TV Guide Magazine's Scores

  • Movies
  • TV
For 7,979 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 5 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Badlands
Lowest review score: 0 Terror Firmer
Score distribution:
7979 movie reviews
  1. This dreary science-fiction/historical-action hybrid is a misfire of staggering proportions.
  2. There's way too much of the usual bonding, beatings, petty humiliation by guards, cat fights in the yard and trips to the hole.
  3. This noisy, time-wasting spectacle is crammed with what purports to be characters, except that not one of them has any more depth than will fit into a one-line description.
    • 29 Metascore
    • 40 Reviewed by
      Ken Fox
    Not since Larry Clark's "Kids" (1995) has the threat of HIV infection been used so gratuitously, driving a narrative that ultimately has nothing to do with the AIDS crisis.
  4. As meticulously deranged as its paranoid protagonist.
    • 29 Metascore
    • 40 Reviewed by
      Ken Fox
    The music is surprisingly good and there's a skateboarding bulldog that you've just gotta see to believe.
    • 29 Metascore
    • 40 Reviewed by
      Ken Fox
    Lee obviously wants to portray Ethan as something other than the dutiful No. 1 son, but Ethan isn't entirely convincing as a doped-up street hustler.
    • 29 Metascore
    • 20 Critic Score
    Up The Academy is another in the seemingly endless parade of inane teenage comedies.
    • 29 Metascore
    • 40 Critic Score
    Bloodsport is strictly for martial arts buffs; little is offered here in the way of plot, dialog, or acting.
    • 29 Metascore
    • 0 Critic Score
    Try as they may, neither the cast nor the filmmakers can cover up the fact that this movie, like Moore's prototype, is a dud.
    • 29 Metascore
    • 25 Critic Score
    This time around, expect more of the same -- a tedious, muddleheaded tale about a malevolent spirit haunting cyberspace -- with somewhat tastier special effects.
  5. The film's major draws are R-rated gore and some nice physical effects, proof that a man in a top-of-the-line monster suit can still be more effective than CGI.
  6. It's a good thing the two rappers are such utterly natural actors, armed with terrific comic timing.
  7. Derivative, predictable and entirely forgettable, the sort of low-expectations genre picture that generally goes directly to video.
  8. So shallow and brainless it's in perpetual danger of drying up and blowing away.
  9. A reductive spook show in which a bunch of puny humans get chased around by scary monsters.
  10. Ethan and Lenny's story is silly, good-natured and full of unlikely moves, just like the titular twister.
  11. Neither Ketchum nor the filmmakers take an exploitative approach to the material; their focus is the way the youngsters' petty cruelty erupts into murderous sadism.
    • 29 Metascore
    • 63 Critic Score
    Jeannot Szwarc does well in the director's chair, and Jean-Pierre Dorleac deserves special commendation for his costumes. But Seymour is given too little to do, and Reeve does too much.
    • 29 Metascore
    • 50 Reviewed by
      Ken Fox
    It's undone by a murky palette, silly horror-movie cliches, dumb dialogue and a confusing climactic sequence.
    • 29 Metascore
    • 50 Reviewed by
      Ken Fox
    An unconvincing and uninvolving psychological thriller.
    • 29 Metascore
    • 40 Critic Score
    A numbingly stupid actioner, Invasion U.S.A. has one of the most laughable villains ever committed to film.
  12. A satisfying hatchet job on the spooky -- or as the Wayans see it, kooky -- world of supernatural pictures.
    • 29 Metascore
    • 38 Reviewed by
      Ken Fox
    We already knew Hudson and McConaughey weren't exactly Gable and Lombard from their first romantic pairing in "How To Lose A Guy in 10 Days," but director Andy Tennant's complete lack of inventiveness comes as a surprise.
  13. It's enjoyable and profoundly unlikely to make a lasting impression on anyone.
  14. Formulaic but not entirely predictable, it's like old-school Disney, but without Tim Conway.
    • 29 Metascore
    • 20 Reviewed by
      Ken Fox
    Garish, animated junk.
  15. Costner's ponderous post-apocalyptic morality tale feels every minute of its nearly three hours.
  16. Well-written and surprisingly well-acted by a relatively inexperienced cast
    • 29 Metascore
    • 63 Reviewed by
      Ken Fox
    To say Wes Craven's rewrite of Kiyoshi Kurosawa's 2001 "Pulse" isn't as bad as it could have been sounds like faint praise, but Kurosawa's "Pulse" is one of the true masterpieces of recent Asian horror, and the track record for Hollywood horror redos isn't great.

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