One Epic Knight just doesn't stand out enough in a growing field of Temple Run inspired games.

No matter how different the results, every game feels pretty much the same, and that really cripples its long-term appeal.

It's just too bad it suffers for design decisions that have nothing to do with the puzzles themselves.

Yes, the price tag is rather astronomical when compared to bargain-bin, $0.99 titles but there's a reason for that. The World Ends With You: Solo Remix is not a game built for five-minute diversions; it's a solid game, one meant to leave a permanent impression.

The lack of multiplayer is really the only issue keeping this game from perfection.

Angel Salvation seems needlessly complex on the outset, but none of the mechanics or currencies are particularly deep once you get the hang of them.

Takes iOS platforming and "one button" gaming in a direction I'm amazed no-one tries to do more often in touch screen gaming.

I'm not sure I needed a game in my life with the same hooks used by both Dungeon Raid and Triple Town-each of those alone ate hours and hours of my life. Now that I have it, though, there's no giving Puzzle Craft up.

There are a lot of reasons to love a game. Great challenge, fun with friends, gorgeous design-all good reasons. Despite its rough edges, Mikey Shorts gets to me because it brings me to a place where I can play and have a great time, without hitting walls, without getting frustrated, without having to pass it on to the next kid in line. It's a good feeling, one I don't particularly want to give up.

Elevate Entertainment's twist on the classic brick-breaker is good. What makes it special, though, is the way the studio extends that creativity throughout the game.

As it is, it's not a bad little platform shooter, and there is something awesome about Honest Abe toting a flamethrower, but it's not Ravenous and Wobblyware's best work.

Despite the control issues described above, the tilt controls do work -- just not as well as I'd personally like. Tread of the Dead still offers an interesting, if simple, gameplay premise buttressed by an ample amount of content.

It's not bad, it's just okay.

While Wrrr is a perfectly acceptable platformer and may be fun to pass the time, it's not one I would keep on my phone to replay over and over.

Accompanied by gorgeous art and a great soundtrack, you'll discover all the skills it takes to save the multiverse.

Heroes Rise is a real step forward for Choice of Games. Their next step should be to improve the visual appeal of their apps and add a few basic options.

Super Mole Escape knows what it does well, and exploits it to its fullest.

In some ways, the sheer depth of Cafeteria Nipponica acts as both a blessing and a curse.

Despite it's flaws, Horn is a glorious success. It sets the bar high for what we should expect from iOS, and it really shows us what kind of adventures we are capable of having on the device.

Sure, the controls may not be as approachable as its predecessor, and the game may be a bit simplistic for even an endless runner these days, but the implementation is solid, and the look and feel is a perfect carry-over from The Last Rocket.

If you enjoy weird, wonderful things or have ever wondered what it'd be like if Pug Luv Beats had been more of a game than a musical toy, you seriously need to check out Bad Hotel.

Great touch controls, fast action, amazing AI, intelligent level design, and an overall simplicity are all the reasons Trigger Fist has caused such a lapse in my productivity as of late.

Vampire Boyfriends does what it sets out to do: it's funny, a little sexy, and seriously entertaining. The illustrations are a bit rough, the opening music a little too startling each time you start over, but those things are hardly real problems.

A weird, wonderful and almost surprisingly expansive experience that will both infuriate and enchant.

The humor hovers on that level, a mix of pop-culture references, tough guy 'tude and "Jackass" worthy stunts. Maybe that, combined with shooting punks and rudeboys, coshing juves, and riding a AI motorcycle equipped with machine guns and a laser, is enough.

For all its charm and cleverness, Party Wave falls on the wrong side of the line between originality and accessibility. There's promise and style to be found here, but not nearly enough entertainment.

There's merit in a game where the buttons are integral to the world. It's just too bad that didn't quite happen here.

The imprecise controls, and surprisingly small song selection hold the game back.