TV Guide Magazine's Scores

  • Movies
  • TV
For 7,979 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 5 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Badlands
Lowest review score: 0 Terror Firmer
Score distribution:
7979 movie reviews
    • 45 Metascore
    • 40 Reviewed by
      Ken Fox
    It may be a simple matter of cultural dissonance, or maybe just a bad translation, but it's hard to see why this obnoxious romantic comedy about a lifetime-long relationship between two mischievous adults locked in an ongoing game of "Dares" was such a huge hit in its native France.
  1. While the film has striking moments, it feels padded with events that seem freighted with narrative weight but end up not mattering at all to the story.
  2. While the target audience won't be as familiar with the voice of Gervais as with, say, Eddie Murphy, they'll no doubt love his dirty bird humor.
  3. Gets the details right while missing the big picture.
    • 45 Metascore
    • 50 Critic Score
    This light-hearted fun is made to work thanks to the performances of a well-chosen cast, though the overall pacing drags and the editing is rough.
    • 45 Metascore
    • 25 Critic Score
    As in the Friday the 13th movies the only real interest here is observing the outrageous lengths filmmakers go to in devising "Can-you-top-this?" murders.
    • 45 Metascore
    • 40 Critic Score
    Largely vapid, borderline homophobic, and surprisingly treacly.
    • 45 Metascore
    • 50 Reviewed by
      Ken Fox
    Lunkheaded but entertaining action flick.
  4. An uneasy mix of frat-boy yocks and "Twilight Zone"-style science-fiction.
  5. History gets short shrift from screenwriters William Nicholson and Michael Hirst -- starting with the not insignificant fact that in 1585, Elizabeth was 52 years old – but Kapur is clearly more interested in spectacle and soap opera than dusty old facts.
    • 45 Metascore
    • 38 Critic Score
    Pride and Glory would be a pretty cool movie if it were made in 1982.
  6. The results are a bit amateurish, but wholesome and achingly sweet.
  7. Fluff in the tradition of Hollywood's screwball comedies of remarriage, lacking the wit or grace of such classics as "His Girl Friday" (1940) and "The Awful Truth" (1937).
    • 45 Metascore
    • 63 Critic Score
    Jefferson in Paris is a rich confection indeed, filled with tidbits about fashion, customs, art, and commerce in 18th-century France and America. But like a meal consisting of nothing but petits-fours, this lavish biopic is too much dessert and not enough main course.
  8. On its own low-bar terms, it delivers the goods: pole-dancing, gut-chomping and Jenna J.
    • 45 Metascore
    • 50 Critic Score
    This modern-day hybrid of "The Prince and the Pauper" and "The Parent Trap" is a slickly contrived showcase for the professionally cute Olsen Twins, late of TV's Full House.
    • 45 Metascore
    • 50 Critic Score
    There's just not enough good material, however, to sustain the comic pace.
    • 45 Metascore
    • 40 Critic Score
    The sequel retains only vestiges of the charm and bizarre humor which made the original a surprise cult favorite.
  9. To call the film noisy and brainless isn't even a criticism - it's unadulterated auto-porn, as shallow and shiny as it wants to be.
    • 45 Metascore
    • 75 Critic Score
    I like Amanda Bynes movies…and I’m a dork!
    • 45 Metascore
    • 63 Critic Score
    The result is a one-joke movie.
    • 45 Metascore
    • 50 Critic Score
    Fresh from being terrorized in Halloween, Jamie Lee Curtis stars in this slasher clone set to the wonderful thump of disco music. Prom Night is better than most slasher movies, mainly because it's funnier.
    • 45 Metascore
    • 50 Reviewed by
      Ken Fox
    It all adds up to an unfortunate misfire: a film at odds with both its source material and itself.
    • 45 Metascore
    • 50 Reviewed by
      Ken Fox
    Fun for a while, but soon turns grating before ending on a startlingly tragic note.
  10. Crowe preserves the original film's plot twists and turns, but his version lumbers when it should be whipping along, daring you to keep up. The wall-to-wall pop music soundtrack eventually becomes oppressive, and Cruise's oily smile doesn't really constitute a characterization.
    • 45 Metascore
    • 60 Reviewed by
      Ken Fox
    Rather than portraying these girls as one-dimensional victims, Harada offers a complex portrait of teenagers who've learned to make their exploitation work for them.
  11. Norman Jewison's honorable but stodgy exercise in ethical outrage, based on Brian Moore's acclaimed 1996 novel, fairly aches to be called a thinking man's thriller.
    • 45 Metascore
    • 50 Critic Score
    The film boasts slick production values and a charmingly modest turn from the charismatic Barrymore, but it's too trifling and uneven to be a good date movie.
  12. McKenzie's mercurial performance is the centerpiece of this sad, surprisingly absorbing story.
  13. This lighthearted meditation on life, death, love and timing contains some genuinely lovely scenes, but they're buried in a shapeless jumble of cutesy-pie vignettes.

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