Uncut's Scores

  • Music
For 12,018 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12018 music reviews
    • 72 Metascore
    • 80 Critic Score
    New Fragility is emotionally fraught but musically generous. [Mar 2021, p.28]
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    • 72 Metascore
    • 60 Critic Score
    Things become more perverse with the corroded exotica of "Deer Ron" and "Leyline Ogres," though her weirdness is most becoming. [Jan 2018, p.29]
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    • 72 Metascore
    • 70 Critic Score
    Pandemic restrictions demanded some creative rethinking for these seven tracks. ... Guitars are still central, however, whipping the Chameleons-like “Ricochet” along and performing as bedrock melodic clanging for the six-minute, Sisters-adjacent closer, “Tearing Up The Grass”. [Oct 2022, p.33]
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    • 72 Metascore
    • 70 Critic Score
    Bitter but sweet enough. [Dec 2013, p.71]
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    • 72 Metascore
    • 70 Critic Score
    Songs come bathed in sparkling synths and warming strings, but melodies are unpredictable and unsettling, bearing repeat listens. [Jan 2022, p.29]
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    • 72 Metascore
    • 70 Critic Score
    The graceful arrangements of Owen Pallett and the pristine production of Mark Lawson, both best known for their Arcade Fire connections, ensure that the results are lovely, while the gorgeous purity of Bulat's voice glides elegantly above it all. [Mar 2022, p.25]
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    • 72 Metascore
    • 80 Critic Score
    If El Camino was the Keys' catchiest album. Turn Blue turns out to be their sneakiest, subtlest and most seductive. [Jun 2014, p.65]
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    • 72 Metascore
    • 70 Critic Score
    Slasher House is not so different to the last Animal Collective album, 2012's bristly Centipede Hz. [May 2014, p.69]
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    • 72 Metascore
    • 40 Critic Score
    This time he's crafted a more parent-friendly brand of earnest pop that isn't quite as irritating, but is sadly no more engaging. [Aug 2009, p.101]
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    • 72 Metascore
    • 60 Critic Score
    Despite its meaty themes Our Inventions feels rather slight. [May 2010, p.94]
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    • 72 Metascore
    • 80 Critic Score
    It's hard to conceive of a more thrillingly romantic record than this. [Feb 2012, p.85]
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    • 72 Metascore
    • 80 Critic Score
    An album that feels charged by forward momentum while also embracing the comforting pulse of a locked groove. [Jul 2022, p.31]
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    • 72 Metascore
    • 60 Critic Score
    Her solo works have generally furnished her extraordinary voice with more obviously congruent vehicles, and Age Of Apathy is no exception. [Feb 2022, p.34]
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    • 72 Metascore
    • 80 Critic Score
    The setting may have changed, the soundtrack is boosted and richer, grimier yet cleaner, but Skinner's predicaments remain the same. [May 2006, p.110]
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    • 72 Metascore
    • 60 Critic Score
    There's a swaggering big-band reading of "Just One Of Those Things" and a clever soul-jazz recasting of Rhianna's "Don't Stop The Music", but otherwise Cullum has morphed into a kind of Britpop Randy Newman, which suits him well on the excellent "I'm All Over It". [Dec 2009, p. 87]
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    • 72 Metascore
    • 80 Critic Score
    A collection of balmy disco that call to mind some tropical union between Arthur Russell and Prince. [Sep 2011, p.81]
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    • 72 Metascore
    • 40 Critic Score
    Realism is conceptually closer to "69 Love Songs" than anything he's done since, opting for a "variety folk" sound somewhere between Kurt Weill and Sufjan Stevens, but its ratio of heart-felt-to-hokey is out of whack. [Feb 2010, p.93]
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    • 72 Metascore
    • 90 Critic Score
    Takes his lush, orchestrated pop to staggering new heights. [Nov 2003, p.124]
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    • 72 Metascore
    • 80 Critic Score
    It's a sometime magnificent beast of superior psychedelia. [Jul 2013, p.76]
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    • 72 Metascore
    • 70 Critic Score
    A spare and seductively lonesome pooling of bluesy folk and electronics that eschews "folktronica" and nods to Martyn, Hollis, Crosby and Jason Molina. [Sep 2021, p.25]
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    • 72 Metascore
    • 70 Critic Score
    [The] second album painstakingly recreates the sounds and melodies of peak-era My Bloody Valentine, Cocteau Twins, The Jesus And Mary Chain and Joy Division with a slavish devotion that borders on the obsessive-compulsive. [Dec 2012, p.77]
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    • 72 Metascore
    • 90 Critic Score
    Possibly [his] best album. [Jun 2007, p.84]
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    • 72 Metascore
    • 60 Critic Score
    The industrial grind of single 'Into A Swan,' glammed-up trashiness of 'About To Happen' and sinister alienation of 'Loveless' prove she's still the uncompromising outsider at heart.
    • 72 Metascore
    • 80 Critic Score
    This terrific record is the first on her own Everso imprint and seems to finds her more settled. [Oct 2010, p.89]
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    • 72 Metascore
    • 70 Critic Score
    It packs plenty of the expected, full-throttle thrills, but there's more interesting, atypical action on winding, low-slung jam "The Sky Is A Neighborhood" and the six-minutes-plus of "Sunday Rain." [Nov 2017, p.26]
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    • 72 Metascore
    • 80 Critic Score
    This is a wilful and lovably eccentric second album from a band who've had a sniff of being pop stars and decided they'd much rather be weird and esoteric, thanks all the same.
    • 72 Metascore
    • 60 Critic Score
    He sounds distant during "Shy Eyes'" woozy synth-funk, while "Over Your Shoulder" seems to connect his own separation and his mother's divorce in a resolute folk-pop ballad. [Aug 2024, p.31]
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    • 72 Metascore
    • 70 Critic Score
    The stream of banjo, fiddle, bones and spoons rolls on agreeably, marred only by a tendency to tweeness. [Apr 2012, p.73]
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    • 72 Metascore
    • 70 Critic Score
    The addition of EDM and hip-hop elements to the arsenal have a reinvigorating effect. [Dec 2016, p.37]
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    • 72 Metascore
    • 60 Critic Score
    The RAA's narratives are as expansive as the prarie where singer-songwriter and guitarist Nils Edenloff grew up, but they're also full of resonnant, intimate detail. [Aug 2010, p.94]
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