Peacock’s The Day of the Jackal is a top-notch thriller, with dazzling action sequences and smart storytelling.

WandaVision is primarily designed with MCU fans in mind, though casual viewers can more or less jump right in with no prior knowledge. (Everyone on this show is confused, too, so that helps.) But don’t let the show’s outside-the-box approach worry you: Yes, WandaVision is unlike anything Marvel has done before — but it turns out that’s a very good thing.

If anything, Season 2 only gets richer as it digs deeper into these ladies’ lives. ... Savor this while it lasts, folks: This is as good as TV gets.

Severance soars to new heights with its long-anticipated Season 2, exceeding our expectations by digging deeper and hitting harder than before.

Fargo is back with a throwback season packed with excellent performances and jaw-dropping action scenes.

Despite the darkness, "Will Trent" remains one of television's funniest hours, anchored in the premiere by welcome bursts of levity involving desk-bound Ormewood and Det. Franklin, with newly promoted series regular Kevin Daniels once again proving what an asset he is to the ensemble.

Grease‘s live audience and inconsequential snafus served to underscore its meticulous production and allowed us to get swept up in a joyous and uniformly powerful set of performances.

Legion has created a compelling world that firmly stands on its own.

This show is truly a gift, and if Season 2 is any indication, it can keep on reinventing itself for years and years to come.

The Zoe Saldaña-led spy thriller’s sophomore run is fantastic, and stands as one of the year’s best TV shows.

In short, unless you’re for some reason dying for a reinvention of the wheel, you’re gonna love this. It’s suspenseful, exciting, funny and scary as hell.

Showrunners Carly Mensch and Liz Flahive again manage to zigzag between the lowbrow silliness of the show-within-the-show and the higher-brow hijinks behind the scenes without giving the impression that the series has a split personality. ... Perhaps best of all, since Season 2 is so emotionally brutal, when we get a break that’s not of the heart variety, it doesn’t feel like a present, it feels earned.

Brammall and Dyer both rise to the occasion as actors, lending Gordon and Ashley’s relationship a poignant complexity. A show like Colin From Accounts really is something to be treasured. It’s one of those small, lovely gems that almost feels too good to be true in today’s TV landscape.

If The Bear’s previous season was a letdown, Season 4 is a triumphant return to form, with raw emotion and beautiful performances.

If anything, the self-improvement show manages to boil itself down to its purest form in Season 2 leaving us with more of what we loved from Queer Eye‘s debut outing: real, honest moments of genuine connection between people from starkly different walks of life who might otherwise never cross paths.

X-Men ’97 goes all-in on the requisite campiness, high-stakes action, and potent parallels that made the original, as well as the comics that inspired it, so much fun.

This is the Star Wars series you’re looking for. Don’t sleep on it.

Once the RESET button is hit, it’s just Eric McCormack (Will), Debra Messing (Grace), Megan Mullally (Karen) and Sean Hayes (Jack), pros at the top of their game, absolutely killing it.

Amazon’s Lord of the Rings series The Rings of Power is worth the wait: a grandly ambitious epic with stunning visuals.

FX’s sharp, savage English Teacher takes a refreshingly unsentimental look at public schools — and is one of the year’s funniest new shows.

Shadows' early episodes are chock full of quotable one-liners and majestically silly moments. ... I ended up watching the series premiere three times… and still found myself laughing the third time through.

The goings-on in Hawkins snowball during the second half of the season to deliver a rather breathless series of nailbiters.

An intense drug deal plays out with character-based nuance, more about the personalities in the room than the chance that guns will start blazing, while an episode set largely in the holding room of a jail finds drama in the assorted, transfixing plights of one-off characters.

HBO’s reboot somehow feels vitally current, with richly drawn characters, gorgeous visuals, a genuinely compelling central mystery and another terrific lead performance from star Matthew Rhys.

It is fun--an addictive and surprisingly witty thriller powered by two remarkable female performances.

[A] very successful revival of one of TV’s all-time great series. A sequel that actually exceeds our expectations? Now that’s something to be thankful for.

No, The Pitt is not an ER reboot, but it may just be TV’s best, most authentic medical drama since the one that made Noah Wyle a star.

Simply put, City of Angels isn’t merely good, it’s divine.