Uncut's Scores
- Music
For 12,014 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
|---|---|---|
| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,031 out of 12014
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Mixed: 2,909 out of 12014
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Negative: 74 out of 12014
12014
music
reviews
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- Uncut
Posted Mar 21, 2019 -
- Critic Score
[King] brings innate soulfulness to his performances on El Dorado. Each song has a distinct stylistic antecedent. [Feb 2020, p.29]- Uncut
Posted Jan 14, 2020 -
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Posted Mar 26, 2020 -
- Critic Score
Public Service Broadcasting devote a concept album to the tragic aviatrix’s final voyage, this time overlaying their soundscapes not with samples but with her writings brought to life by actors. These retain our interest more than some of the music they punctuate. [Nov 2024, p.41]- Uncut
Posted Oct 21, 2024 -
- Critic Score
The good news is that their sound has not dated, nor has the vision dimmed. [Feb 2026, p.35]- Uncut
Posted Feb 12, 2026 -
- Critic Score
"Time Moves Slow" is gorgeous Muscle Shoals soul with a killer turn from Future Islands' Samuel T Herring, while "In Your Eyes" with Charlotte Day Wilson is lush orch jazz with shades of David Axelrod. [Aug 2016, p.71]- Uncut
Posted Jul 5, 2016 -
- Critic Score
Songs such as "Bad Timing" and "Leave It" sound pleasingly full as a result, although it's at the expense of some of the intimacy that was arguably the band's best quality. [Sep 2011, p.81]- Uncut
Posted Aug 26, 2011 -
- Critic Score
Sultry, compelling and ever so slightly spooked, Cosmic Wink flickers and flashes like a series of time-lapse landscape photographs, but the place it documents is the heart. [Jun 2018, p.36]- Uncut
Posted May 9, 2018 -
- Critic Score
If the production lacks the stark immediacy of their finest work, this is still music filled with hooks, abrasion and their signature swagger. Cynthia Sley is in particularly fine voice. [Sep 2023, p.24]- Uncut
Posted Aug 4, 2023 -
- Critic Score
It's back-to-basics good fun garage rock, and while it's familiar territory it's undeniable that the band know their way around a hook. [Sep 2023, p.28]- Uncut
Posted Aug 9, 2023 -
- Critic Score
The album is reliant on the Scene's female associates--like Lisa Lobsinger on the lovely Moroderish cosmic disco of "All To All"--to bring character to whtat remain some pretty hazy jams. [Jun 2010, p.83]- Uncut
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- Critic Score
While the album is too long, he consistently crafts a fine tune. [Jun 2013, p.78]- Uncut
Posted Apr 25, 2013 -
- Critic Score
Not tunes for kids: simply some of Karen O's sweetest songs yet. [Nov 2009, p.100]- Uncut
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- Critic Score
This time they've come armed with an acoustic guitar to counterpoint their love of reverb--something that works well with their generally playful attitude. [Aug 2011, p.100]- Uncut
Posted Jul 28, 2011 -
- Critic Score
With Calexico's sensitive muting of colour, Beam is clearly thriving throughout. [Nov 2005, p.112]- Uncut
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- Critic Score
The songs are much more confidently realised. [May 2008, p.100]- Uncut
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- Critic Score
Rare and enchanting understatement in a brash and gaudy world. [Jun 2013, p.69]- Uncut
Posted May 28, 2013 -
- Critic Score
Evening is appropriately darker and, for the first half, more ambient, with sublime, subtle vocals. Radiant stuff. [Sep 2015, p.73]- Uncut
Posted Jul 28, 2015 -
- Critic Score
This incarnation of Modern Nature has delivered a slim but rich volume of musical poetry, that demands a certain commitment to appreciate its quiet fervour. [Nov 2023, p.18]- Uncut
- Posted Sep 29, 2023
- Read full review
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- Critic Score
One of the most adrenalising albums you'll hear this year. [Sep 2002, p.110]- Uncut
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- Critic Score
This captures The Cure at their crowd-pleasing best, an ageless band reveling in their past. [Feb 2012, p.83]- Uncut
Posted Jan 13, 2012 -
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The songs on 151a are most notable for their beautiful bursts of melody and soaring tunefulness. [Jun 2012, p.158]- Uncut
Posted Jul 9, 2012 -
- Critic Score
They’ve smuggled in sobering thoughts of isolation, loneliness and optimism’s perpetual challenge. But hope wins through with the sprightly funk and handclaps of closer “You Get Better”. [May 2021, p.25]- Uncut
Posted Apr 21, 2021 -
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Posted Jul 3, 2014 -
- Critic Score
There's a sense that it trawls the finest moments of his 15-year carreer. [Jul 2009, p.93]- Uncut
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- Critic Score
Under the bluster, though, frontman Ritzy Bryan adds a consistent emotional intensity best heard on "Cradle," reminiscent ofg Lush at their most bruised and bruising. [Mar 2011, p.93]- Uncut
Posted Feb 14, 2011 -
- Critic Score
His vocal lines are often so casually intoned that they mingle imperceptibly with those of his back-up singer Suad Khalifa, over gently pulsing twilight liaisons that yearn to be a little more sophisticated than they actually are. [Jul 2015, p.77]- Uncut
Posted Jun 22, 2015 -
- Critic Score
"Forever & A Day" sounds suspiciously like a love song, "Sleep On The Wing" has one of those gorgeous Colin Newman vocal performances. Otherwise, it's ominous thrum, insistent rumble and circular tunes that hide menace beneath their logic. [May 2017, p.40]- Uncut
Posted Mar 27, 2017 -
- Critic Score
This equally fine sophomore effort sees Burch take a few steps into the present. [Nov 2018, p.25]- Uncut
Posted Oct 4, 2018 -
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- Posted Aug 15, 2023
- Read full review