Uncut's Scores

  • Music
For 12,018 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12018 music reviews
    • 74 Metascore
    • 60 Critic Score
    Their no-frills shtick excites in small doses. [Apr 2011, p.89]
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    • 74 Metascore
    • 60 Critic Score
    You don't need a working knowledge of baseball to appreciate this second installment of true-life sporting tales from Steve Wynn, Peter Buck, Scott McCaughey and Linda Pitmon. [Jun 2011, p.92]
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    • 74 Metascore
    • 60 Critic Score
    The faux-naif schtick still grates somewhat, but there's also real substance, wit and heart here. [Nov 2011, p.91]
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    • 74 Metascore
    • 60 Critic Score
    No real lost treasure, then, but some interesting baubles. [Apr 2013, p.89]
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    • 74 Metascore
    • 80 Critic Score
    The beautiful, feathery songwriting featured on Boson-based Casy Dienel's previous album as White Hinterland has had a steroidal pumping. [May 2014, p.83]
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    • 74 Metascore
    • 80 Critic Score
    More straightforward.... Lovely. [Oct 2015, p.76]
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    • 74 Metascore
    • 80 Critic Score
    Bailey Rae's third LP transcends earthbound elements to create its own weightless astral soul. [Jun 2016, p.69]
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    • 74 Metascore
    • 70 Critic Score
    A record that provides few surprises but at least captures the feral energy of their live shows. [Sep 2016, p.78]
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    • 74 Metascore
    • 80 Critic Score
    Despite its old-school roots, Lady Parts sounds sharp and invigorating. [Oct 2016, p.31]
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    • 74 Metascore
    • 80 Critic Score
    The default setting for Venn's debut album is a kind of punky Krautrock, all finger-bleeding ostinato basslines and hypnotic beats wreathed in doomy electronics. [Apr 2017, p.40]
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    • 74 Metascore
    • 80 Critic Score
    Her faintly punch-drunk voice sometimes sounds just a kilojoule of energy (or lack thereof) from uninterested, but just as often she's as winsomely weary as she is vulnerable, and the impeccably stylish decoration seals our seduction. [Nov 2018, p.25]
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    • 74 Metascore
    • 80 Critic Score
    Lars Andersson and Phillip Dornauer commit themselves wholeheartedly to epic objectives. [Aug 2019, p.32]
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    • 74 Metascore
    • 70 Critic Score
    Layered guitars make s luscious soundtrack to get lost in, but relatable lyrics will guide you home. [Mar 2020, p.25]
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    • 74 Metascore
    • 70 Critic Score
    There’s a strong Big Thief vibe to tracks like "Lot's Wife" and "Silsbee" - named after the small town where the album was recorded - but Why Bonnie have a more traditional concept of melody, best expressed on the excellent "Sharp Town". [Oct 2022, p.36]
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    • 74 Metascore
    • 70 Critic Score
    A set full of dynamic nuance with a filmic scope. [Mar 2023, p.23]
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    • 74 Metascore
    • 80 Critic Score
    Like their debut, Not To Disappear evokes bot the gauzy fragility of Cocteau Twins and the offbeat ingenuity of Kristin Hersh, though this time it cranks up the amps. [Mar 2016, p.72]
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    • 74 Metascore
    • 60 Critic Score
    Newman's a decent songwriter whose songs never quite ignite--their seemingly light touch feels rather hard-won. [Dec 2012, p.75]
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    • 74 Metascore
    • 80 Critic Score
    Grey Britain builds upon its predecessor without diluting any of its rabid energy and grinding, oppressive negativity. [Jun 2009, p.86]
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    • 74 Metascore
    • 60 Critic Score
    The approach is scattershot, but the pace of his productivity means that you're never far from a great song. [Nov 2008, p.124]
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    • 74 Metascore
    • 80 Critic Score
    There's a haunted, frequently unhinged quality to its songs and performances. [Nov 2014, p.83]
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    • 74 Metascore
    • 50 Critic Score
    While tunes like "Honeymoon" and "Trick Mirror" have a graceful Fleetwood Mac-style charm, they lack the lyrical bite that was one of her early USPs, and the vocal rasp heard on live performances seems smoothed off. [Sep 2021, p.25]
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    • 74 Metascore
    • 40 Critic Score
    While the debut was full of witty, Sparksy songs, Yes, Virginia is awash with mawkishly earnest ballads that suggest Tori Amos after a spell at drama school. [May 2006, p.104]
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    • 74 Metascore
    • 60 Critic Score
    Nikolaj Manuel Vonslid's choirboy vibrato lends a ghostly quality to these 10 pretty synth tunes, all of which fuse north European wistfulness and vaguely Oriental motifs in soothing manner. [Jul 2011, p.103]
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    • 74 Metascore
    • 80 Critic Score
    Avant-folk with a thin glaze of psychedelia and gurgles of electronica on songs that draw their charm from the contrast between Dyble's crisp enunciation and vaguely experimental settings. [Sep 2017, p.26]
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    • 74 Metascore
    • 80 Critic Score
    Depending on which Paul McCartney you like the most, you may or may not like what he’s done. But the best thing about Electric Arguments is that it sounds like the work of someone who doesn’t give a stuff what people are going to think. About time, too.
    • 74 Metascore
    • 80 Critic Score
    Sparke emphasises the intimacy and immediacy of her performances on this debut, which sounds like you've walked into her rehearsal space. [Feb 2021, p.35]
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    • 74 Metascore
    • 70 Critic Score
    Though garlanded in elegant strings, it's as furiously seething a record as she's made in 20 years. [Mar 2007, p.82]
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    • 74 Metascore
    • 70 Critic Score
    A mature album that's abrasive but not "freaky" or "weird", that enjoys its moments of harmony when it finds them, and is as serious-minded as the times demand. [Apr 2012, p.76]
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    • 74 Metascore
    • 70 Critic Score
    Lyrically on "Men" they come for the jugular of the patriarchy. ... It's not all tension and frantic energy, however. [Feb 2021, p.33]
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    • 74 Metascore
    • 70 Critic Score
    The industrial-inflected sound Numan has explored since Sacrifice remains a bedrock, but "Bed Of Thorns" and "Pray For The Pain You Serve" realise the concept neatly, blending crunchy synth riffs and brooding choruses with fragments of Arabic melody. [Nov 2017, p.35]
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