Total Film's Scores

  • Movies
For 2,045 reviews, this publication has graded:
  • 61% higher than the average critic
  • 4% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 3.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Predator: Killer of Killers
Lowest review score: 20 Sir Billi
Score distribution:
2045 movie reviews
  1. Vikander brings fresh emotional weight to the familiar scenario of WW1 grief, ensuring that this mostly avoids the traps of dull, dutiful heritage cinema.
  2. Adventurer, narcissist or both? Marshall Curry’s riveting study of a momma’s boy turned freedom fighter never editorialises, leaving us to decide.
  3. Driven by a committed turn from Witherspoon, Jean-Marc Vallée confirms himself as the go-to director for triumph-over-adversity character studies.
  4. Marches to the beat of its own drum… Lands with a bang… There just aren’t enough musical clichés to describe Whiplash. A masterclass in technique, power and rhythm, it stings and sings like nothing else.
  5. Cooper’s performance grounds a solid, authentic drama – Eastwood’s best since Letters From Iwo Jima – that is less about one single field of combat than the price of war itself.
  6. Patient, non-judgemental docu-making yields psychologically rich results in Jesse Moss’s potent dispatch from recession-hit America.
  7. Even now we know he’ll thrive post-Hogwarts, Radcliffe impresses as Arthur Kipps, the solicitor, widower and father with an invested interest in the afterlife.
  8. The music busts a gut straining for weepie affect, but you might shed a few yourself when the five-year battle reaches its jubilant, justified climax.
    • 38 Metascore
    • 40 Critic Score
    Pierce Brosnan, a long way from his Bond days, huffs and puffs his way through a boilerplate thriller that finds his ex-CIA hitman, Peter Devereaux, retired to a coffee shop in Switzerland.
  9. Wiig and Hader give winning, finely nuanced turns in a film that deftly mixes light and dark. Also features the best use of ‘Nothing’s Gonna Stop Us Now’ since Mannequin…
  10. Everything gets just too damn convoluted for its own good, and it’s hard to care what becomes of Haggis’ characters as they’re shifted around. Any one of the strands expanded alone might have worked better.
  11. A sombre, ’70s-flavoured crime drama with strong, interior performances from Hardy, Gandolfini and Rapace. Feel the (slow)burn.
  12. Handsomely mounted and energetically played, this movie captures much of the real genius of James Brown... then obscures it with needless chronological fiddling.
    • 76 Metascore
    • 80 Critic Score
    Sharp as fangs, warm as fresh blood, this could be the funniest movie of the year. New Zealand’s answer to Edgar Wright.
  13. When someone in Age Of Extinction carps about “crap sequels and remakes” in movies, you almost choke on the audacity.
    • 88 Metascore
    • 60 Critic Score
    Snowden proves surprisingly sympathetic. His intentions appear to have no subtext, but sadly neither does the doc; the irony of an infodump approach to mass surveillance goes disappointingly unexploited.
  14. On form as both director and actor, Jones crafts a mournful but moving hymn to the western. The feminist subtext, meanwhile, brings a fresh slant to the old genre.
  15. Bleak but beautiful, this terrific chamber drama confirms Ceylan as one of world cinema’s leading lights. The bum-numbing length may intimidate, but there’s more than enough quality to offset it.
  16. Previously known as "Mariah Mundi And The Midas Box," the retitling came with the straight-to-DVD release – presumably to help hide it from fans of G.P. Taylor’s original book.
  17. Flawed but often flooring, The Grandmaster swoons with grace, feeling and elegance. With Leung and Zhang on killer form, Wong has delivered his best film in a decade.
  18. The home stretch is drenched in sticky-sweet sentiment, but Murray’s fans will rejoice at the chance to see their idol in full-on grouch mode.
  19. Reitman’s topical and melancholy drama is commendably ambitious. But its OTT plotting and alarmist tone make it a Reefer Madness for the Instagram generation.
  20. Disappointingly limp, with precious few belly laughs, despite a try-hard attitude.
  21. A lovingly balanced biopic that fends off award-gobbling clichés. Smarts + heart = a winner: it’s a simple equation, but Marsh makes it add up.
  22. Iñárritu ditches time-hopping bleakness for a linear, if loopy, satire that buzzes with brio. If Mel Brooks, John Cassavetes and Terry Zwigoff co-directed a superhero movie, this might be it.
  23. Gyllenhaal is engaged and engaging in Denis Villeneuve’s adventure in psychological surrealism: let’s hope they stay friends.
  24. A hypnotically disturbing triumph for Miller and his cast. Bruisingly intimate and psychologically nuanced, its spiral into savagery lingers like a bad dream.
  25. Family entertainment with death, limb-lopping and other horrors. If you go Into The Woods today, you’ll be surprised how faithful this is to the dark stage musical.
  26. The most inventive sequence has Larry and Teddy plunge into an MC Escher painting, an interlude so dazzling you can almost overlook the weeing monkey.
  27. Patric’s bullet-scarred killer-gone-clean is a tired character in every sense, and no amount of exploding blood packs can make up for this much banality. At least there’s enough momentum to keep you from checking the timer every two minutes.

Top Trailers