TV Guide Magazine's Scores

  • Movies
  • TV
For 7,979 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 5 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Badlands
Lowest review score: 0 Terror Firmer
Score distribution:
7979 movie reviews
  1. The series' breakout star remains Scrat (Chris Wedge), a scrawny, speechless rat-squirrel thing trapped in a Sisyphean quest for acorns, and while kids' movies generally could do with fewer scatological gags (the target audience for poo and pee humor needs no encouragement), writers Peter Gaulke and Jim Hecht managed to come up with a (relatively) sophisticated one.
  2. Film feels like a parody of Mamet mannerisms, and the trouble lies with the play, which Mamet first penned some 25 years for an Actors Equity showcase.
    • 59 Metascore
    • 60 Reviewed by
      Ken Fox
    Breezy, surprisingly poignant Spanish film.
  3. The film's underlying themes dovetail efficiently with the action but don't generate the emotional gut punch the movie needs; overall it feels padded and logy.
  4. Would be too long even if it were twice as funny. And that about sums up the movie.
    • 59 Metascore
    • 80 Reviewed by
      Ken Fox
    A rare treat — catch it while you can.
  5. Fresnadillo's film is little more than a gloomy and attenuated Twilight Zone episode, reminiscent of Alex Cox's portentous "The Winner" (1997) without the truly breathtaking conclusion.
    • 59 Metascore
    • 50 Critic Score
    A refreshingly straightforward, conventional approach to the documentary form. (Review of Original Release)
  6. Sharply acted and cheerfully coarse.
  7. Features some strikingly intimate footage of Noonan's extended family, but lets Noonan himself drives the show and his colorful tales of villainy that cry out for more context than MacIntyre provides.
  8. Witherspoon turns in yet another stellar, nuanced comic performance.
  9. An occasionally surreal meditation on coping with loss, and a love story with a dark side the size of Montana.
  10. Frothy, sentimental and thoroughly good-natured, Malcolm D. Lee's tale of coming-of-age at the roller disco doesn't have an original bone in its body, but it's as energetic, eager to please and endearing as a sloppy, wriggling puppy.
    • 59 Metascore
    • 63 Reviewed by
      Ken Fox
    While none of this is meant to be taken seriously, the premise demeans Moliere's great achievement.
    • 59 Metascore
    • 60 Critic Score
    The fourth remake of this story, this is a fairly good, though overlong, film.
    • 59 Metascore
    • 50 Critic Score
    The result is a gracefully plotted spy film in the classic mode, with just enough self-consciousness to keep things interesting.
  11. The aliens, meanwhile, are a fabulously nasty lot of slimy, tentacled, malevolent telepaths, but all their superior technology is no match for our red, white and blue ingenuity. Take that, space bullies!
    • 59 Metascore
    • 60 Reviewed by
      Ken Fox
    Manages to create a great deal of ambiance and a few thrills on a shoestring.
  12. The cast — a felicitous blend of character actors and up-and-comers — work together like a street-smart machine, and Hoffman's scummy turn as porn-peddler and all-around creep King is a reminder of just how sleazily funny he can be.
  13. It's funny stuff, though most of the pimps seem like such buffoons it's hard to imagine how they actually make a living.
  14. Dithery, nattering and a bit long for such a conspicuously airy trifle.
    • 59 Metascore
    • 60 Reviewed by
      Ken Fox
    There's nothing unique about Zarhin's plot -- it's a standard coming-of-age tale with traces of "Good Will Hunting" -- but she portrays the intra-family dynamics with unusual honesty and accuracy.
    • 59 Metascore
    • 50 Reviewed by
      Ken Fox
    Grateful fans so enamored of traditional Irish folk music that they don't care how they come by it may enjoy John Irvin's folk-filled feature, but while there's lots of great Ceili music on tap, it's wrapped in a story so traditional that it's not especially interesting.
  15. A buzzed-up gloss on the original, it's entertaining -- if fundamentally shallow.
    • 59 Metascore
    • 63 Reviewed by
      Ken Fox
    Film does show why so many young people raised in such communities find it so difficult to ever leave.
    • 59 Metascore
    • 75 Reviewed by
      Ken Fox
    Neither a prequel nor a sequel. Nor is it really much of a horror movie: It's a bizarre, bloody family drama that puts its predecessor into a larger social context.
    • 59 Metascore
    • 50 Critic Score
    A rather pleasant period comedy that made quite a sum of money for the studio in its economically weak post-Walt period. A delightful cast of character actors helps the childish story, with Conway and Knotts beginning what would become a somewhat famous, but very simple-minded, film comedy duo.
    • 59 Metascore
    • 40 Critic Score
    Don't expect many answers from the movie, for Stone hedges his bets toward the end and vacillates, leaving the whole thing infuriatingly ambiguous.
    • 59 Metascore
    • 50 Critic Score
    Once Griffith and Andrews enter the lawless zone attempts at quirky humor fall flat and the film settles into a fairly conventional action yarn
    • 59 Metascore
    • 0 Critic Score
    Vile exploitation picture shot cheaply in the Philippines.

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