A smashing follow-up to SALUDOS AMIGOS, this is one of the most dazzling achievements of the cartoon genre.

The bleakest of Hitchcock's films, this stark, deliberate probing of a man wrongfully accused is almost wholly based on fact, creating its drama from a celebrated New York City case.

This may be the best romantic comedy ever made. The great Ernst Lubitsch handles his "small" theme brilliantly, bringing the lives of everyday people to the screen as he had never done before.

Aladdin is a fairy tale with an edge--a popular children's story that will have even the most media-savvy parents straining to keep up with Williams's machine-gun delivery of quips, allusions and imitations.

An odd, unsettling film which suggests the dangers of both emotional restraint and unchecked passion, Black Narcissus is also one of the most visually beautiful films ever made in color.

Zieger's thoroughly researched film is a vital reminder that beginning in the mid-'60s, a few conscience-stricken military individuals -- including dermatologist Dr. Howard Levy, sickened by cynical attempts to win Vietnamese "hearts and minds" through medical treatment, and Navy nurse Susan Schnall, who wore her uniform to a civilian antiwar demonstration -- actively and openly voiced peace sentiments.

A masterpiece of visual story-telling.

The picture is filled with one sight gag after another, many familiar to anyone old enough to remember the glory days of silent comedy.

Ralph Bellamy is superb as Roosevelt, capturing every nuance of a man who was the most photographed and listened-to politician of his generation. Surpassing Bellamy, though, is Garson, who doesn't play Eleanor Roosevelt, she becomes her.

A wonderful movie.

Hoffman is uncharacteristically charming in a demanding role; the supporting cast is uniformly excellent, particularly Chief Dan George as a befuddled patriarch who takes the supernatural as a matter of course.

A delicately rendered and exceptionally moving reminiscence of a boyhood friendship cut short by war.

The film that revived public interest in musicals after many early talkie bombs sabotaged the genre, 42nd Street was the first real glimpse of the surreal artistry of choreographer Busby Berkeley.

Beautifully acted, structurally sophisticated heart-tugger.

A wonderful, sentimental western about a bad man who redeems himself.

Valuable as a fine performance of an important and delightful play, MAJOR BARBARA makes for bracingly intelligent cinema.

Director Weir and cinematographer Russell Boyd's re-creation of the invasion and battle action is stunning, but what makes Gallipoli such an affecting film is its intimate presentation of the friendship between Archy and Frank (wonderfully essayed by Lee and Gibson).

Set in 1879 in Natal, this magnificently staged, brilliantly acted film tells the story of the heroic defense by overwhelmingly outnumbered British troops of the tiny outpost Rorke's Drift.

THE LONG RIDERS is one of the last great westerns made in America, directed tautly by Walter Hill from an excellent, well-researched script. The cinematography by Ric Waite is magnificent, the period is beautifully captured, and Ry Cooder's outstanding score nicely incorporates folk music of the era. The whole feeling of this film is one of antiquity, an atmosphere marvelously created by Hill and enhanced by a superb cast.

This dark stunner, based on Walter Tevis's novel, boasts Paul Newman in the role that made him an overnight superstar.

The fourth pairing of Fred Astaire and Ginger Rogers and the first with a screenplay written specifically for them, Top Hat is the quintessential Astaire-Rogers musical, complete with a silly plot, romance, dapper outfits, art deco sets, and plenty of wonderful songs and dance numbers.

A wonderfully brooding, suspenseful revisitation of the land of film noir, Chinatown is not only one of the greatest detective films, but one of the most perfectly constructed of all films.

Delightful, off-the-wall, and ultimately moving.

Also unforgettable is Steiger's towering performance as the volatile survivor, a powder keg of hateful remembrances.

GRAND HOTEL remains a classic of its kind.

Filmed at considerable danger to cast and crew, MOBY DICK, under Huston's strong direction, is one of the most historically authentic, visually stunning, and powerful adventures ever made.

Hope and Glory is a wonderful film, an intelligent, heartfelt, personal, and marvelously entertaining look at what it was like to grow up in wartorn England.

As in the best Hitchcock movies, suspense, rather than actual mayhem, drives the film.