
    • Uncut
    • 83 Metascore
    • 80 Critic Score
    A remarkable accomplishment. [Jun 2016, p.79]
    • Uncut
    • 76 Metascore
    • 80 Critic Score
    Brilliantly realised. [Oct 2021, p.31]
    • Uncut
    • 76 Metascore
    • 80 Critic Score
    POTR are up to the challenge, delivering concise, dynamic performances a la Petty's Heartbreakers. [Aug 2019, p.35]
    • Uncut
    • 80 Metascore
    • 80 Critic Score
    [A] feisty, psych-tinged hook up with Tim "White Fence" Presley. [May 2012, p.80]
    • Uncut
    • 79 Metascore
    • 80 Critic Score
    Pelican don't look like metal kids - however, their ruminative riffology and ability to raise apocalyptic visions mark them out as practitioners of a new, reflective metallurgy alongside the likes of Sun0)))'s Stephen O' Malley. [Jan 2010, p. 123]
    • Uncut
    • 76 Metascore
    • 80 Critic Score
    [Kozelek's] blend of technical excellence and emotional authority gives the album its strength. [Jul 2013, p.74]
    • Uncut
    • 88 Metascore
    • 80 Critic Score
    A wealth of new material for diehard fans. [Aug 2017, p.46]
    • Uncut
    • 75 Metascore
    • 80 Critic Score
    Subtle electronics and the creation of desolate, 3-D spaces is the icing on a seductively ruined cake. [Aug 2013, p.76]
    • Uncut
    • 71 Metascore
    • 80 Critic Score
    The Civil Wars proves more than capable of producing its own dark drama. [Sep 2013, p.79]
    • Uncut
    • 82 Metascore
    • 80 Critic Score
    A genuinely beautiful, expansive record. [Dec 2020, p.36]
    • Uncut
    • 89 Metascore
    • 80 Critic Score
    Feeding The Machine operates in a bold and unorthodox way. [Apr 2022, p.34]
    • Uncut
    • 82 Metascore
    • 80 Critic Score
    Thom Yorke's Suspiria might not be to everyone's taste--but it feel enough, for now. [Dec 2018, p.20]
    • Uncut
    • 84 Metascore
    • 80 Critic Score
    Feels depends on a balancing act between brilliance and whimsy, and some may need convincing that a purposely childlike band... is not twee. [Nov 2005, p.110]
    • Uncut
    • 77 Metascore
    • 80 Critic Score
    The Gris Gris are a challenging, intense proposition. [Jan 2006, p.113]
    • Uncut
    • 84 Metascore
    • 80 Critic Score
    Lo-fi and understated, the twin vocals of Dylan Sharp and Carrie Keith are also strong throughout. [Nov 2015, p.76]
    • Uncut
    • 82 Metascore
    • 80 Critic Score
    This 23-track release is even better than its Britpop-heavy 1995 predecessor. [Apr 2026, p.37]
    • Uncut