The boundless inventiveness Nintendo is known for never quite bleeds through as you would expect, especially as an adaptation of one of Mario's most beloved 3D platformers. The Super Mario Galaxy Movie, then, shoots for the stars and ultimately comes up just short.

The seventh and supposedly final Scream is never as sharp or as smart as the series' best, but it still has a few neat tricks up its billowing sleeve. Enjoyably self-aware and satisfyingly bloody, this may be imitation Craven, but it proves Scream's slasher-whodunnit formula is still potent enough to thrill.

Despite Five Nights at Freddy's 2 slightly bettering its predecessor in terms of scares and impressive animatronics, the sequel fails to understand that less is more. By stuffing as many storylines and characters as possible into its relatively brief runtime, the sequel feels messy and inconclusive, leaving FNaF fans shortchanged.

Some fun action and Glen Powell's star power aren't enough to energize a muddled, poorly paced ride with thinly drawn characters and an inconsistent world that wastes its abundant potential.

A serviceable blockbuster falls short of being truly fun by swapping the Grid for a real-world setting. Despite a good lead performance from Greta Lee and a great score, Ares lacks the charm and silliness of its Tron predecessors after one upgrade too many.

Not disastrous but disappointing all the same, The Conjuring: Late Rites commits the ultimate sin of not quite being bold or memorable enough for a final chapter.

Despite too many two-dimensional characters, a bloated story, and forgettable mutant dinosaurs, Rebirth still manages to deliver some of the franchise’s best set-pieces. Jonathan Bailey and Scarlett Johansson stand out in this unscary sequel that needed a little more time in amber before being extracted.

Though stronger in its more straightforward first half than in its experimental and hallucinatory second, 28 Years… still provides enough terror, splatter and suspense to satisfy.

Jared Hess's indie sensibilities help to elevate a video game adaptation that is boosted further by Jack Black's irrepressible star turn. The special effects could be better, as could the female roles. But this remains an entertaining fantasy adventure that makes light work of what might appear to be unpromising source material.

The Russo brothers deliver a fun and very current take on tech vs humanity with a core message on how human connection conquers all in this visually stunning sci-fi family adventure. However, the rushed storyline and vast list of underdeveloped characters ultimately let the movie down.

Slick and silly action sequences garner Fight or Flight well-earned John Wick and Bullet train comparisons, while Josh Hartnett proves himself a worthy action hero on this, at times, bumpy flight path.

Anthony Mackie's Captain America earns his Stars and Stripes in this uneven, un-MCU thriller. Sam Wilson and an always-excellent Harrison Ford drag Brave New World into unfamiliar narrative territory before it eventually succumbs to familiar Marvel failings.

Star Trek: Section 31 doesn't know what it wants to be. Is it a serious exploration of the criminal underbelly, a camp throwback to the noughties, or a tonally off combination of the two? Whatever it is, it doesn't work half as well as it should.

Far too many characters are vying for screen time in this predictably plotted sequel, but thankfully a weird, wild, and utterly brilliant central performance from Jim Carrey makes this a fun watch. A fine, wheel-turning instalment in a continually burgeoning franchise that will no doubt continue for many years to come.

It's no Hakuna Matata, that's for sure. And it's far from Jenkins' best work, but in any other hands, a lot of Mufasa's intentions would have completely misfired. Thankfully there are some stellar vocal performances and VFX – but it could have been so much better.

Though closer in quality to Morbius than Venom, Kraven is far from a catastrophe and serves up a decent helping of bloodthirsty, globe-trotting action. Taylor-Johnson makes a muscular if self-satisfied protagonist in a film that would have been better off standing on its own shoeless feet than cravenly (or should that be, 'kravenly') cleaving itself to its comic book brethren.

What could have been an exciting experiment in telling a new tale in a beloved universe in a very different way feels heavily compromised.

Completely stripping the bold premise back, Nightbitch is one of the year's most disappointing releases, wasting the talents of the usually brilliant Amy Adams. This dark thriller is all bark and no bite.

Frustratingly, [Marcel's] movie maintains the issues of the first two films – ropey effects, muddy night-time action scenes, a determination to be family friendly at all times – and then undoes any goodwill its more successful components have inspired by including a mid-credits sting that renders the previous 109 minutes obsolete.

Don’t be put off by the long wait. This is a little slimline but a lot of fun.

A credible, if slightly limited, prequel that recaptures the atmosphere if not the originality of Rosemary’s Baby.

The Crooked Man is at its best in a flavoursome first half that serves up crepuscular, shallow-focus photography (take a bow, DoP Ivan Vatsov) and backwoods dialect as tangy and prickly as wild gooseberries.

A visually striking and inventive overhaul of well-oiled IP that suggests animation was the right path all along. Autobots, roll out!

Exploring how a one-time surrealist art muse fought to report atrocities, this handsome but rather conventional biopic showcases a tip-top Winslet performance, but at times meanders like a weighty Wikipedia entry.

Filmmaker Azazel Jacobs follows up the highly mannered (and highly strung) French Exit (2020) with a slow-burn study of sibling rivalry, parental mortality and the ties that bind.

Part courtroom movie, part behind-bars romance, Folie à Deux is an unconventional musical sequel that fails to hit the high notes.

For those looking for an easy-on-the-eye, brain-in-neutral-thriller, Wolfs still hits the spot.

It's all enough to make you wonder if this is a flight that should have stayed grounded.