With a group of friends, Ghost Recon Wildlands will offer countless hours of fun within the vast and beautifully created version of Bolivia. If you’re going it alone, however, the repetitive gameplay and the lack of any character development and story depth offers a far less attractive package. Wildlands is a solid open-world game that is let down by an overly long and repetitive story, along with too many small bugs and niggles for it to be great.

Surviving Mars offers most of the things you expect in a simulation game: a chaotic and overwhelming start is eventually calmed down once you understand what's going on and how to work efficiently. Mysteries add a unique bonus to the progression, and don't be surprised if you become quite invested in your colony the more you play. As is often the case, the controls pose a bit of a problem and feel like they'd be better suited on a computer.

As a shooter, it succeeds greatly. As an RPG it suffers several missteps that are salvaged by what can at least be called inconsistency, meaning for all the bad it does, Andromeda does equal parts good. It feels like Andromeda is worth exploring just once. In many important ways it's a small step for BioWare, but with regard to characters especially, it's hard to ignore the giant leap backwards.

Crawl is a fun co-op dungeon crawler that sets the hero against his ghostly former friends as they race to make it out of the dungeon alive. Its innovative game mechanic keeps heroes and monsters at much the same level throughout, so the hero has to stay on his toes as he and the ghosts fight it out for control of the one remaining body in the dungeon. With the procedurally-generated nature of the title, players needn't fear getting bored with the same old dungeons and enemies each time, and fighting one's way through epic co-op battles will be a good time with friends. The game suffers in single-player, however, by giving an obvious edge to the AI and being overwhelming for those just starting the game. The achievements will offer a challenge to even hardcore gamers in both the range of different types of achievements as well as the difficulty of several of them. Fans will find plenty to keep them busy.

With a darker storyline and a wonderfully re-imagined London that is the star of the show, the third entry into the franchise feels as if it’s slightly matured from Watch Dogs 2. The new ‘play as anyone’ mechanic is innovative but sadly soon becomes redundant. Numerous bugs and glitches also mar the overall experience. Having the game crash several times and losing about 20 minutes worth of progress each time is not something that should be happening with a big-budget title such as Legion. Even after downloading the latest hotfix, crashing issues still persisted. This will likely be fixed with more patches later on down the line, but it will still be disappointing for those who purchase the game on day one. However, if you can keep a stiff upper lip about some of the bugs, you’ll have a lot of fun with Legion. Even if someone does end up calling you a twatwaffle.

If the game worked smoothly, it would be easy to recommend purchasing the game. As it stands, I would recommend waiting for an update before taking the plunge.

The second and penultimate episode of Life Is Strange: Before The Storm heats things up in more ways than one. Not only is the Bay on fire, but Chloe's life also seemingly goes up in flames at both home and school, and her relationship with Rachel is definitely increasing in temperature. All of this happens at such a pace that unfortunately some things aren't given the air time that they deserve and there's a chance that five episodes may have been a better idea than three. Despite this, we're getting to see the characters develop in a believable manner, and when player decisions start to take effect, it truly feels like it's becoming your story as much as it is Chloe's. With the addition of the relevation on which the episode ends, you would be forgiven for wanting to rush headlong into the next episode to see the conclusion to this tale.

Other than a few minor bumps and quirks aside, there remains little to complain about in the latest installment in the Ride franchise. Milestone has used its vast knowledge of motorcycling titles to build one of its best titles yet. The racing is as accessible as ever and remains welcoming to players of all levels. The growing confidence in the Unreal Engine brings improved presentation, graphics and physics, and when you throw into the mix that you now have more bikes, manufacturers, locations, and the new livery editor, it really feels like the most complete two-wheeled racing game we've seen in years.

Minor problems and bugs stop the game from being absolutely spotless, but aside from that, the game is everything you could want in a simulation game. At some point you've probably wished Jurassic Park really existed. For now, this is the closest you can get.

Unit 4 is a fun old-school style platformer that requires various skills accessed by scrolling through four different characters. Its infectious humor and varied platforming challenges makes for a good time, but the fun is tempered by the challenge of making it through areas of increasing difficulty with only one life available; some sections will require numerous repeats from checkpoints. The game's difficulty level also ramps up early on, guaranteeing some trying gameplay for much of the game. The game's achievements are nice mix of easy and difficult, providing a nice selection of challenges, but with the 100% and no-dying-allowed boss fight requirements, it will not be a fast or easy completion except for those with amazing platforming instincts. For those who enjoy a good old-fashioned platformer, Unit 4 is one to keep in mind next time you're looking to buy.

Not a Hero is a lot of fun with its cheesy humor and simple game mechanic, but players can expect to die A LOT in their bid to help BunnyLord gain global domination. The game quickly becomes quite difficult, especially for people new to shooters.

Sherlock Holmes: Chapter One deviates little from the established Frogwares detective game template, but that doesn't stop it from being a compelling adventure and perhaps one of the studio's stronger games overall. It's got a meaty and intriguing core story, loads to see and do off the main path, and some swerving cases that will take some serious sleuthing to come to the right conclusions — I'm not sure what more you could really ask for from a game like this besides that tried-and-tested trifecta, except maybe a little more polish. The lack thereof doesn't hurt the game too much, mind, so if you enjoy solving crimes while being really, really, really ridiculously good-looking, this mid-price mystery should definitely find its way onto your wishlist.

Puzzles seem designed to slow you but never halt you and thus they aren't that interesting. The same can be said for repetitive objectives and visuals. It reads like a laundry list of problems, and yet it remains a lot of fun anyway thanks to strong enemy variety and a frantic pace to the action. If you're looking for a co-op shooter that doesn't demand a lot of you other than good aim and a few good friends, Strange Brigade is a smart choice.

Unepic probably won't be for everyone with its Metroidvania style and death prone areas, but once you get stuck in, it is an enjoyable experience.

It's a smart, stylish, and daring genre mash-up that blurs the line between indie and big budget games. It's one of the most tightly designed games I've ever played in my life and that comes through in every possible way, from UI and art direction to combat and level design. It's without any excess parts, and so its design feels constantly well-reasoned and well-executed and expects you to play it just the same. Across the board, Void Bastards is unforgettable.

The HITMAN "Intro Pack" tries to squeeze out as much gameplay as it can from a limited amount of content. While it succeeds in doing so, it also has a tendency to become quite repetitive and long loading times have a tendency to hinder the experience. What it does do is create a solid foundation upon which the rest of the content can build.

Twin-stick shooters can either lose their charm quickly or provide some addictive gameplay, so it's fortunate that Tesla vs Lovecraft fits into the latter thanks to its fast-paced and gratifying design. The story is an odd one, but it doesn't detract from the monster killing, whether you're on your own or with a friend.

Worms W.M.D continues to deliver exactly what we have come to expect from the series and fans will not be disappointed.

The multiplayer can be fantastic at times and battles play out beautifully and smoothly in all modes. The game looks sleek and listening to those iconic blasters adds to the thrill of play. However, with lackluster battle and survival missions replacing a proper campaign, it stops the title from being as amazing as it could have been.

Dead Rising Deluxe Remaster is yet another great example of Capcom's ability to breathe new life into a dated game. While it doesn't add any significant new additions to the original content like we've seen the company do with Resident Evil, the visual and quality-of-life improvements make this a fantastic game for Dead Rising veterans and a must-play for new players. If you're yet to experience the thrill of literally mowing down zombies with a lawn mower while suited and booted with a horse mask on your noggin, now is the time to dive in.

Far Cry New Dawn continues the series' year-long descent into self-parody with this uninspired sequel. The spinoffs for Far Cry are usually very exciting, previously taking us to an alternate future or the ancient past. In New Dawn we return to Hope County, now with 300% more pink. Neither the premise nor the execution of the setting and story ever justify the project, but for fans who haven't tired of the series' formula yet, you can't really go wrong with more of the same when it's well done. It's mechanically tight and often engaging while it lasts. Let's just hope New Dawn is actually the setting sun for this version of Far Cry. The series could really use a makeover soon.

Unfortunately, the game offers nothing innovative or entertaining; it's simply a way for the company to make a quick buck based on better games in the series.

"Guardian of Gotham" is some of Telltale's best writing to date. It masterfully paces several dangling story threads into one tightly delivered penultimate episode while also seeming to build the greater Bat-verse for future seasons. It's exciting and uniquely theirs at this point. It's just a shame this episode also comes with the worst performance issues the season has seen so far.

Episode 2 - Giant Consequences is a dramatic continuation for Mincraft: Story Mode - Season Two. The story feels like it's getting a little darker, which is an interesting direction for what is usually Telltale's most family-friendly series. Although the episode feels shorter than most, there's a lot of action and adventure packed into it, with mini-bosses and mini-games alike. Overall, Giant Consequences is a worthwhile new chapter, and helps build a strong foundation for the rest of the season,

Night in the Woods is a refreshing take on the adventure genre. With unique visuals and an all too realistic setting, the game will appeal to anyone who enjoys storytelling on a level more human than the usual fare seen in the medium. The town of Possum Springs will be a depressingly familiar one for any who grew up in small American towns where complacency with hardship is in the water, and it's a credit to the game's writers that every single resident of the troubled town feels real. Even if you didn't live in such a setting, the game's subversion of coming of age tropes make for a special story. It does sell itself out a bit at the end to drive home its central theme, but the rest of it is visually, audibly, and narratively memorable.

The Mooseman is a game that feels like it accomplishes what it sets out to do, for the most part. The ancient myths of the Finno-Ugric tribes are complemented well by the uncommon visual style. The story that is told over the course of the adventure is fascinating, and the art can range from striking to subdued depending on what the scene calls for. Where The Mooseman falls short is in the areas that are supposed to keep the audience engaged in between the lore-heavy segments.

Telltale must've known their time was almost up, and even built this season as Clem's abbreviated final fight, but they maybe couldn't have predicted that it would all end even sooner than that. There's still hope for two more episodes, and that fact is really the only reason we're reviewing this anomaly in video game history at all. As it stands, it's worth playing if you can get a hold of it just to see where it might have have been going — and "might have been" appears to be all we have left.

A lot of love and attention has gone into the game's distinctive hand drawn art style but it comes at the cost of the game's length. Despite a promising start, the game ends at just two hours. Most characters are not developed, important events are glossed over and the story ends abruptly.