Total Film's Scores

  • Movies
For 2,045 reviews, this publication has graded:
  • 61% higher than the average critic
  • 4% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 3.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Predator: Killer of Killers
Lowest review score: 20 Sir Billi
Score distribution:
2045 movie reviews
  1. Kneel before shannon. His primal, powerhouse turn drives this criminal biopic. the film won’t win any prizes for originality, but its star proves he’s a real man of steel.
    • 35 Metascore
    • 60 Critic Score
    Ashley Bell’s nuanced performance and a surprisingly pyrotechnic finale liven up a gloomy sequel. Title’s still nonsense, mind.
    • 20 Metascore
    • 40 Critic Score
    The moments where you feel the cast are off-script and riffing are fun if not actually funny, but the most horrific thing on offer here is misogyny.
  2. Depending on taste, you’ll be left either barfing or laughing.
  3. An unabashed crowd-pleaser, Hugh Hartford’s table-top portrait avoids patronising its aged subjects, bouncing between sweetly satirical and sincerely moving. Given the theme, it’s only a shame it doesn’t last a bit longer.
  4. Less abrasive than Part II, but lacking any of Part I's freshness, this is the most lacklustre return-to-Vegas, trilogy-closing caper since "Ocean's Thirteen."
  5. By no means an epic fail, but lacking the spry wit of more adult-friendly animations, this is big on action and small on originality. Gorgeous visuals aside, Epic is resolutely kiddie fare.
  6. The Big Wedding isn’t telling a story so much as selling a lifestyle – one that, rather like Heigl’s morning sickness, makes you want to vomit.
  7. Well-crafted, well-intentioned and well, just a tad dull.
  8. Gatsby fans will be unoffended yet untransported, but soundtracks will sell, DiCaprio will be on bedroom walls again and new readers may discover the book - which is no bad thing.
  9. It’s not as epic as "March Of The Penguins," or as stunning as the BBC’s usual slo-mo nature porn – but with nary an animated tap dance in sight, it’s still king of the 3D penguins.
  10. It’s actually a ruthlessly plausible thriller, stripped clean of music and melodrama, and all the more engrossing for it.
  11. In a film with obvious ambition, though, it’s a shame that it resorts to formula so quickly.
  12. Another silly but sturdy instalment that’s as well-oiled as The Rock’s muscles. If the ‘Letty in London’ story doesn’t exactly have that new-car smell, this is still the fastest soap opera on wheels.
  13. Jordan’s apparent resolve to make an anti-Twilight unfortunately results in a movie that, if not for a fistful of moments of shock, style and excess, would be as drained of colour and tension as Ronan’s victims are of hemoglobin.
  14. Strickland’s nuanced, atmospheric, ambiguous movie transcends genre.
  15. Writer/director Gilles Legrand’s study of fraught father/son relationships builds the tension, helped by a fine cast...while the vineyards of Bordeaux offer a deceptively serene backdrop.
  16. Full of fizz, filth and fun, I’m So Excited! is like an ’80s retro-blast. Its scattershot comedy may not impress latecomers to Almodóvar’s career, but old-school fans will love it.
  17. It’s to director Chris Menaul’s credit that his lack of big-screen experience isn’t evident, but the same can’t be said for his cast who are, by and large, too stiff to charm.
  18. Everybody does indeed have a plan in Ana Piterbarg’s ponderous Argentine noir – problem is, they’re all terrible.
  19. Mud
    More accessible than "Take Shelter" but not as powerful, Mud boasts stunning photography, a mesmerising lead and a strong evocation of Americana. McConaughey’s gold run continues…
  20. Mostly, this is fantastic fun: a two-hours-plus blockbuster that doesn’t bog down in exposition or sag in the middle. There are reversals and rug-pulls galore, most of them executed with whiplash skill.
  21. Funny, twisty and thrilling, this is shellhead’s most entertaining solo flight to date. It’s also an impressive pace-setter for this summer’s barrage of big movies.
  22. An impressive study of guilt, responsibility and the bad things that happen to good people.
  23. It might sound like a lazy idea for an iPhone game but a few fresh jokes and lashings of creative gore help it stand out from the shuffling crowd.
  24. Writer/director Trapero arguably crams too much into the film’s running time, but potent turns and Michael Nyman’s yearning score are among the compensations.
  25. Occasionally potent but mostly risible, this tale of the occult sees Rob Zombie cast a weak spell. Disappointing.
  26. Dolan never flinches across this bold, brassy piece; it’s confidently directed, stylishly shot, passionately acted and evocatively scored.
  27. Closer to Eli Roth than Sam Raimi, this brutal retread combines J-horror atmospherics with torture-porn kills. It’s more evisceration than invention but at least has the courage of its bloody-minded convictions.
  28. That every jibe lands woefully wide is no surprise, though we’ll give leading lady Ashley Tisdale credit for giving her all to a film that mercifully won’t be around long enough to do any lasting damage to her post-High School Musical career.

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