Uncut's Scores

  • Music
For 12,018 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12018 music reviews
    • 74 Metascore
    • 60 Critic Score
    Persist though, and there are countless fascinating poly-rhythms and concealed melodies in the sub-strata. [Jan 2011, p.91]
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    • 74 Metascore
    • 70 Critic Score
    Parallel Memories is, in places, almost too minimal.... But Mitchell's softness of touch leads to some moving moments. [Jan 2015, p.75]
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    • 74 Metascore
    • 70 Critic Score
    If this is a window to his world, we can barely see a thing. [Mar 2016, p.76]
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    • 74 Metascore
    • 70 Critic Score
    Their strongest and most coherent records. [Jul 2018, p.28]
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    • 74 Metascore
    • 60 Critic Score
    There’s a new sense of maturity, even kindness, starting with “More Power”, a song of odd, regretful sentiments, reputedly addressed to Noel and full of family references. ... Songs mostly remain Frankenstein stitch-ups, though: Jeff Lynne’s softly simulated psychon the Threetles’ “Real Love” seems the production template, when not mixed for terrace power, minus tunes. [Jun 2022, p.26]
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    • 74 Metascore
    • 80 Critic Score
    There are a handful of stunning instrumentals, but the revelations here are Lanois' singing and songwriting. [May 2003, p.102]
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    • 74 Metascore
    • 60 Critic Score
    Silver Lining finds her on top form as guitarist, writer and interpreter. [May 2002, p.108]
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    • 74 Metascore
    • 80 Critic Score
    The addition of Chad Kelly's orchestral arrangements to the band's initial recordings strikes decisive new ground. [Jul 2025, p.30]
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    • 74 Metascore
    • 80 Critic Score
    Wong works up from trickling sounds as seemingly innocuous as mid-morning TV music to a rumbling, looped ferocity. [Mar 2012, p.107]
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    • 74 Metascore
    • 40 Critic Score
    [His] voice bulldozes everything in its path, flattening melody and obliterating nearly every sentiment on this overzealous album. [Feb 2018, p.24]
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    • 74 Metascore
    • 60 Critic Score
    It's an ingenious arrangement, featuring juddering, minimal percussion, spare piano chords and vocoders that soar to the edge of the studiosphere, worth the price of the album alone. [Mar 2012, p.84]
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    • 74 Metascore
    • 80 Critic Score
    An album as heartfelt as it is musically and thematically ambitious. [Jul 2012, p.67]
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    • 74 Metascore
    • 70 Critic Score
    The most rewarding moments, though comes on those tracks which retain a more authentic Ethiopiques mystery. [May 2020, p.31]
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    • 74 Metascore
    • 90 Critic Score
    Evocative of Harry Nilsson and Randy Newman at their most extroverted, McKenzie’s songs provide great warmth, too. [Sep 2022, p.28]
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    • 74 Metascore
    • 80 Critic Score
    No One Is Lost does what Stars do: uplifting songs with catchy hooks and gorgeous arrangements. [Dec 2014, p.80]
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    • 74 Metascore
    • 60 Critic Score
    Finds itself caught between emulating the original's enviable qualities and overhauling its almost four-decade habits. [Aug 2023, p.36]
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    • 74 Metascore
    • 70 Critic Score
    While the ideas are sometimes thin, the delivery is invariably wry and charming. [Aug 2013, p.77]
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    • 74 Metascore
    • 70 Critic Score
    They're immersed in keyboard-assisted '80s pop and brooding white soul, with overtones of New Order and Lloyd Cole, while XCox's Morrissey-like vocals again underscore their love of The Smiths. [Sep 2014, p.75]
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    • 74 Metascore
    • 80 Critic Score
    Most of the songs are breezy reflections on romance--even two Q-Tip productions lack bite--but its melodious artiness is engaging. [Apr 2012, p.84]
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    • 74 Metascore
    • 60 Critic Score
    Contains flashes of his finest work. [Aug 2006, p.84]
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    • 74 Metascore
    • 60 Critic Score
    Her blowsy voice now seems happier in those quieter settings. [May 2008, p.104]
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    • 74 Metascore
    • 60 Critic Score
    Snotty wit can be heard on the droll "Down On Loving" or the splenetic "Parasites," probably the best examples of the Ramones-via-Replacements sound that defines the album. [Apr 2010, p.90]
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    • 74 Metascore
    • 80 Critic Score
    Utter desolation never sounded so lovely. [Apr 2012, p.84]
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    • 74 Metascore
    • 80 Critic Score
    A definite return to form. [May 2012, p.77]
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    • 74 Metascore
    • 70 Critic Score
    This impressively diverse and full-bodied debut by 22-year-old Parisian producer Jeremy Guindo is a heartening advert for electronic dance music's blissful spirit of perpetual self-renewal. [Jan 2013, p.71]
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    • 74 Metascore
    • 50 Critic Score
    She fails to stand out in a crowded marketplace. [Feb 2013, p.79]
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    • 74 Metascore
    • 60 Critic Score
    II
    Seductive, maybe--but it rather lacks character of its own. [Sep 2013, p.92]
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    • 74 Metascore
    • 70 Critic Score
    It's hypnotic and mind-altering, like a fruitful collision between Boredoms, Neu! and the Grateful Dead. [Jul 2013, p.78]
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    • 74 Metascore
    • 80 Critic Score
    This time the compositions are still thoughtful and exploratory and, although a tendency to emphatic angst dulls on the over-earnest, producer Mark Hutchinson is fully attuned to Dunlop's musical resourcefulness. [Jun 2014, p.75]
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    • 74 Metascore
    • 80 Critic Score
    The skinned-back arrangements on the self-produced Madman isolate his voice's primal expressiveness and the plainspoken emotion of his songs. [Nov 2014, p.81]
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