TV Guide Magazine's Scores

  • Movies
  • TV
For 7,979 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 5 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Badlands
Lowest review score: 0 Terror Firmer
Score distribution:
7979 movie reviews
    • 89 Metascore
    • 100 Critic Score
    It's heartfelt entertainment and anyone who ever whistled a tune, tapped a toe or hummed a bar of music will love it.
    • 91 Metascore
    • 100 Critic Score
    Director-writer Philip Kaufman's script brings a wealth of humor to a faithful retelling of the astronauts' fascinating stories, the actors fit smoothly into their roles and even physically resemble their characters, and the direction is well-paced and visually exciting.
    • 87 Metascore
    • 100 Critic Score
    [An] utterly beguiling film.
    • 86 Metascore
    • 100 Critic Score
    Patton is a war movie of unusual depth and a landmark in screen biographies.
    • 91 Metascore
    • 100 Critic Score
    A superb motion picture, and one in which Ford's obsession with Americana and the forces and emotions that made this country what it is are plainly in view.
    • 87 Metascore
    • 100 Reviewed by
      Ken Fox
    Throughout this raw, often brilliant drama, the Dardennes refuse to judge these deeply flawed characters. They instead maintain a moral objectivity that ultimately leaves room for the possibility of redemption, no matter how dire the sins committed.
    • 85 Metascore
    • 100 Reviewed by
      Ken Fox
    Superb drama from New York-based filmmakers Ryan Flek and Anna Boden.
    • 73 Metascore
    • 100 Critic Score
    While MR. SMITH GOES TO WASHINGTON is the most moral of films, it is so artfully filled with real emotion that it never becomes heavy-handed.
    • 71 Metascore
    • 100 Critic Score
    Birdy is one of those rare movies that successfully brings a psychological novel to the screen without sacrificing its saliency or complexity.
    • 90 Metascore
    • 100 Critic Score
    One of the most powerful boxing films ever made.
    • 97 Metascore
    • 100 Critic Score
    A rich cinematic experience, this uplifting British production will leave you in awe of the extraordinary Christy Brown.
    • 72 Metascore
    • 100 Critic Score
    A searing example of writer-director Billy Wilder at his most brilliantly misanthropic. An uncompromising portrait of human nature at its worst, the film was so far ahead of its time in its depiction of a media circus and the public's appetite for tragedy that it was a commercial disaster when first released, but now stands as one of the great American films of the 1950s.
    • 77 Metascore
    • 100 Critic Score
    Kubrick's liberal, anti-authoritarian reading of Anthony Burgess's very Catholic allegorical novel is morally confused but tremendously powerful... No serious moviegoer can afford to ignore it.
    • 82 Metascore
    • 100 Critic Score
    For Western viewers unfamiliar with Hong Kong gangster films, there's no better introduction.
    • 77 Metascore
    • 100 Critic Score
    One of the great New York films, swathing the city in a layers of dewy love and glossy chic. [Review of re-release]
    • 94 Metascore
    • 100 Critic Score
    The sly Hitchcock made this chiller all the more frightening by having his crafty homicidal maniac intrude into the tranquility of a warm, middle-class family living in a small town, deeply developing his characters and drawing from the soft-spoken Joseph Cotten one of the actor's most remarkable and fascinating performances.
    • 89 Metascore
    • 100 Critic Score
    Flynn's star-making swashbuckler is right on target.
  1. Manages to inject more than a little humor into this tension-filled genre classic.
    • 84 Metascore
    • 100 Critic Score
    The sets are as much a part of the story as the dialogue, and set designer John Bryan's work is effectively photographed by Guy Green. All the acting is first-rate, and there is not a false note from the cast.
    • 82 Metascore
    • 100 Critic Score
    One of the better, if not the best, of the famous screwball comedies of the era, Godfrey stands as an excellent example of witty scripting, direction, and editing.
    • 85 Metascore
    • 100 Critic Score
    The wonderful performances by Ford's stock company in these roles help make THE QUIET MAN an utterly moving and fascinating portrait of rural life in Ireland.
    • 96 Metascore
    • 100 Critic Score
    There have been many classic westerns but this Hawks masterpiece certainly ranks among the best of the genre.
    • 92 Metascore
    • 100 Critic Score
    There's no place like home, and there will never be another movie like this one, a dazzling fantasy musical so beautifully directed and acted that it deserves its classic status.
    • 86 Metascore
    • 100 Critic Score
    This quintessential movie on movies is an engrossing, seductive Minnelli epic, graced with superb performances.
    • 85 Metascore
    • 100 Critic Score
    One of the most original, visually stunning, and provocative films of the 1970s, Walkabout is timeless in its beauty and unique approach to a classic coming-of-age story. The film is arguably director Nicolas Roeg's finest achievement.
    • 98 Metascore
    • 100 Critic Score
    Much imitated, still unsurpassed. By critical consensus one of the best movies ever made, The Seven Samurai covers so much emotional, historical, and cinematic ground that that it demands to be viewed over and over again.
    • 78 Metascore
    • 100 Critic Score
    A superbly restrained piece of filmmaking, with Zinnemann directing in simple, unadorned style and Hepburn giving a truly radiant performance.
  2. A brilliant surrealistic joke about a group of friends whose attempts to dine are continually thwarted.
    • 96 Metascore
    • 100 Critic Score
    Perhaps Kenji Mizoguchi's greatest achievement, SANSHO THE BAILIFF is a visually mesmerizing picture that pays great and careful attention to the smallest details of nature and environment, highlighted by Mizoguchi's use of the long take and deep-focus shots.
    • 89 Metascore
    • 100 Critic Score
    At its best, Force achieves a style at once brutal and poetic, documentarian and noir.

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