Uncut's Scores

  • Music
For 12,008 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12008 music reviews
    • 72 Metascore
    • 70 Critic Score
    A ramshackle, frequently over-the-top barrage of familiar rock tropes appropriated in the service of an unmitigated romp. [Apr 2015, p.72]
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    • 72 Metascore
    • 60 Critic Score
    The efforts are inconsistent, though, and his affinity with the fun and doom of '50s R'n'R is mostly lost to the demands of commercial bombast. [Jun 2009, p.88]
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    • 72 Metascore
    • 70 Critic Score
    A stew of attractive singalong folk pop that looks to evocative kitchen sink drama for lyrical inspiration. [Feb 2014, p.83]
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    • 72 Metascore
    • 70 Critic Score
    On his third solo album, he's found a niche that suits him. [Jul 2016, p.81]
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    • 72 Metascore
    • 70 Critic Score
    Infatuated by the noirish romance of European coldwave, the likes of "Portland U" and "Collene" cast Stewart as something of a bedroom modernist. [Jan 2017, p.22]
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    • 72 Metascore
    • 80 Critic Score
    Watford's Stavely-Taylor sisters and New York's chamber music sextet effortlessly bridge the divide between their chosen genres. [Feb 2018, p.35]
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    • 72 Metascore
    • 70 Critic Score
    They've expanded on their debut's Goat/Can homage, opting for a rawer sound that leans on funk-charged bass throbs and wildly oscillating synths. [Apr 2019, p.36]
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    • 72 Metascore
    • 40 Critic Score
    Here they often come across as Hard-Fi playing the songs of The New York Dolls--infinitely more irritating. [Nov 2007, p.104]
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    • 72 Metascore
    • 50 Critic Score
    The Brooklyn five-piece's second record resembles an ordinary collection of pebbles--unlike their early sea-washed gems. [Mar 2016, p.73]
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    • 72 Metascore
    • 60 Critic Score
    A cover of Pink Floyd's 'Echoes' proves you typecast Qui at your peril. [Oct 2007, p.102]
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    • 72 Metascore
    • 70 Critic Score
    The result is pure pleasure as Black takes the trademark Brewis sound and ramps up the funk on groove-driven art-pop gems. [May 2015, p.81]
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    • 72 Metascore
    • 70 Critic Score
    Lydon remains a devout pop modernist. [Oct 2015, p.81]
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    • 72 Metascore
    • 70 Critic Score
    Fohr's voice is the constant, but here's it's denuded, its strangely hollowed-out tone perfect for Jackie Lynn's dizzying theatrics. [Jul 2016, p.76]
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    • 72 Metascore
    • 60 Critic Score
    Every song offers something different, which holds your attention. [Apr 2009, p.101]
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    • 72 Metascore
    • 80 Critic Score
    Though his voice is as lugubrious as ever, there is more light and shade than before. [Sep 2006, p.95]
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    • 72 Metascore
    • 80 Critic Score
    Her free rock trio is on thunderous form on these lithe and sinewy instruments, stirred up in a cauldron of sub-metal froth and white-hot jazz rock. [Jun 2013, p.76]
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    • 72 Metascore
    • 70 Critic Score
    A largely enjoyable ramble through '90s and early '00s-era soul-jazz and brassy funk. [Aug 2017, p.32]
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    • 72 Metascore
    • 80 Critic Score
    Draws intelligently on its sources, revealing itself as more than mere pastiche. [Nov 2004, p.108]
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    • 72 Metascore
    • 80 Critic Score
    No museum piece, Urstan energizes the past. [May 2012, p.80]
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    • 72 Metascore
    • 80 Critic Score
    If this is indeed Crow's last recording, as she's speculated, this cavalcade of hotwired connections is a splendid way to cap off her career. [Oct 2019, p.27]
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    • 72 Metascore
    • 70 Critic Score
    1982 has some nostalgic moments. ... But there is forward motion too. [May 2023, p.25]
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    • 72 Metascore
    • 70 Critic Score
    Revolution Radio, happily, shares more with the zestier (and earlier) likes of Nimrod. [Nov 2016, p.28]
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    • 72 Metascore
    • 70 Critic Score
    On their second release for Thrill Jockey they sometimes clear space in the pummeling blizzard of delay, fuzz and reverb. [Apr 2012, p.88]
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    • 72 Metascore
    • 60 Critic Score
    It may be no great leap forward, but on this showing Nelson can still produce graceful electronica with a rare poise and reserve. [Mar 2009, p.95]
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    • 72 Metascore
    • 80 Critic Score
    The mood flickers between foreboding and playful; blues for modern times. [Jan 2012, p. 93]
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    • 72 Metascore
    • 60 Critic Score
    The quality zigzags, but Doughty maintains an agreeably impish spirit. [Mar 2013, p.70]
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    • 72 Metascore
    • 60 Critic Score
    Intriguing and hauntingly lovely, if almost totally one paced. [Sep 2013, p.72]
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    • 72 Metascore
    • 70 Critic Score
    "Nights In The Lab" finds scientist Martin pining for a white-coated colleague, one of many tracks that would have fitted just as neatly into his famed '70s stand-up shows as it does a highfalutin hoedown at the Grand Ole Opry. [Nov 2017, p.32]
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    • 72 Metascore
    • 80 Critic Score
    Wildly ambitious debut. [Jan 2018, p.26]
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    • 72 Metascore
    • 70 Critic Score
    Williams, subtly shadowed by Anthony da Costa's harmonies, delivers elegantly inflective performances on these bittersweet. deeply affecting contemplations of love lost and regained. [Jun 2019, p.37]
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