Uncut's Scores

  • Music
For 11,994 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11994 music reviews
    • 66 Metascore
    • 80 Critic Score
    Everything Goes Wrong is almost sickeningly good: songs are tight, short and fun, none outstay their welcome, all leave something behind in your brain as they rush to completion on a wave of multi-layered vocals, euphoric guitars and wall-of-chrome production. [Oct 2009, p.119]
    • Uncut
    • 80 Metascore
    • 80 Critic Score
    The set is more interesting the more it delves into the songwriter's prodigious output, generally beefing up what it finds. [Jun 2015, p.81]
    • Uncut
    • 84 Metascore
    • 80 Critic Score
    Although this LA-based Chinese-Icelander gas woven a loose temporal theme through the loungey chamber pop of her third album, it's the waspish lyrical sting in the tail of these songs that sets her apart. [Oct 2025, p.29]
    • Uncut
    • 77 Metascore
    • 80 Critic Score
    Doldrums' frequently multi-tracked falsetto is the icing on an appealingly irregular cake. [Apr 2013, p.71]
    • Uncut
    • 68 Metascore
    • 80 Critic Score
    He doesn't have that doomed, hellhound-on-my-trail intensity that makes Johnson's recordings so spooky. But, at 58, he sounds like a man who has faced down more than a few canine devils of his own. [Apr 2004, p.102]
    • Uncut
    • 75 Metascore
    • 80 Critic Score
    The Leeds-based electro-rock five-piece set their sights shamelessly high on this grandiose second LP, a novelistic collection of characters journeying through a lavish panorama of cinematic sounds. [Mar 2011, p.101]
    • Uncut
    • 89 Metascore
    • 80 Critic Score
    It's Apple's refinement as a writer that makes this harrowing psychodrama so gripping. [Aug 2012, p.69]
    • Uncut
    • 79 Metascore
    • 80 Critic Score
    Illumination is already being described by the Weller massive as the best solo album of his career. You'll hear few arguments with that from this corner. [Oct 2002, p.118]
    • Uncut
    • 79 Metascore
    • 80 Critic Score
    The songs benefit from a sharper focus than the quartet ever achieved before. [Oct 2016, p.37]
    • Uncut
    • 82 Metascore
    • 80 Critic Score
    Another masterclass in deft guitar picking, smudged with piano, harmonica and a voice like honey drizzled onto a dry creekbed. [Jun 2003, p.93]
    • Uncut
    • 72 Metascore
    • 80 Critic Score
    Business as unusual for Twig. [Oct 2015, p.83]
    • Uncut
    • 80 Metascore
    • 80 Critic Score
    Sea Of Noise feels not just formally but emotionally authentic. [Nov 2016, p.39]
    • Uncut
    • 64 Metascore
    • 80 Critic Score
    The Cairo Gang's superb, weighty, meticulous album still manages to pack a mighty punch. [Sep 2013, p.85]
    • Uncut
    • 87 Metascore
    • 80 Critic Score
    Without sacrificing urgency, outrage or compassion, Alynda Lee Segarra gives these story-songs a light touch musically, favouring airy, even breezy arrangements driven by insistent drumbeats. [Mar 2022, p.31]
    • Uncut
    • 73 Metascore
    • 80 Critic Score
    It's a wonderful pop album and there's a genuinely delightful innocence here. [Nov 2013, p.69]
    • Uncut
    • 73 Metascore
    • 80 Critic Score
    It all sounds closer to 1990s David Bowie studio funk than the man who once went commando with the likes of Sabotage/Live and Music For A New Society. [Nov 2012, p.71]
    • Uncut
    • 81 Metascore
    • 80 Critic Score
    This pleasing mix of exploratory guitar tones and ever-shifting rhythms that switch between the kinetic and flowing makes for an arresting debut. [Jun 2022, p.25]
    • Uncut
    • 86 Metascore
    • 80 Critic Score
    The album is tethered by Roberts' spoken-word poetry. [Oct 2023, p.33]
    • Uncut
    • 80 Metascore
    • 80 Critic Score
    White-knuckle anthemicism is order of the day, and vocalist Elias Bender Ronnenfelt seem to gave grown into his skin. [Mar 2013, p.73]
    • Uncut
    • 86 Metascore
    • 80 Critic Score
    Price's excellent debut wastes absolutely no energy trying to address her place in the country-music ecosystem, and gets right to telling us who she is, rather than who she ain't.... Her voice is the record's real star: controlled, infectious, and rich with enviable natural twang. [Apr 2016, p.63]
    • Uncut
    • 77 Metascore
    • 80 Critic Score
    Tennessee Pusher is comfortably up to standard, the demented Dylan pastiche, 'Alabama High-Test' a particular highlight. [Oct 2008, p.101]
    • Uncut
    • 84 Metascore
    • 80 Critic Score
    Hearing these instantaneous, improvised rituals makes the world feel a little less huge. [Jun 2020, p.29]
    • Uncut
    • 69 Metascore
    • 80 Critic Score
    Platinum Tips + Ice-Cream sees the duo attack old songs with results both gloriously haphazard and straight-up glorious. [Jul 2017, p.39]
    • Uncut
    • 76 Metascore
    • 80 Critic Score
    The second album by this East London singer sees her moving away from the orthodox jazz trio and expanding her sonic palette. [Feb 2014, p.77]
    • Uncut
    • 84 Metascore
    • 80 Critic Score
    "Jelly's" languid R&B and the Latin shuffle of "Moonwalk" will seduce newcomers, while the rest--like Juana Molina's recent Halo--is subtle and endlessly engrossing. [Aug 2017, p.30]
    • Uncut
    • 76 Metascore
    • 80 Critic Score
    Local Valley is positive, engaged, almost rousing. [Oct 2021, p.32]
    • Uncut
    • 79 Metascore
    • 80 Critic Score
    Cowley's songs sound lie pulsating Bond themes, funeral laments and the greatest stadium-filling anthems that Coldplay never wrote. [Feb 2012, p.83]
    • Uncut
    • 72 Metascore
    • 80 Critic Score
    Draws intelligently on its sources, revealing itself as more than mere pastiche. [Nov 2004, p.108]
    • Uncut
    • 80 Metascore
    • 80 Critic Score
    While Pang!, totalling just under half an hour, doesn't have the conceptual strengths of Babelsberg or American Interior, it's nevertheless a delight to hear Rhys once again embracing the possibilities of technology and harnessing modern, global sounds to enhance his unique vision. [Oct 2019, p.37]
    • Uncut
    • 71 Metascore
    • 80 Critic Score
    With Ween, nothing is done by halves. [Nov 2003, p.126]
    • Uncut