Time's Scores

For 2,973 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Paterson
Lowest review score: 0 Life Itself
Score distribution:
2973 movie reviews
  1. When Possession finds its true home, lodging in the convulsive certitude of Victorian romance, it does indeed catch fire -- and warms any viewer in the mood for love.
  2. Nettelbeck is a sharp observer of life's surprises, and Gedeck has an appraising, intelligent beauty. Her Martha is like the film: tart on the outside, sweet on the inside, with a delectable aftertaste.
  3. The film's spare wit is as applicable to Broward County as to the Persian Gulf. Secret Ballot offers further evidence that an Islamic regime can foster humanist satires with a critical, political edge.
  4. What makes The Good Girl worthwhile is its performances. All the actors play their entrapment with a weirdly convicted blankness. That's especially true of Aniston.
  5. The result is Soderberghs liveliest experiment since the strenuously weird "Schizopolis" six years ago -- except that this one works.
  6. Occasionally succumbs to Mika's legato rhythms, but it is more often a sly, subtle comedy about the oh-so-gentle art of murder.
  7. This is, alas, one weary ride--77 minutes that sometimes feel like that many hours.
  8. These people are fools for heedless love and, perhaps, needless complication, and you can't help responding to the heat of their passion.
  9. The comedic first part of Jacques Audiard's film doesn't achieve a seamless connection with its melodramatic second half, but you can't deny the originality of his conceit or the tart cynicism of its development.
  10. This feels the way a lot of us are living now -- on desperation's dull yet still cutting edge.
  11. Spielberg's sharpest, brawniest, most bustling entertainment since "Raiders of the Lost Ark" and the finest of the season's action epics.
    • Time
  12. It's a bright, engaging bauble with half a dozen Elvis Presley songs for Mom and Dad, and just enough sass -- Stitch sticks his tongue into his nose and eats his snot -- to keep the tweeners giggling.
  13. The result is an escapist fantasy that is -- Damon's and Potente's persuasive performances aside -- as weightless and inconsequential as a musical. And at the moment every bit as welcome.
  14. The cast does great impressions of the original cartoon characters, and the computer-generated Scooby is convincing, but it turns out that what we liked about Scooby-Doo in the first place was that nobody was trying.
  15. This is potentially near tragic material, and playing it as an all-forgiving comedy is a waste of everyone's time.
  16. It is a ripping yarn and a spectacularly new and odd vision.
  17. It's a pretty, high-strung story, handsomely done in traditional animation (mostly by hand) that you can take the kids to without wincing.
  18. An exhilarating two hours of serious fun.
    • Time
  19. Is comedy a young man's game, like skateboarding or sex? Writing jokes, creating droll characters -- these take ambition, ingenuity and energy, and after decades of devotion to this voracious muse, a fellow can get pooped.
    • Time
  20. Raimi directs the film at Maguire's pensive pace. Some scenes are just inert.
    • Time
  21. Yet how can one possibly recommend The Salton Sea? If it could, this nasty film would make you smell the disgusting food on the table. And that says nothing about its casual sadism.
    • Time
  22. Enigma is not for everyone, but the thoughtful (and the historically minded) will find it an absorbing and extremely well-textured experience.
    • Time
  23. The result is tiresome and tone-deaf and a disappointing comeback for Bogdanovich.
  24. Randy and giggly, this is a femme version of "The Man Show."
  25. The film bubbles with acid wit, in the tradition of Billy Wilder and Preston Sturges, while simmering with the ache of lust pursued and love lost.
  26. A fairly standard exercise in claustrophobic menace. It is also an exercise in style.
  27. Wry, richly layered, wonderfully observed Argentine film.
  28. If this sounds like an old-fashioned sex comedy, it is -- sexy, for sure, and funny, in wild spurts.
  29. It yearns for Pixar-style wit without quite earning it.
  30. They bring their characters to good, slightly surprising, quite satisfying places. And leave us beaming happily.
    • Time

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