Uncut's Scores

  • Music
For 12,014 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12014 music reviews
    • 83 Metascore
    • 80 Critic Score
    This anniversary reissue is less concerned about the album as it is and more curious about how it might have sounded. ... Arguably the most revealing aspect of this reissue is Scott Litt's bold remix of Monster. [Dec 2019, p.40]
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    • 71 Metascore
    • 80 Critic Score
    Emily Haines is still secretly one of the most articulate, compelling performers in modern rock. [Feb 2006, p.70]
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    • 81 Metascore
    • 80 Critic Score
    Reaffirming his faith in rock as transformative thrill, and adding atmospheric detours recalling late-period Weller and Bowie. [Jul 2023, p.27]
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    • 82 Metascore
    • 80 Critic Score
    It moves like a Best Of, stacking the hits up top. [Jan 2018, p.40]
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    • 86 Metascore
    • 80 Critic Score
    For all the record’s sonic invention, though, its Sangaré’s voice that commands attention, a rich, textured instrument that has only grown more nuanced and subtle with age. [May 2022, p.34]
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    • 84 Metascore
    • 80 Critic Score
    He's been in this territory before, covering the Bunnyman's Crocodiles (2001), but never with such verve. [Dec 2015, p.79]
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    • 82 Metascore
    • 80 Critic Score
    "Bad Apples'" Sonic Youth guitars provide a punkish response to policing following Sarah Everard's murder, while "Company Culture" breathlessly addresses workplace harassment. They boast a grim wit too. [Feb 2025, p.36]
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    • 77 Metascore
    • 80 Critic Score
    Idealism is essentially a retread, but a superior retread with subtle character definition. [Jun 2007, p.97]
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    • 84 Metascore
    • 80 Critic Score
    Sophie Allison's ascent from teenage bedroom-pop savant to incisive chronicler of Gen Z angst hits a crescendo on Sometimes, Forever, an improbable but rewarding collaboration with Oneohtrix Point Never's Daniel Lopatin. [Aug 2022, p.33]
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    • 82 Metascore
    • 80 Critic Score
    It finds its sound in glowing electric waltzes, piled high with massed guitars and sawing fiddles, that take up a riff and grind it into extinction. Not to be missed, though, is their skill for softer atmospheres. [Jun 2021, p.27]
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    • 79 Metascore
    • 80 Critic Score
    From the creeping “Let That Sink In” to growling “Warpaint”, Sage Motel is super stuff: check in at your earliest convenience. [Jun 2022, p.31]
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    • 73 Metascore
    • 80 Critic Score
    The result is a lovingly recorded scrap of splendour and beauty that takes some of the more interesting elements of MMJ and runs with them in a series of unexpected directions. [Mar 2013, p.71]
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    • 84 Metascore
    • 80 Critic Score
    Airy arrangements, wonderfully agile musicianship, songs pooled from numerous sources into flowing ensemble pieces. [Apr 2025, p.33]
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    • 81 Metascore
    • 80 Critic Score
    Samba Toure's fourth album in five years rocks as hard as any African record we've heard. [Mar 2015, p.83]
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    • 78 Metascore
    • 80 Critic Score
    These nine brief songs weave together to create a bewitching, moonlit spell. [Feb 2013, p.78]
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    • 80 Metascore
    • 80 Critic Score
    It feels as if she now trusts the power of her music to imbue even cliche with emotional power. [Jun 2018, p.29]
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    • 84 Metascore
    • 80 Critic Score
    The musical palette, however, is wider this time round, emphasising the breadth of Helm’s interests rather than the stuff on which he was weaned--numbers by Muddy Waters and Nina Simone rub shoulders with works by Randy Newman and the Grateful Dead.
    • 78 Metascore
    • 80 Critic Score
    Molina here opts for a more expansive spproach with reedy harmonies, horns, soulful guitars and gospel piano. [Aug 2009, p.100]
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    • 73 Metascore
    • 80 Critic Score
    A concept piece about man's downfall and a planet in ruins, versed in three chapters and dominated by the kind of skull-splitting metal that marked 2014's I'm In Your Mind Fuzz. [Jul 2017, p.32]
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    • 78 Metascore
    • 80 Critic Score
    Musgraves' superpower is her ability to convey complex emotions via concise phrasing, which means quieter songs such as "Good Wife" and "If This Was A Movie" hit especially hard. [Nov 2021, p.30]
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    • 74 Metascore
    • 80 Critic Score
    As wilfully indulgent as it is breathtakingly advanced. [Apr 2004, p.101]
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    • 71 Metascore
    • 80 Critic Score
    Array 1 hints at unfinished business, picking up almost where A Gilded Eternity left off. [Aug 2015, p.76]
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    • 78 Metascore
    • 80 Critic Score
    The catchiest lesson in sexual politics you're likely to hear this season. [Dec 2001, p.111]
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    • 86 Metascore
    • 80 Critic Score
    Fratti delivers some of her most musically and emotionally rich work to date here, her dreamy voice and impressionistic Spanish-language lyrics adding an extra layer of magical realism. [Aug 2024, p.36]
    • 99 Metascore
    • 80 Critic Score
    Not as generous with its outtakes as a leaked CD-R suggested Rhino's 20th-anniversary edition in 2006 would have been, the inevitable round-up of B-sides does at least--and this is a big plus--reuinite "Rubber Ring" and "Asleep" in an unbroken segue. ... The Mansfield gig is a worthwhile addition to the official catalogue, though collectors will notice six of the 19 songs played that night are not included. [Nov 2017, p.40]
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    • 80 Metascore
    • 80 Critic Score
    Pajo is not, and will never be, a great singer.... His guitar playing, though, is as quietly inventive as ever. [Jul 2005, p.96]
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    • 85 Metascore
    • 80 Critic Score
    As always they are best when singing of brief encounters and regret. [Jun 2023, p.36]
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    • 82 Metascore
    • 80 Critic Score
    If Heartleap does indeed prove to be the final destination of Bunyan's old horse and cart, it's entirely worthy one. [Nov 2014, p.79]
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    • 80 Metascore
    • 80 Critic Score
    The portraits of Hey Mr Ferryman, shaped into gorgeous studies of sympathy by Bernard Butler's production, are compelling in their starkness, their raw, unchecked humour, and their kindness toward people who, as Eitzel says, are looking for "something that will lead them to light and safety." [Feb 2017, p.20]
    • 72 Metascore
    • 80 Critic Score
    There's a strong senes of '76 punk to All in God Time, more precisely bands like the Damned and Dead Boys. [Mar 2020, p.27]
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