Uncut's Scores

  • Music
For 12,014 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12014 music reviews
    • 87 Metascore
    • 80 Critic Score
    She's radio-ready with the first cut from Train On The Island. Taster single "One Stop" is the earworm of the album. [Jun 2026, p.24]
    • 71 Metascore
    • 80 Critic Score
    Love and hope stay preciously rare yet infinitely possible, and this album’s guttering, guiding light. [Jul 2022, p.33]
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    • 87 Metascore
    • 80 Critic Score
    Bob Ludwig's remaster job adds fine detail, and a second CD collects 18 tracks, mostly diverting. [Jan 2012, p.97]
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    • 81 Metascore
    • 80 Critic Score
    A powerful, unusual record. [May 2018, p.24]
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    • 82 Metascore
    • 80 Critic Score
    The real heart of this record seems to lie in moments of stillness and rest, where strung-out slackerdom attains an almost sacred quality. [Apr 2011, p.88]
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    • 83 Metascore
    • 80 Critic Score
    Foil Deer is catchy, exhilarating and smart. [May 2015, p.81]
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    • 83 Metascore
    • 80 Critic Score
    You won't find it hard to reciprocate Open Your Heart's approach. [May 2012, p.79]
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    • 82 Metascore
    • 80 Critic Score
    Jambu is the best starting point, a genuinely revelatory voyage through the mythic sounds of the Amazon. [Aug 2019, p.90]
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    • 81 Metascore
    • 80 Critic Score
    Sub Pop reckon they've unearthed a gem in the form of 18-year-old Avi Buffalo frontman Avigor Zahner-Isenberg; the superior West Coast jangle of his debut album suggest they might well be right. [May 2010, p.92]
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    • 70 Metascore
    • 80 Critic Score
    The duo's liking for repetitive Royal Trux-style riffage forms the core of their debut but they frequently explore more sparse territories. [Apr 2003, p.110]
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    • 82 Metascore
    • 80 Critic Score
    Sparse yet graceful, these 14 songs of love and loss interpret wispy folk and slow-burning country via brittle, lo-fi angularity. [Mar 2003, p.100]
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    • 82 Metascore
    • 80 Critic Score
    Here, on "Afraid" and "Theo", she articulates her feelings in lush folk ballads, whose effortless warmth belie the challenges facing Wasner. [Nov 2025, p.32]
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    • 81 Metascore
    • 80 Critic Score
    It's the sound of two people deeply interlocked. [Feb 2022, p.25]
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    • 70 Metascore
    • 80 Critic Score
    As ambitious and compelling as psych-tinged pop gets. [Nov 2004, p.122]
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    • 76 Metascore
    • 80 Critic Score
    This is a leftfield party album bursting with personality, wonky charm and random sonic mischief. [Feb 2021, p.29]
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    • 83 Metascore
    • 80 Critic Score
    Pure pleasure with an experimental edge. [Oct 2024, p.34]
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    • 80 Metascore
    • 80 Critic Score
    Year Of Meteors is no flat-out masterpiece.... Still, Veirs is clearly moving in the right direction. [Sep 2005, p.102]
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    • 78 Metascore
    • 80 Critic Score
    It's clear The Essex Green have joined The New Pornographers and The Shins among indie-pop's most insinuating and accomplished bands. [Jun 2006, p.100]
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    • 83 Metascore
    • 80 Critic Score
    Add sublime dimensions to James's already impressive canon. [May 2022, p.36]
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    • 78 Metascore
    • 80 Critic Score
    These are anguished addresses of the world's current turbulence, U2 needing to scrabble unusually and interestingly hard in the cinders to disinter sparks of their trademark redemptive optimism. [May 2026, p.37]
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    • 76 Metascore
    • 80 Critic Score
    Not a game-changer, but a solid mid-career statement from a true original. [Mar 2020, p.37]
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    • 72 Metascore
    • 80 Critic Score
    The album has a hazy, deeply romantic quality. [Nov 2006, p.112]
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    • 87 Metascore
    • 80 Critic Score
    If Funeral was organic, and Neon Bible was force-fed, The Suburbs makes do with being merely delicious. (And a little wistful, wounded, and wise.) [Sep 2010, p.80]
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    • 76 Metascore
    • 80 Critic Score
    Time Flies, though fun, is no more than a handy place to nab all 27 Oasis' singles in one unfilteresd, undescerning grab. [Jul 2010, p.124]
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    • 89 Metascore
    • 80 Critic Score
    As bootlegs from the period have shown, there's a good three hours of stuff out there from these and the so-called "Brown Star Sessions" for Clear Spot. On the fourth disc here, you can find the pick of it. [Dec 2014, p.85]
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    • 76 Metascore
    • 80 Critic Score
    Bold, sunless and fabulously unsettling. [Jun 2021, p.47]
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    • 77 Metascore
    • 80 Critic Score
    "Drips" hovers between Hot Chip and late-period XTC, while the meticulous detail of "Babymaking" and "Don't Sit Back (Frankie Said)" recall lost studio gems like Rosie Vela's Walter Beck-helmed Zazu. [Mar 2015, p.75]
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    • 67 Metascore
    • 80 Critic Score
    It's certainly easy to believe that these sublime pieces could have inspired such a profound reaction [from director Cameron Crowe]. [Apr 2012, p.81]
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    • 74 Metascore
    • 80 Critic Score
    Herren calls Savath And Savalas his vision of "Catalan acid folk"--and that should be all the encouragement required for fans of Four Tet, Tropicalia and early Animal Collective to dive right in. [Jul 2009, p.97]
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    • 80 Metascore
    • 80 Critic Score
    You can't help but be charmed by the sincerity of these beautifully crafted homages. [May 2015, p.81]
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