Eerie, surreal and a welcome respite from Disney-style animation, this French sci-fi allegory may not offer any mind-blowing insights (genocide is bad isn't exactly a new thought), but it's a trip.

This well-done Hammer horror film features a thoughtful screenplay that finally injects some compassion and intelligence into the monster. One of director Fisher's best.

The narrative is highly episodic and only intermittently engaging, but Gilliam's wildly inventive mise en scene, ably assisted by production designer Dante Ferretti, is extraordinary.

Filled with unique special effects and delightful music.

The result is very much worth the wait, bringing to life the mysticism of Mexico with a superb script by Guy Gallo, exquisite photography, and the unparalleled performance by Finney.

Harry and Tonto is a sweet, sentimental road movie that draws force and relevance from Carney's touching and subtle performance.

An impressive parade of scientists, meteorologists and grassroots activists assert that humanity is capable of adapting to a changing climate, building sustainable communities without sacrificing modern-day comforts and even reversing some of the damage already done.

It's a hugely entertaining slice of sunbaked Gothic.

Beautifully acted and emotionally devastating.

Cook and Moore brilliantly shift from character to character with just a change of voice (not unlike Peter Sellers), and the movie never flags.

The vestiges of Woo's achingly romantic style play badly in this can-do context, while the mayhem is never more -- and occasionally less -- than competent.

Al Pacino gives an urgent, bravura performance as the title character.

Based on one of the best of Ian Fleming's Bond novels, On Her Majesty's Secret Service benefited from an extremely well-written script that finally revealed a bit more of Bond's character. Lazenby, however, had no previous acting experience, and his lackadaisical performance limits the whole production, yet it still manages to remain one of the more entertaining Bond films.

This is one of the most charming low-budget films in years, a freewheeling, light-hearted farce that gives some new twists to old plot devices.

Aside from the overbearing soundtrack, the film is mercifully unsentimental and Ami himself can be quite droll.

Brutally gorgeous and seething with incendiary images.

Crtainly worthy of serious attention and filled with revealing moments.

Although it tends to rely heavily on slapstick in the second half, the movie provides plenty of laughs and is one of director Landis's best efforts.

A thrilling pseudo-expose on the corrupt inner workings of covert organizations.

Like most Trek movies, it's a bit talky and a bit thin, unless you come to it with an extensive background gleaned from the series. But then, who but a fan would be going anyway?

For all its contrivances, the film is cheerfully rude and surprisingly generous to the mothers, most of whom find sizzling new romances at an age when their American counterparts are reduced to sexless dithering or played as humiliating punch lines to jokes about horny old hags.

Peculiar but oddly winsome fable.

Sigourney Weaver and Alan Rickman imbue screenwriter Angela Pell's characters with a quiet authenticity that's surprisingly moving.

Where this film towers above the first one is in the music, written by Disney stalwarts Richard M. and Robert B. Sherman.

The entire cast give standout performances, but Herbie steals the show in this well-directed, funny picture.

Though silly and predictable, this animated comedy has stunning visuals, a catchy soundtrack and charming characters that are family-friendly crowd-pleasers.

A relatively minor work in the Disney oeuvre, but it's still quite entertaining, and it also marks the last time that Walt Disney himself would provide the voice of Mickey Mouse.

Andrew Neel's fascinating but troubling documentary about his famous grandmother is more than a mere biography of an important 20th-century artist: It's also an intimate portrait of a family member that questions whether or not "great artist" and "good parent" can ever be combined in the same person.