Uncut's Scores

  • Music
For 12,008 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12008 music reviews
    • 74 Metascore
    • 60 Critic Score
    Enon inhabit a multi-coloured Seventies soaring pop universe but with... emphasis on crunching guitar breaks, electronic textures and skewed lyrics. [Sep 2002, p.118]
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    • 68 Metascore
    • 60 Critic Score
    It's all likable, seldom revelatory. [Feb 2015, p.80]
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    • 75 Metascore
    • 60 Critic Score
    The follow-up--featuring a mere 13 songs--is solid and functional, but lacks that inspired edge. [Aug 2008, p.106]
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    • 74 Metascore
    • 60 Critic Score
    Sunny funk pours from most tracks, veiling the odd lyric about single moms, and the slowies are lit by noble torches. [Jun 2003, p.104]
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    • 63 Metascore
    • 60 Critic Score
    Laurie reprises his well-intentioned but essentially unconvincing bluesman shtick. [Jun 2013, p.75]
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    • 79 Metascore
    • 60 Critic Score
    22-year old singer and songwriter Dylan Baldi still sounds like an angst-wracked teen. [Jun 2014, p.73]
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    • 75 Metascore
    • 60 Critic Score
    Forever Turned Around hovers in a midrange that's objectively nice, but lacks the vigour required of something memorable. [Oct 2019, p.39]
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    • 79 Metascore
    • 60 Critic Score
    Over the full 82 minutes, though, 93696 can feel a little relentless, undone by the scale of its own ambition. [Apr 2023, p.32]
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    • 76 Metascore
    • 60 Critic Score
    A three-part instrumental piece, named "Heart: Attach," brings a pleasant filmic quality to an album that elsewhere trades a little too heavily on nostalgia. [Nov 2011, p.94]
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    • 64 Metascore
    • 60 Critic Score
    Tricky has a frustrating tendency to lurk behind his collaborators, and one has to fight the feeling that ideas rarely gel. [Oct 2010, p.106]
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    • 86 Metascore
    • 60 Critic Score
    Musically, it's not exactly mould-shattering, a blend of surf and chirpy indie rock. They're at their most effective when they deliberately fray the edges. [May 2019, p.29]
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    • 70 Metascore
    • 60 Critic Score
    Radian, the Vienna based trio of martin Brandlmayr (drums), Stefan Nemeth (guitars, synthesizers)and John Norman (bass), are a cerebral, digital post-rock outfit whose wibbliness too often leads them into a state of rhythmic paralysis. [Jan 2010, p. 123]
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    • 67 Metascore
    • 60 Critic Score
    It helps that these 10 primitive songs are excellent, and that The Datsuns attack them with such vehemently anti-ironic gusto. [Nov 2002, p.118]
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    • 67 Metascore
    • 60 Critic Score
    Yorke aside, the attractions are few in Monkeytown. [Nov 2011, p.93]
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    • 77 Metascore
    • 60 Critic Score
    The result is Roots Manuva's most purely pleasurable long-player. [Oct 2010, p.105]
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    • 68 Metascore
    • 60 Critic Score
    They can do dreamy folk, they can also violently attack their guitars, but best of all is the opening track, 'So Messed Up,' a Neil Young-inspired ballad where the guitars rumble and flicker oiver Ryan Sawyer's Keith Moon-style perpetual drum solo. [May 2008, p.111]
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    • 75 Metascore
    • 60 Critic Score
    The resulting hazy acoustic soundscapes are only a soft-shoe shuffle away from Caribou's neo-pyschedelia. [Dec 2008, p.108]
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    • 61 Metascore
    • 60 Critic Score
    It continues where his 2006 solo debut, "My Secret Is My Silence" began, mining the seams of British folk with out descending into chunky-jumpered sentimentality. [May 2011, p.103]
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    • 78 Metascore
    • 60 Critic Score
    Though attempts at Amy Rigby territory ring hollow, a couple of country weepies bear redemptive powers. [May 2003, p.102]
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    • 73 Metascore
    • 60 Critic Score
    At first it all sounds slightly undercooked, but soon its crunched funk and sinuous synthwork, nicely judged on "Another State Of Consciousness," suggest a master grasping a new technique. [Sep 2019, p.37]
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    • 65 Metascore
    • 60 Critic Score
    Producer Joe Chiccarelli curbs their proggy tendencies in favor of chromed-out, geometrically precise arrangements embedded with bull's eye melodic and instrumental hooks. [Jul 2010, p.115]
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    • 79 Metascore
    • 60 Critic Score
    That it works at all is thanks to a dense, cartoonish production that sees dusty breaks. found sounds and snippets of conversation tossed together like the contents of an upturned toy box. [Jul 2005, p.96]
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    • 77 Metascore
    • 60 Critic Score
    It's hard to really connect with most of In A Dream; not only does it play through as tirelessly, tiringly arch, many of the songs just don't quite cut it. [Nov 2014, p.76]
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    • 68 Metascore
    • 60 Critic Score
    The mini-album finds this talented duo running in place. [Feb 2020, p.30]
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    • 70 Metascore
    • 60 Critic Score
    A decidedly sassier affair. [Jun 2006, p.110]
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    • 64 Metascore
    • 60 Critic Score
    The musical themes are narrow and somewhat repetitive but Kubrick duly delivers on atmosphere. [Jan 2016, p.80]
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    • 70 Metascore
    • 60 Critic Score
    Further requires an injection of personality that low-key collaborators Stephanie Dosen and Francis Ten just can't provide. [Jul 2010, p103]
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    • 67 Metascore
    • 60 Critic Score
    Where her other albums are more varied, this all-guns-blazing pop portfolio is a touch wearying. [Mar 2016, p.80]
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    • 58 Metascore
    • 60 Critic Score
    It's covers that make the bulk of the songs, and some are more successful than others. [Apr 2016, p.90]
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    • 64 Metascore
    • 60 Critic Score
    Like The Fall, PSB are always different, always the same. [Mar 2012, p.97]
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