Uncut's Scores

  • Music
For 12,008 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12008 music reviews
    • 79 Metascore
    • 80 Critic Score
    It isn't a coincidence that this, Hot Chip's most focused album, is also their finest--more ruthless editing in future will doubtless yield even more spectacular results.
    • 79 Metascore
    • 90 Critic Score
    A sun-dappled, idiosyncratic delight, flooded with warmth and vitality, yet weighted by an undefinable sadness. [Aug 2003, p.108]
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    • 79 Metascore
    • 60 Critic Score
    An acquired taste. [Jan 2005, p.124]
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    • 79 Metascore
    • 80 Critic Score
    The Josh Ritter who appears here is primarily a writer of quality pop songs.
    • 79 Metascore
    • 80 Critic Score
    Proceeds with the unhurried observational vividness of extended takes in a Richard Linklater film. [Dec 2019, p.35]
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    • 79 Metascore
    • 80 Critic Score
    Largely recorded over six fays in Paris, it adds test-card breeziness to the bleakness of "The Amputees," and delivers a gorgeous rumination on shattered love in "Carousel." [Dec 2019, p.32]
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    • 79 Metascore
    • 70 Critic Score
    At its best, like the gorgeous, nine-minute “Round The World”, his bittersweet sound feels like the work of an art-music auteur. [May 2024, p.30]
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    • 79 Metascore
    • 80 Critic Score
    Wincing isn't so much a departure as it is an all-out augmentation, taking the best things about The Shins and amplifying them. [Feb 2007, p.72]
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    • 79 Metascore
    • 70 Critic Score
    While the unrelenting energy can be somewhat exhausting, it's hard not to get swept up. [Jul 2014, p.73]
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    • 79 Metascore
    • 90 Critic Score
    An album of great depth and richness, Sukierae finds Tweedy at his most dignified, addressing life-changing events across all aspects of the full emotional spectrum. [Oct 2014, p.64]
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    • 79 Metascore
    • 80 Critic Score
    A few moments recall the Venusian blues of Loren Connors, but that comparison only gets you part of the way - these cryptic explorations are Dorji's alone. [Feb 2026, p.33]
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    • 79 Metascore
    • 60 Critic Score
    Her decision to forgo electric guitars on @#%&*! Smilers results in the aural equivalent of watercolour washes, lovely and tasteful but lacking presence. [July 2008, p.102]
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    • 79 Metascore
    • 80 Critic Score
    Twelve are here, and while Rosanne doesn't reinvent songs in the manner of, say, Cat Power, she does restate them briskly, with husband John Levanthal's production pushing her beautiful bell-like voice to the fore. [Dec 2009, p. 87]
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    • 79 Metascore
    • 80 Critic Score
    The departure of vocalist Tyondai Braxton appears to have knocked them off stride a little, but they are certainly an ensemble group, and a raft of guests keep things frisky. [Jul 2011, p.77]
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    • 79 Metascore
    • 80 Critic Score
    As ever, it all coalesces around that voice, and its still potent conjuring of beauty and darkness. Timeless music, for heavy times. [Dec 2016, p.34]
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    • 79 Metascore
    • 70 Critic Score
    Ejimiwe has made a record filled with quiet bubbling tension yet also leaves room for lightness, offering a glimmer of hope amid the brooding dread. [Jun 2020, p.29]
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    • 79 Metascore
    • 70 Critic Score
    Much of that atmosphere [from previous albums] remains on Captain Of None, thanks to whispered vocals and a focus on the courtly pluck of a viola da gamba. [Jun 2015, p.73]
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    • 79 Metascore
    • 80 Critic Score
    Records as bright and occasionally beautiful as Years Of Refusal make us forgive Morrissey (the artist) even his most juvenile foibles.
    • 79 Metascore
    • 80 Critic Score
    The songs benefit from a sharper focus than the quartet ever achieved before. [Oct 2016, p.37]
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    • 79 Metascore
    • 80 Critic Score
    The idiosyncratic chamber-pop o these 14 songs evokes The Kinks, XTC and the more melancholy side of Hot Chip; like much of their past work, it's musically intricate, too. [Mar 2016, p.73]
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    • 79 Metascore
    • 80 Critic Score
    If Saint Etienne are finally growing up, this wistful adulthood becomes them. [Jul 2005, p.96]
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    • 79 Metascore
    • 80 Critic Score
    It works best when her vocal is minimally adorned. [Oct 2011, p.105]
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    • 79 Metascore
    • 80 Critic Score
    It's very fine, glowing with an oblique, poppy sensibility that's theirs alone. [Jan 2003, p.127]
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    • 79 Metascore
    • 70 Critic Score
    It's not their reworkings of songs by Charley Patton, Fred McDowell and RL Burnside that impress most here, but rather their own compositions. [Apr 2006, p.114]
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    • 79 Metascore
    • 60 Critic Score
    This, assembled by Menahan Street Band guitarist Tom Brenneck, painstakingly recreates the tropes of classic '60s Southern soul--impassioned vocals, shimmering guitars and fruity horns. [Mar 2010, p.85]
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    • 79 Metascore
    • 80 Critic Score
    What's most intriguing is the way each artist gets in character. [Nov 2011, p.104]
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    • 79 Metascore
    • 80 Critic Score
    Bruised suburban romance sparkles through the twin jangles of Edwards and James Wignall. [Jun 2012, p.84]
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    • 79 Metascore
    • 80 Critic Score
    Sonnymoon offer a fresh and forward-thinking new voice in experimental electro-soul on this beautifully assured self-titled debut. [Nov 2012, p.83]
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    • 79 Metascore
    • 80 Critic Score
    The unlikely pairing works precisely because of the contrast between their approaches, as they locate a vibrant middle ground on rawboned yet tuneful rockers like "The Prisoner" and dynamic ballads like "No Sir." [May 2014, p.69]
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    • 79 Metascore
    • 70 Critic Score
    There's a lot going on here. [Jul 2015, p.69]
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