Uncut's Scores

  • Music
For 11,998 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11998 music reviews
    • 84 Metascore
    • 80 Critic Score
    Considered, compassionate and intricate, conceived of equal parts magic and dread, Laws Of Motion works a slow but deep enchantment. [Dec 2018, p.30]
    • Uncut
    • 87 Metascore
    • 80 Critic Score
    Dean Rudland and Tony Harlow’s selections here mix up the canonical (Funkadelic’s “Maggot Brain” and “Red Hot Mama”, The Undisputed Truth’s “Like A Rolling Stone”, Sly & The Family Stone’s “Thank You For Talkin’ To Me, Africa”), with a good few cratedigging rarities. If anything, in their enthusiasm they may have set themselves a little too wide a brief. [May 2017, p.46]
    • 80 Metascore
    • 80 Critic Score
    A slightly sunnier and more melodic LP. [Dec 2014, p.77]
    • Uncut
    • 72 Metascore
    • 80 Critic Score
    Prove as unflinchingly human as Hammill's own work.[May 2021, p.27]
    • Uncut
    • 86 Metascore
    • 80 Critic Score
    His latest fizzes with energy and smarts, and sees him letting his imagination off the leash to irresistible effect. [Jul 2016, p.70]
    • Uncut
    • 84 Metascore
    • 80 Critic Score
    Light Up Gold packs 15 songs in 33 minutes, and most are great. [Jun 2013, p.78]
    • Uncut
    • 69 Metascore
    • 80 Critic Score
    It's a beauty. [Jun 2013, p.81]
    • Uncut
    • 78 Metascore
    • 80 Critic Score
    It seems weird--if delightful-that the folk polka of "To A hammer" and the Eels-like electronic of "(Put The Fun Back In The Funeral)" could come from one career, never mind one album: a creative blessing, if a commercial curse. [Dec 2009, p.103]
    • Uncut
    • 86 Metascore
    • 80 Critic Score
    To The Sunset suggests that she's not growing ay more inclined to sit still, and is her best yet. [Sep 2018, p.28]
    • Uncut
    • 68 Metascore
    • 80 Critic Score
    It's a muscular, Butch-Vig-produced behemoth that impresses. [Dec 2014, p.77]
    • Uncut
    • 80 Metascore
    • 80 Critic Score
    Somewhere, Hoagy Carmichael, Johnny Mercer and Mose Allison are tapping their feet and smiling. [Feb 2017, p.33]
    • Uncut
    • 80 Metascore
    • 80 Critic Score
    A compellingly weird experience. [Jul 2007, p.92]
    • Uncut
    • 75 Metascore
    • 80 Critic Score
    There's a sense of spacious freedom to these dozen songs. ... Gorgeous. [Mar 2019, p.34]
    • Uncut
    • 81 Metascore
    • 80 Critic Score
    The results will probably not prove a tremendous cash cow, but theirs is a commendably original aesthetic, and theirs is an enigma you resolve to crack. [Oct 2010, p.114]
    • Uncut
    • 81 Metascore
    • 80 Critic Score
    The London trio chart out some fresh trajectories for the mesmeric brand of avant-pop they established with 2019's eerily prophetic The Age Of Immunology and 2021's superb Ookii Gekkou. [Nov 2023, p.33]
    • Uncut
    • 75 Metascore
    • 80 Critic Score
    Mountain Battles is marginally more polished than "Title TK" but it still sounds as if it was recorded in one take in Steve Albini’s toilet. A good thing, as it turns out. The intimacy of is what makes it precious.
    • 71 Metascore
    • 80 Critic Score
    Unique and inspiring. [Apr 2016, p.75]
    • Uncut
    • 67 Metascore
    • 80 Critic Score
    His talent remains unquestionable, even when drawing on a six-hour, piano dominated Abbey Road session. [Mar 2013, p.72]
    • Uncut
    • 72 Metascore
    • 80 Critic Score
    This sprawling set is a testament to his talents not just as multi-instrumentalist but as bandleader, a rapturous unwind through sprightly bouzouki-powered jazz, soulful strings and serene New Age. [Dec 2023, p.25]
    • Uncut
    • 72 Metascore
    • 80 Critic Score
    This is a hugely infectious debut. [Oct 2008, p.81]
    • Uncut
    • 80 Metascore
    • 80 Critic Score
    Some thoroughly arresting moments that fall midway between Justin Vernon and Scott Walker. [Nov 2022, p.26]
    • Uncut
    • 84 Metascore
    • 80 Critic Score
    The songs are rendered sincerely, with elegant, understated phrasing. [Jun 2016, p.69]
    • Uncut
    • 80 Metascore
    • 80 Critic Score
    Switching guitars opens her songs up considerably, but Cohen maintains the intimacy and intelligence that have always been her signature. [Mar 2024, p.28]
    • Uncut
    • 81 Metascore
    • 80 Critic Score
    The choices on Dock Of The Bay Sessions suggest an artist who was refining his songwriting, someone concentrating more on character development. [Jul 2018, p.38]
    • Uncut
    • 73 Metascore
    • 80 Critic Score
    It's arrogantly risky. That's their best feature. [Jun 2003, p.100]
    • Uncut
    • 71 Metascore
    • 80 Critic Score
    The songs themselves are exquisite. [Jul 2012, p.77]
    • Uncut
    • 87 Metascore
    • 80 Critic Score
    All in all, it’s a beautiful record – and one that bears repeated plays. I’ve been playing it for around 10 days now, mostly on headphones, and it’s still revealing new details with each listen.
    • 75 Metascore
    • 80 Critic Score
    Arguable Little Feat's best since Lowell George checked out. [Sep 2012, p.80]
    • Uncut
    • 79 Metascore
    • 80 Critic Score
    What could be tokenistic gels well. [Nov 2015, p.81]
    • Uncut
    • 67 Metascore
    • 80 Critic Score
    Major Stars risk the ridiculous to try and access the sublime, somehow reaching the latter every time. [Jan 2017, p.25]
    • Uncut