Uncut's Scores
- Music
For 12,008 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
|---|---|---|
| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,027 out of 12008
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Mixed: 2,907 out of 12008
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Negative: 74 out of 12008
12008
music
reviews
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- Critic Score
With Bergsman's dourly dreamy voice and wistful songcraft, it's recognisably indiepop, but sent delightfully pie-eyed on Blur Hawaiians. [Dec 2012, p.77]- Uncut
Posted Dec 14, 2012 -
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From the Ground Up takes a heartland rock template and imbues it with tougher, weather-beaten elements asking big questions. [Apr 2013, p.72]- Uncut
Posted Apr 2, 2013 -
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With a live '70s R&B sound fuelled by flower power and, in "Star Now" and "Satellites," some excellent songs, Bilal is as focused as he's ever been. [Oct 2015, p.73]- Uncut
Posted Aug 27, 2015 -
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The strongest songs on Dungeness have Trembling Bells playing at a fierce peak. ... Sometimes, though, things don't quite cohere. [May 2018, p.34]- Uncut
Posted Mar 20, 2018 -
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These 10 art-pop and jazz-inclined abstractions are as elusive as they are instantly likeable, slipping away from definition even as you're listening via sweet melodic overplaying, elegant spaces and meandering/urgent grooves. [May 2019, p.32]- Uncut
Posted Apr 4, 2019 -
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Posted Jul 30, 2019 -
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Several songs that aim for Springsteenian grandeur but land nearer to John Mellencamp before he dropped the Cougar. Thankfully, Goldsmith's level of craft elsewhere means there's still plenty here to savour. [Nov 2020, p.29]- Uncut
Posted Oct 2, 2020 -
- Critic Score
There’s no brave new frontier here – and perhaps in these strange times many of us don’t really want to be challenged. Rather, these simple pleasures, full of reassurance and a satisfying indulgence, will keep us warm while we adjust to the ‘new normal’ – whatever that may eventually turn out to be.- Uncut
- Posted Nov 18, 2020
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- Critic Score
It's when Slowthai turns the lens inward on the soulful "NHS" and loved-up "Feel Away" - featuring James Blake and Mount Kimbie - that he proves himself something of an original. [Mar 2021, p.37]- Uncut
Posted Feb 8, 2021 -
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Self-reflection is twinned with a rueful survey of the current state of the nation. [Oct 2021, p.25]- Uncut
Posted Sep 15, 2021 -
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Cobb gives them his distinctively sweltering Southern soul treatment - drenching "In The Garden" with humid electric piano, reimagining "Are You Washed In The Blood?" as the Allman Brothers might have played it. [Mar 2022, p.26]- Uncut
Posted Jan 25, 2022 -
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Posted Nov 15, 2022 -
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His playing can be free and fiery but it's also deeply soulful and sometimes almost aggressively melodic. [Mar 2023, p.29]- Uncut
Posted Feb 6, 2023 -
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Deliciously dark and yet full of an elegant lightness, this is Hersh at the top of her considerable game. [Oct 2023, p.29]- Uncut
Posted Sep 6, 2023 -
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There's a similar vibe here [to the soundtrack they created for BBC drama Gallows Pole] on tracks such as "raised By Hills" and "Tripping In The Graveyard", although elsewhere the psych weirdness is as rampantly eclectic as ever. [Nov 2023, p.29]- Uncut
Posted Oct 11, 2023 -
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Posted Jun 20, 2025 -
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Edwards sounds comfortable and confident in this setting, although occasionally she indulges some awkward, first-draft lyrics. [Sep 2025, p.31]- Uncut
Posted Sep 3, 2025 -
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The surrounding circumstances inevitably bring an additional layer of darkness to allusively eloquent, quietly agitated songs. [Apr 2026, p.36]- Uncut
Posted Mar 26, 2026 -
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Eternally Even affords James the opportunity to take his music to places My Morning Jacket are less likely to inhabit. The result being that his solo albums are rapidly becoming profound statements in themselves, rather than mere sideshows to the main event. [Dec 2016, p.31]- Uncut
Posted Nov 3, 2016 -
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Happy Hollow serves up more emo with prog on the side, then adds dirty blues, cabaret and art-rock garnish. [Sep 2006, p.79]- Uncut
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A set of limber, largely instrumental funk shot through with Asian, African and Middle Eastern melodies, each track sounds like it could have come off as jukebox single purchased from some dusty overseas record kiosk. [Feb 2018, p.29]- Uncut
Posted Jan 24, 2018 -
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- Critic Score
Her best album for many years illustrates her uniqueness. [Jun 2010, p.97]- Uncut
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- Critic Score
This middle ground between jazz and hip-hop is the crux of the record, ad while it's loaded with deft playing, rich production and complex compositions, the constant rotation of differing voices can often kill the flow and coherence of what is otherwise a meticulously crafted record. [Jul 2023, p.33]- Uncut
Posted May 22, 2023 -
- Critic Score
The band's arch, apocalyptic howl is frequently interrupted by industrial pummelling and passages of heads-down skronk, to the point where you genuinely have no idea what they're going to do or say next. [Apr 2014, p.71]- Uncut
Posted Mar 17, 2014 -
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Undertow resembles free jazz noiseniks let loose in a junkyard, cooking up a mood of creeping dread with radioactive electronics. [Apr 2017, p.40]- Uncut
Posted Mar 29, 2017 -
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These are anguished addresses of the world's current turbulence, U2 needing to scrabble unusually and interestingly hard in the cinders to disinter sparks of their trademark redemptive optimism. [May 2026, p.37]- Uncut
Posted Mar 30, 2026 -
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Relayted manages to be both comfortingly familiar and devastatingly futuristic. [Jun 2010, p.90]- Uncut
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Atlas is dominated by a saturated prettiness that seems at once virtuoso and effortless. [Apr 2014, p.68]- Uncut
Posted Mar 7, 2014