Uncut's Scores

  • Music
For 11,998 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11998 music reviews
    • 80 Metascore
    • 80 Critic Score
    Clever and thrilling in equal measure. [Jul 2019, p.30]
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    • 80 Metascore
    • 60 Critic Score
    Plenty of liturgic rumbling, but it really works when she aims for something greater. [Dec 2020, p.39]
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    • 80 Metascore
    • 80 Critic Score
    Packing 14 tracks into 38 minutes, it's very much a sprint, the breathlessness part of its impact, despite this intensity, mainman Jack McEwan steers SHYGA!... clear of excess and keeps his ear on melody throughout. [Apr 2021, p.34]
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    • 80 Metascore
    • 80 Critic Score
    Rose City Band’s third album maintains those impeccable vibes of lush country charm, with Earth Trip offering a series of beautiful moments. [Jul 2021, p.33]
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    • 80 Metascore
    • 80 Critic Score
    A familiarity with the back-story is not necessary to enjoy this potted indie-rock opera: as always with Darnielle's work, an appreciation of droll storytelling and deadpan melodies will do. [Dec 2023, p.34]
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    • 80 Metascore
    • 70 Critic Score
    Hex
    Sometimes a more shadowy affair, with McKiel’s voice on the title track reverberating in what sounds like a deep cave, its woodwind and wriggling bassline emerging from different chambers to establish a Beta Band shuffle. Elsewhere things are dusky rather than dark. [Jun 2024, p.37]
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    • 80 Metascore
    • 60 Critic Score
    The Prodigy are an influence on tracks like “So What” but the sound of KLF and Underworld underpins “Sicko” and “I Can’t Lose You”, while Madonna’s ’90s collaborations with William Orbit are in the background of several tunes. [Dec 2024, p.33]
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    • 80 Metascore
    • 80 Critic Score
    Weitz shreds and manipulates the instrument [hurdy gurdy] so it becomes the record's distinctive voice. the nine-minute dubs "Compact Mirror/Last Names" and "Sonora" are especially spellbinding. [Feb 2026, p.33]
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    • 80 Metascore
    • 80 Critic Score
    The opportunity to behold such a comprehensive survey of Wilson’s artistry even in this compromised state can be both startling and staggering. That’s especially true of The Beach Boys Love You. .... The vocals-only versions of “The Night Was So Young” and “Let’s Put Our Hearts Together” and other demos emphasize the songs’ childlike spirit of joy and invention. [Mar 2026, p.42]
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    • 80 Metascore
    • 80 Critic Score
    The album closes with a reprise of 'To Ohio'--possibly superfluous given the perfection of the earlier version, but the only marginal misjudgement on an otherwise largely faultless album.
    • 80 Metascore
    • 80 Critic Score
    A set of drifting piano ballads that allow her rich and profane lyrics to hit home. [Jan 2022, p.22]
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    • 80 Metascore
    • 80 Critic Score
    Mov[es] through electronica, folk, folktronica, big beat, psychedelia and Krautrock, all guided by Kid Millions' astounding drumming. [Sep 2006, p.91]
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    • 80 Metascore
    • 80 Critic Score
    An immersive and texturally rich listen. [Jun 2017, p.37]
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    • 80 Metascore
    • 80 Critic Score
    [Greg Dulli has] pulled the Whigs back into (sharp) focus. ... Closer “In Flames” is a welcome reminder that few can match the Whigs in the slow-burn desperation stakes. [Oct 2022, p.23]
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    • 80 Metascore
    • 70 Critic Score
    Their most collaborative but also most pointedly personal, reckoning with loss, queerness and self-actualisation through music that is as adventurous as it is immediate. [Dec 2021, p.27]
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    • 80 Metascore
    • 80 Critic Score
    Bugg's references are strictly retro, but his debut boasts a pleasing absence of stodge. [Nov 2012, p.71]
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    • 80 Metascore
    • 70 Critic Score
    Her sophisto-pop range expands with each album, although the winning warmth of her live performances is largely absent here. [Jul 2017, p.35]
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    • 80 Metascore
    • 80 Critic Score
    Pigs x7 are a band that appreciate a bit of theatre. There is plenty of that going on in this second album, along with a whole bunch of heavenly riffs. [Nov 2018, p.34]
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    • 80 Metascore
    • 80 Critic Score
    Holiday is resolutely sombre, but the arrangements make inviting drama out of Principe's impressionistic lyrical intimacies. [May 2013, p.75]
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    • 80 Metascore
    • 80 Critic Score
    Somewhere, Hoagy Carmichael, Johnny Mercer and Mose Allison are tapping their feet and smiling. [Feb 2017, p.33]
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    • 80 Metascore
    • 70 Critic Score
    Too engaging to be ambient, too amorphous to be melodious, Félicia Atkinson's latest continues her ASMR (autonomous sensory meridian response) experiments, her poetry whispered--often indistinctly--over strangely riveting electro-acoustic collages. [Aug 2019, p.26]
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    • 80 Metascore
    • 80 Critic Score
    A squealing noise-rock juggernaut that balances gruff anthemicism with a certain improvisatory elan. [May 2024, p.38]
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    • 80 Metascore
    • 80 Critic Score
    Supremely confident as it is poetically singular, it's evidence that BC's vision will see him through the long haul. [Nov 2017, p.24]
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    • 80 Metascore
    • 80 Critic Score
    A bold, brisk, rather beautiful zip through multiple pop genres. [Jun 2018, p.26]
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    • 80 Metascore
    • 80 Critic Score
    The fact that Parker sings five of eleven tracks is The Invisible Way's other obvious point of departure, and one of its great strengths. [Apr 2013, p.61]
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    • 80 Metascore
    • 80 Critic Score
    Peyroux's enviable ability to sing just behind the beat conveys effortless sophistication. [Nov 2006, p.124]
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    • 80 Metascore
    • 80 Critic Score
    Massed cymbals’ shivering traceries and guitar glints adorn the drones, as sonic quantity bolsters quality, the ritualistic glide of Indian and kosmische influences roiling with stray, fuzzed-up incident, in an inspired meeting. [Apr 2021, p.37]
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    • 80 Metascore
    • 80 Critic Score
    A revitalised rock’n’roll soundtrack for a push towards the brightening of the light. [Sep 2022, p.33]
    • 80 Metascore
    • 80 Critic Score
    Even when the sonic mood broods on "Radical", the optimistic sentiments (quoted in the album title) reflect a creative force in rude force. [Jul 2025, p.27]
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    • 80 Metascore
    • 70 Critic Score
    Pearl Jam remain at their formidable best as a pure-hearted rock'n'roll band. [May 2020, p.32]
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