Uncut's Scores
- Music
For 12,033 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
|---|---|---|
| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,049 out of 12033
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Mixed: 2,910 out of 12033
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Negative: 74 out of 12033
12033
music
reviews
- By Date
- By Critic Score
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- Critic Score
Clearly, the source material is strong, but there’s also an emotional unity of purpose that works in the covers’ favour. [Jun 2021, p.33]- Uncut
Posted Jun 4, 2021 -
- Critic Score
Over the course of an album even dogs will find the whistle register wearing, but taken individually these are sublime cocktails of post-geographical orientalism. [Apr 2012, p.79]- Uncut
Posted Mar 14, 2012 -
- Critic Score
It all adds up to an album that is as satisfying as it is unexpected. [May 2012, p.79]- Uncut
Posted Apr 6, 2012 -
- Critic Score
Through it all runs an ingrained psychedelic streak which is organic rather than synthetic, James and co tripping out on the glory of a sunset, a beach at dawn, a mile-high mountain view. [Jun 2015, p.68]- Uncut
Posted Apr 29, 2015 -
- Critic Score
The gradual brightening of "Living" feels like some form of private epiphany; "Streetlights And Stars" and "Friend Zone" take on a pale cinematic grandeur. The latter proves Shires' playfulness is still intact. [Nov 2025, p.32]- Uncut
Posted Sep 29, 2025 -
- Critic Score
It's terrific, lively fun--soulful, even--as long as nobody tries to tell you there's something radical about it. [Sep 2004, p.101]- Uncut
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- Critic Score
Spewing more words per inch than an IRS vault, the effect is like primal scream therapy set to incidental music. [Oct 2002, p.101]- Uncut
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- Critic Score
This promising debut proves they're proficient at penning ragged Buzzcocks-ish pop... but also exposes the limitations of [Masters]. [Feb 2005, p.79]- Uncut
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- Critic Score
For Mnestic Pressure, his first for Hyperdub, Gamble again draws on themes of memory and perception to inform his shapeshifting arrangements, which curdle and collapse with familiar irregularity but don't necessarily build on past achievements. [Oct 2017, p.28]- Uncut
Posted Oct 19, 2017 -
- Critic Score
No Tourists positively benefits from its echoes of past glories. [Dec 2018, p.30]- Uncut
Posted Oct 29, 2018 -
- Critic Score
An essential half-term report. [Nov 2005, p.94]- Uncut
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- Critic Score
The likes of “Casting A Spell” and “You May Leave But This Will Bring You Back” reassure that Burnett’s formidable facility for waspish wordplay remains intact. [Oct 2022, p.26]- Uncut
Posted Aug 31, 2022 -
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Posted May 21, 2020 -
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Posted Aug 5, 2015 -
- Critic Score
old Friends... flows as a set piece but there are standouts. [Feb 2022, p.25]- Uncut
Posted Dec 9, 2021 -
- Critic Score
The music adds majesty to the industrial primitivism which purports to be the output of the fictional band, Memorial Device, with Pastel ensuring period veracity by revisiting cassettes of his teenage jams. [Jul 2024, p.38]- Uncut
Posted Jul 15, 2024 -
- Critic Score
More intimate but still privy to occasional bursts of discordant, unsettling energy. Several tracks are exceptionally brief. [May 2023, p.38]- Uncut
Posted Apr 18, 2023 -
- Critic Score
While there are moments when you pine for Pete Shelley’s distinctive whine, subtle wordplay and clever vocal melodies – for variety’s sake but also straightforward nostalgia – Steve Diggle is clearly committed to maintaining the Buzzcocks’ story and pushing forward into the band’s 50th year. [Feb 2026, p.32]- Uncut
- Posted Jan 30, 2026
- Read full review
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- Uncut
Posted Oct 2, 2014 -
- Critic Score
Their terrific Wilco-esque third album, the emphasis is on storytelling. [Nov 2012, p.73]- Uncut
Posted Oct 25, 2012 -
- Critic Score
His fourth album features no immediate bangers in the vein of "As It Was" or "Watermelon Sugar", but Styles does take some interesting risks. [May 2026, p.37]- Uncut
Posted Mar 30, 2026 -
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Posted Apr 6, 2017 -
- Critic Score
Much of Agora recalls his 2001 breakthrough album Endless Summer: long, processed guitar drones engendering an atmosphere of extreme, if rather familiar, calm. [Apr 2019, p.29]- Uncut
Posted Mar 27, 2019 -
- Critic Score
There will doubtless be more varied shades on future records, but for now, this pensive debut gives notice of a fine new talent. [Apr 2012, p.80]- Uncut
Posted Mar 14, 2012 -
- Critic Score
[Producer] Wally Gagel, who helmed the 2013 EP "Fade Away" and now California Nights, gets it right, cranking up the reverb and multiplying Cosentino's vocals to achieve the Spector-esque wall of sound the duo has been aiming for. [Jun 2015, p.71]- Uncut
Posted Apr 29, 2015 -
- Critic Score
Woodland concepts aside, the band are most arresting when knocking out groove-locked rhythms with bursts of spluttering electronics. [Oct 2021, p.33]- Uncut
Posted Sep 23, 2021 -
- Critic Score
He combines a fondness for Lou Reed-style New York street theater with anti-folk and '80s out-of-tune jangle to scintillating effect. [Aug 2013, p.76]- Uncut
Posted Jul 18, 2013 -
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Posted Aug 26, 2015 -
- Critic Score
Lynne is at his best as the world's greatest Beatles tribute act. [Dec 2019, p.26]- Uncut
Posted Oct 31, 2019 -
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Posted Feb 9, 2026