Uncut's Scores

  • Music
For 11,994 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11994 music reviews
    • 88 Metascore
    • 80 Critic Score
    You can sense the deceptively complex Art Angels will only continue to yield further depths with time. [Jan 2016, p.76]
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    • 89 Metascore
    • 80 Critic Score
    The thoughtful intimacies of Wendy Eisenberg make for some of their potent artistic statements yet. [Jun 2026, p.29]
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    • 81 Metascore
    • 80 Critic Score
    Omar has found a formula that really works. [Feb 2017, p.33]
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    • 89 Metascore
    • 80 Critic Score
    Grief, memory and friendship billow up throughout the nine tracks. [Mar 2021, p.31]
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    • 78 Metascore
    • 80 Critic Score
    It's the clever orchestration that elevates this above postmodern gag, all fluttering pipes and chiming guitar. [Nov 2007, p.98]
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    • 81 Metascore
    • 80 Critic Score
    As so often, Chris Abrahams' piano provides an anchor. [May 2020, p.31]
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    • 69 Metascore
    • 80 Critic Score
    The album, recorded live in a village hall on the shores of Loch Ness, is tremendous fun. [May 2016, p.76]
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    • 83 Metascore
    • 80 Critic Score
    The result is a rich, easy-rolling album that finds King's fingers still nimble and his megaphone voice barely creaking. [Dec 2008, p.100]
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    • 61 Metascore
    • 80 Critic Score
    If that person favours the smoking, ragged garage rock that comprises the bulk of Fork In The Road, then you’d have to conclude, job done.
    • 74 Metascore
    • 80 Critic Score
    Emmy's startling pure voice is a vehicle for some smart, candid and subversive lyrics. [Mar 2009, p.87]
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    • 84 Metascore
    • 80 Critic Score
    He's clearly referring to something much broader and deeper than artistic definition but Andrew's mercurial mindset is again the key to Liars' singularity. If The Apple Drop is more, in light of their history, a considered experiential teaser than a synapse frazzler, it's his choice. Once more, expectation can go to hell. [Sep 2021, p.32]
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    • 69 Metascore
    • 80 Critic Score
    It's not revolutionary, but there's not a duff track to be found. [Aug 2018, p.24]
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    • 83 Metascore
    • 80 Critic Score
    Like Ill Communication, it's a superbly paced album, its felicitous stylistic juxtapositions the product of judicious cut-and-paste. [Jun 2011, p.89]
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    • 76 Metascore
    • 80 Critic Score
    Seven Dials seamlessly weaves many of the best elements of Frame's past into a work of consummate craftsmanship which also references the likes of Steely Dan, The Cure, The Beatles, Bowie, Fleetwood Mac, Van Morrison and Bob Dylan. [Jun 2014, p.68]
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    • 84 Metascore
    • 80 Critic Score
    Features passionate songs that defy categorisation. [Feb 2023, p.33]
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    • 75 Metascore
    • 80 Critic Score
    Most divine is Knxwledge's production on "Make Ya Say Yie," with its twisted brass sample. [Nov 2020, p.27]
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    • 73 Metascore
    • 80 Critic Score
    Falling Off The Sky is the rare comeback effort worthy of its legacy. [Jun 2012, p.82]
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    • 64 Metascore
    • 80 Critic Score
    The album doesn't just bludgeon. There is an attention to detail, an appreciation of dynamics at work. [May 2003, p.108]
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    • 81 Metascore
    • 80 Critic Score
    [Aug 2024, p.40]
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    • 65 Metascore
    • 80 Critic Score
    Against all odds, St. Anger constitutes the cutting edge of commercial yet aggressive heavy rock in 2003. [Aug 2003, p.106]
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    • 81 Metascore
    • 80 Critic Score
    This bold, moving and purposeful record proves De La remain eternal. [Jan 2026, p.29]
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    • 80 Metascore
    • 80 Critic Score
    As ever, there's great appeal in his stage patter, where he tests the tension between catharsis and awkwardness.... But he never skimps on emotion. [Sep 2014, p.74]
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    • 76 Metascore
    • 80 Critic Score
    She achieves something close to eerie synthesis of avant-classical art song and Throbbing Gristle-worthy brutalism that three-quarters of TG themselves created on their 2012 tribute to Nico's Desertshore. [Nov 2018, p.29]
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    • 78 Metascore
    • 80 Critic Score
    Cements his reputation for fast, witty, lyrically dense politico-personal rhymes. [Mar 2005, p.99]
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    • 83 Metascore
    • 80 Critic Score
    As the LP continues, you are progressively engrossed. [Oct 2015, p.84]
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    • 83 Metascore
    • 80 Critic Score
    The songs, reworked with producer Patrick Hyland over a three-year period, shapeshift in time to the lyrics. [Mar 2022, p.32]
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    • 64 Metascore
    • 80 Critic Score
    They only really have one kin do f song and tempo, rollicking yet melancholy, but they write them very, very well. [Oct 2011, p.84]
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    • 70 Metascore
    • 80 Critic Score
    The remainder of In Limbo colonises the liminal space between harmony pop and spacecraft noise with giddy style. [Oct 2012, p.86]
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    • 81 Metascore
    • 80 Critic Score
    Strands is one of Hauschildt's finest efforts, unfolding through a dense fog of ambience and gently bubbling electronics, always staying weird and disobedient enough to offset its new-age tinge. [Dec 2016, p.30]
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    • 72 Metascore
    • 80 Critic Score
    Wildly ambitious debut. [Jan 2018, p.26]
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