Uncut's Scores

  • Music
For 12,033 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12033 music reviews
    • 80 Metascore
    • 70 Critic Score
    A flawed masterpiece that infuriates as often as it dazzles. [Jul 2019, p.28]
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    • 67 Metascore
    • 70 Critic Score
    While the change in the band's output is not revolutionary, its subtle shift proves fruitful. [Jul 2019, p.37]
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    • 80 Metascore
    • 70 Critic Score
    They run a tight ship, cramming 41 short, tough tracks onto Quakers with verses from indie-rap stalwarts Guilty Simpson, MED and Prince Po. [May 2012, p.80]
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    • 78 Metascore
    • 70 Critic Score
    Trevor Sensor's very good debut hits its mark. [Aug 2017, p.37]
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    • 84 Metascore
    • 70 Critic Score
    Fractures sound healed, leaving Sunflower Bean's classicist optimism intact. [Jul 2025, p.37]
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    • 77 Metascore
    • 70 Critic Score
    "Overrated" tosses in traces of Disintegration-era Cure, with Matilda Bogren's dreamy vocals buried deep in a richly murky, shoegaze-friendly mix, while "Apart" leans towards the gothic and "Hard Ending" adds a little New order. [Jul 2018, p.27]
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    • 81 Metascore
    • 70 Critic Score
    There's artifice in Booker's make-up but the troubled, strutting loner, serving sizzling sides of electrified psyched-swamp blues, is a role he inhabits with conviction and aplomb. [Sep 2014, p.69]
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    • 72 Metascore
    • 70 Critic Score
    The passion of a precarious life lived by a gospel of poetry and rock’n’roll is, though, undimmed, in music of acoustic intimacy, helped by Kieran Hebden’s spectral guitars and the Webb Sisters’ choral harmonies. [Feb 2022, p.29]
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    • 78 Metascore
    • 70 Critic Score
    This middle ground between jazz and hip-hop is the crux of the record, ad while it's loaded with deft playing, rich production and complex compositions, the constant rotation of differing voices can often kill the flow and coherence of what is otherwise a meticulously crafted record. [Jul 2023, p.33]
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    • 73 Metascore
    • 70 Critic Score
    Joyous cosmic weirdness. [May 2022, p.36]
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    • 82 Metascore
    • 70 Critic Score
    Melnyk conjures a world that is both sentimental and abstract--a safe space in which to lose yourself. [Jan 2019, p.22]
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    • 82 Metascore
    • 70 Critic Score
    Despite the silly title and gorilla sleeve, this 3CD compilation proves a respectable primer.
    • 74 Metascore
    • 70 Critic Score
    The Breeders are a popular choice, covered by Bradford Cox, Big Thief and Tune-Yards (whose "Cannonball" is almost as fun as the original. [Jun 2021, p.33]
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    • 80 Metascore
    • 70 Critic Score
    Break It Yourself by contrast [to Noble Beast] feels like an attempt to communicate more directly and is his most affecting album yet. [Apr 2012, p.82]
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    • 57 Metascore
    • 70 Critic Score
    California Son may not entirely succeed in repositioning Morrissey as a righteous protest singer, boldly crooning truth to power, but in fleeting moments like this [like on "Some Say I Got Devil"], it confirms him as a peerless modern practitioner of deep song, the pop artist who can divine, even in the work of the singer of "Brand New Key," lorca's dark, abysmal spirit of duende. [Jun 2019, p.28]
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    • 71 Metascore
    • 70 Critic Score
    This debut album sounds as charmingly casual as its inception. [May 2012, p.80]
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    • 81 Metascore
    • 70 Critic Score
    They've leapfrogged stasis and had what sounds like fun along the way. [Jun 2019, p.29]
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    • 80 Metascore
    • 70 Critic Score
    The group have said this is their final album, and say goodbye in unsentimental but explosive fashion. [Jan 2023, p.27]
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    • 81 Metascore
    • 70 Critic Score
    -io
    It's Fohr's stunning vocal that drives the album. [Nov 2021, p.27]
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    • 66 Metascore
    • 70 Critic Score
    Eiesland's emotive vocals and the elegant new wave inspired soundscapes sustain the bittersweet mood even when the songs lack stickiness. [Oct 2015, p.80]
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    • 80 Metascore
    • 70 Critic Score
    They're back on form, with tow long, lovely drone-outs, buzzing and huffing around an eternal monochord, and "Atropos," a gorgeous, deep, cosmic country comedown. [Nov 2018, p.30]
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    • 68 Metascore
    • 70 Critic Score
    Crammed with pulse-racing panto-metal par excellence. [Apr 2005, p.97]
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    • 75 Metascore
    • 70 Critic Score
    These 12 tracks confirm Chris Difford and Glenn Tilbrook's melodic talents, but leaden exposition lyrics... make the grisly bits last a lifetime. [Oct 2015, p.83]
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    • 77 Metascore
    • 70 Critic Score
    A Son tilts slightly more towards conventional song structure, minimising electronics in favour of (mostly) acoustic guitars. [Dec 2019, p.30]
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    • 80 Metascore
    • 70 Critic Score
    Embellished with hints of country and Southern soul, it belongs to the same school of forlorn pop classicism favoured by Dennis Wilson or Emit Rhodes. [Apr 2022, p.29]
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    • 77 Metascore
    • 70 Critic Score
    It's a mix that captures the zeitgeist appetite for the melding of jazz, R&B and electronic sounds while also celebrating the path that led there. [Jan 2020, p.31]
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    • 84 Metascore
    • 70 Critic Score
    Fussy productions mires some of these songs, but there are a few that rank among her best. [Apr 2026, p.36]
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    • 72 Metascore
    • 70 Critic Score
    The Black Album, dubs and all, could use some more of Perry's surrealist medicine. But it's hard to deny that ut's good to hear him in such healthy form. [Jan 2019, p.23]
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    • 67 Metascore
    • 70 Critic Score
    On much of This Is Steve, he comes off as a one man jam band. [Feb 2017, p.24]
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    • 83 Metascore
    • 70 Critic Score
    23
    Things grow richer and stranger as the album develops. [May 2007, p.87]
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