Uncut's Scores

  • Music
For 11,994 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11994 music reviews
    • 76 Metascore
    • 80 Critic Score
    There's a frayed but genuinely exploratory vibe here, that's not afraid to get tough. [Jul 2009, p.91]
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    • 84 Metascore
    • 80 Critic Score
    Crockett's warm, buttery vocals melt through his latest collection, which delves into mid-century cowboy soundtracks for its cinematic plushness and moody grace. [Sep 2020, p.28]
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    • 73 Metascore
    • 80 Critic Score
    The emotional imprint of The Fall moves beyond the pining, wistful tones that are her trademark in favour of Sex And The City scenarios bursting with heartbreak, regret and emotional devastation.
    • 75 Metascore
    • 80 Critic Score
    A heroic mutual soppiness is the key tot his dreamy two-tracker. [Jul 2016, p.74]
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    • 78 Metascore
    • 80 Critic Score
    The playful tumbles of verbiage are as central to the group's sonic identity as the key components of its baroque power pop. [Nov 2019, p.28]
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    • 91 Metascore
    • 80 Critic Score
    Sumptuous and sprawling, his major label debut comfortably backs up the hype. [Oct 2012, p.86]
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    • 83 Metascore
    • 80 Critic Score
    FLOTUS ranks as one of Lambchop's most confounding to date, an album whose form and content are united in intimate, private purpose, but which may well turn out to be one of their best and most accessible. [Dec 2016, p.18]
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    • 85 Metascore
    • 80 Critic Score
    It is without question a wintering record, but out of this muted musical landscape songs of great and complex beauty emerge. [Mar 2021, p.34]
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    • 79 Metascore
    • 80 Critic Score
    Patterns Of Light grasps the surreal potential of the situation and responds with an OTT concept album. [Feb 2017, p.28]
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    • 78 Metascore
    • 80 Critic Score
    Working with producer Jack Splash, they craft a dense, bracing, kaleidoscopic avant-soul backdrop for frontman Paul Janeway's musings on religion, politics and family. [Oct 2018, p.32]
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    • 76 Metascore
    • 80 Critic Score
    An album that shines light, albeit dimly, into hidden corners of the soul. [May 2007, p.100]
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    • 85 Metascore
    • 80 Critic Score
    12-song collection brings together four elders, three younger practitioners and original James Gang singer-guitarist Glenn Schwartz, along with The Black Keys in Deep-blues mode. [Sep 2023, p.37]
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    • 75 Metascore
    • 80 Critic Score
    Always led by the miraculous voice of Ch'hom Nimol. So beautifully and effectively, in fact, that they end up giving fusion a good name. [Feb 2008, p.78]
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    • 83 Metascore
    • 80 Critic Score
    Skeleton romps along at a joyful gait peppered with breathless harmonies and squalls of noise and subverts some familiar tools along the way. [Nov 2008, p.87]
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    • 80 Metascore
    • 80 Critic Score
    If Offend Maggie doesn't have quite have that idiot's glee it's nevertheless quite a riot. [Nov 2008, p.94]
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    • 77 Metascore
    • 80 Critic Score
    At moments conjures Steely Dan, Little Feat and Weather Report while stretching into new territory. Constant shifts in tone, tempo and scale keep this 14-track, 90-minute opus in constant motion. [May 2025, p.31]
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    • 84 Metascore
    • 80 Critic Score
    Like Blue Velvet, Forget is a lurid fever dream--and a magnificent hymn to suburban teenage romance. [Jan 2011, p.98]
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    • 78 Metascore
    • 80 Critic Score
    Atlas is dominated by a saturated prettiness that seems at once virtuoso and effortless. [Apr 2014, p.68]
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    • 78 Metascore
    • 80 Critic Score
    Recording in an African village with a laptop and local musicians lends a more organic feel than previous releases. [May 2015, 84]
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    • 80 Metascore
    • 80 Critic Score
    Holiday is resolutely sombre, but the arrangements make inviting drama out of Principe's impressionistic lyrical intimacies. [May 2013, p.75]
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    • 79 Metascore
    • 80 Critic Score
    Her fourth album proves that she can apply those [AI techniques from her Circumstance Synthesis EP] to more structured, dynamic songs in a way that's instantly enthralling. [Aug 2020, p.27]
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    • 74 Metascore
    • 80 Critic Score
    The third installment is almost shockingly concise at 30 minutes. ... Hearing one of the group's freewheeling jams coalesce into "Bel Air" 10 minutes into the proceedings still sparks a frisson of recognition that makes the series so exhilarating. [Nov 2022, p.46]
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    • 75 Metascore
    • 80 Critic Score
    Hum
    Think Screaming Trees' Dust, or Chris Cornell's Euphoria Morning, steeped in folk and psychedelia, the teenage angst of old weathered if not quite mellowed. [Aug 2020, p.30]
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    • 79 Metascore
    • 80 Critic Score
    Atmospheric soundscapes. ... Awash with an adventurousness some might find surprising in a 71-year-old. [Oct 2021, p.25]
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    • 81 Metascore
    • 80 Critic Score
    This, to paraphrase Burnett, just tore 2012 a new one. [Jun 2012, p.71]
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    • 82 Metascore
    • 80 Critic Score
    This careful layering of old and new, east and west, has something of the forensic deliberation of post-rock experimentation about it, but songs like "For Everything That You Lost" and "They Keep Silence," which evokes Killing Joke, are thrilling in their intensity. [Aug 2016, p.77]
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    • 79 Metascore
    • 80 Critic Score
    Some of the best moments involve lesser-known artists, such as The Mad Lads tearing through "Don't Have To Shop Around" and Wendy Rene Delivering a superlatively funky "Bar-B-Q". [Sep 2025, p.50]
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    • 88 Metascore
    • 80 Critic Score
    Spoon's secret is that this tension is never quite released, the martial beat never breaks down, full rock music never quite kicks in. [Oct 2002, p.120]
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    • 80 Metascore
    • 80 Critic Score
    It's compact, often menacing strangeness has its own beauty. [Aug 2013, p.71]
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    • 82 Metascore
    • 80 Critic Score
    Authoritatively cements the status of Granduciel's Philadelphia-based sextet as the best American rock band to emerge in the 2010s. [Jan 2021, p.33]
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